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Features Live Action Movies

The End of Oak Street

Director – David Robert Mitchell – 2026 – US – Cert. 12a – 99m

Film ***

Prehistoric Beasts *****

A family in a pleasant American suburb is inexplicably transported to a prehistoric time where dinosaurs and other dangerous creatures roam – out in UK cinemas on Friday, August 14h

A typical family in 1980s American suburbia. At a local community get together, Greg (Ewan McGregor) takes part in a sack race. His wife Denise (Anne Hathaway takes him aside for a serious conversation about their marriage, which she doesn’t think is working. She is also annoyed that their son Brian (Christian Convery) has bought along their dog Starbuck (played by dogs Buzz and Brisket) who has a habit of getting out of control. Denise is further frustrated when Greg bunks off to do some deliveries (it later transpires that she hates the Pizza Delivery sign he fixes to the car roof when doing his rounds.) The family also has a young teenage daughter Audrey (Maisy Stella).

Denise pays a visit to her elderly friend Mrs. Huddleston (a striking turn form Anne Gee Byrd) who is somewhat perturbed as to the identity of the flower that has sprung up in her garden, growing to about four feet high in two days and resembling a small palm tree or yucca bearing a fruit something like an acorn about the size of a hand.… Read the rest

Categories
Animation Movies Shorts

The Lab

Director – Izzy Livesey – 2024 – UK – Cert. U – 3m

****1/2

In her secluded laboratory, an obsessive woman scientist develops a powerful serum which leads to unexpected consequences – animated short accompanies the reissue of Away, back in UK cinemas from Friday, March 14th

This plays around with that old horror movie trope, the mad scientist, making that figure into a middle-aged woman in a white lab coat. The pleasures to be had here come not so much from what happens – although the twist at the end, when you see it, is likely to surprise you – as they do in the expression of its happening. What impresses are the designs of the characters (both of them!), the look of the sets, the use of lighting to create atmosphere, and – once you get into the area of kinetics, the fact that this is a moving picture – the choreography and flow of the piece. (I use the world flow deliberately, since it perfectly describes Gint Zalbalodis’ two, wordless animated features to date. The current, animated short accompanies the reissue this week of the first of those, Away (2019). Zalbalodis’ second feature is the deservedly Oscar-winning Flow (2024), out in cinemas here next week on Friday, March 21st.)… Read the rest