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Features Live Action Movies

Things Will Be Different

Director – Michael Felker – 2024 – US – Cert. 15 – 102m

****

A brother and sister go through a portal into the past, are trapped there by an unseen adversary, and must wait for a mysterious visitor – out in UK cinemas on Friday, October 4th

This movie is different. It’s about philosophical ideas. It would work very well as a piece of writing (a short story? a novella?), it would work as a radio drama, and – yes – it works very well as a movie. Because what’s compelling about it is not what you see with your eyes or hear with your ears, it’s the implications of it all, the stuff that goes through your head as you’re watching the movie. Welcome to the Cinema of Ideas.

Early one bright and sunny Summer morning, Sidney (Riley Dandy) enters the diner where her brother Joseph (Adam David Thompson), who she’s not seen for a while, is having breakfast. She has the rifle. He has the two bags with the money. As arranged, they go through the woods, across the high cornfields towards the house. There are people in the woods, which are supposed to be deserted. She is concerned.… Read the rest

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Features Live Action Movies

The Substance

Director – Coralie Fargeat – 2024 – US – Cert. 18 – 140m

****1/2

Hollywood star Elisabeth Sparkle (Demi Moore) hosts a network TV keep fit show, but she’s getting on in years – and so is her audience. The show’s producer Harvey (Dennis Quaid) has decided that younger talent is needed in order to attract a younger audience, and gives her the elbow. By a quirk of fate or screenplay, a mailshot about something called The Substance arrives in her penthouse apartment. It’s some sort of beauty product, although the high-end design of the blurb doesn’t explain exactly what it is or what it does. There’s a phone number.

Elizabeth’s identity is bound up with the former show. She calls the number. She engages in conversation with the unseen voice on the other end of the phone. She decides to give The Substance a try. She is told to write down an address. Later, she is sent locker card key number 503 and instructed to collect her package from that address. It turns out to be a derelict entrance with a shutter that only opens part way to about a yard in height, meaning you have to duck under it.… Read the rest

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Features Live Action Movies

Sky Peals

Director – Moin Hussain – 2023 – UK – Cert. 12a – 91m

****

When his estranged father dies after leaving him an answering machine message, a motorway service station employee starts to question the identity of his father and, by extension, of himself – out in UK cinemas on Friday, August 9th

Adam (Faraz Ayub) receives an answerphone message from his father Hassan (Jeff Mirza) who he’s not seen for years; his father hasn’t much time left, is currently near Adam’s home and wants to meet up and talk. Like the answerphone message left by her soon-to-be deceased husband for the heroine of After Love (Aleem Khan, 2020) – is a British subgenre emerging here with Muslims and bereavement? – the recording plays on Adam’s mind at his workplace, the Sky Peals motorway service station, where he does the night shift preparing burgers in the kitchen and keeps himself pretty much to himself. He complains to his superior that the system isn’t working and customers aren’t getting served their orders, but the old manager has left, and the new one doesn’t start ’til Monday. Meanwhile, people aren’t getting their orders.

The police find a dead body in a car in the service station car park.… Read the rest

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Features Live Action Movies

Janet Planet

Director – Annie Baker – 2023 – US – Cert. 12a – 113m

**

Over the Summer, an 11-year-old girl abandons her idealised view of her mother as the latter traverses a series of relationships – out in UK and Irish cinemas on Friday, July 19th

11-year-old Lacy (Zoe Ziegler) isn’t enjoying summer camp. So much so, that she phones home from the payphone (it’s 1991) to ask her mother Janet (Julianne Nicholson) to come and get her. That sets us up for the rest of the film, in which Lacy shares her mother’s house over the remainder of the Summer. During this time, her mother embarks on a series of short-term relationships, with the body of the film split into three sections, one for each.

First up is war veteran Wayne (Will Patton), a damaged individual who is around long enough to briefly introduce Lacy to his own daughter Sequoia (Edie Moon Kearns). But then, before you’ve really got a handle on him, or his daughter, they’re gone from Janet’s life and so from Lacy’s.

Mother takes daughter to witness an open air performance by a bizarre theatre collective involving weird, archetypal, human-sized characters from homegrown hippie folklore (these scenes prove a high point in a largely uninspiring film).… Read the rest

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Features Live Action Movies

Hoard

Director – Luna Carmoon – 2023 – UK – Cert. – 126m

****

A young girl’s strange relationship with her rubbish-hoarding mother, cut short in childhood, leads to an equally bizarre bond in adult life – out in UK cinemas on Friday, May 17th, with previews from Friday, May 3rd and exclusively on MUBI from Friday, July 5th

When I first stumbled across the title of this film, and the image used to promote it of a young couple staring into what I took to be a circular hole, which, I realised after seeing the film, was in fact the outline of a communal bin of the type commonly found on an English housing estate, I guessed it was a thriller – two people stumble upon a hoard: a bag of money or otherwise valuable contents. A noun. However, after viewing, I now realise the title could equally well suggest an activity, a verb. To hoard. The act of hoarding. The state of being which is hoarding. The film isn’t really a thriller. To describe it as a drama might be closer to the mark, but that doesn’t prepare the viewer for how utterly strange and alien the experience of watching this is.… Read the rest

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Features Live Action Movies

the G

Director – Karl R. Hearne – 2023 – Canada – Cert. 15 – 106m

*****

A 72-year-old conned out of her home and assets calls up someone from her past to exact revenge – gripping thriller is out in UK and Ireland cinemas on Friday, June 21st

After a brief opening in which two men complete the task of burying a third alive, this switches to a hospital appointment of Mrs. Hunter (Dale Dickey from Hell or High Water, David MacKenzie, 2016; Winter’s Bone, Debra Granik, 2010), 72 years old and gruffly describing herself as “socialite, retired”. She is accompanied by her grown-up granddaughter (Romane Denis), photogenic legs in tight shorts, and giving the middle finger to men who come on to her. The elder drives the younger home, deliberately missing the turn-off so they can spend more time together talking in the car.

Then Hunter returns to her condo to care for her bedridden partner Chip (Greg Ellwand from February, Oz Perkins, 2015), hit a bottle of vodka and perch precariously on a stepladder on her balcony to fix a dicky light. She is watched by a man from a car parked in the street. Next morning, there’s a knock at the door, and men including “your legal guardian Rivera” (Bruce Ramsay) and his assistant (Jonathan Koensgen) come into the apartment bearing a court order to move the couple to a facility.… Read the rest

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Features Live Action Movies

The Crazy Family
Gyakufunsha Kazoku,
逆噴射家族)

Director – Sogo Ishii – 1984 – Japan – Cert. 18 – 105m

*****

After proudly moving into their first home as owner-occupiers, a family go berserk and destroy the building – out on Blu-ray on Monday, June 17th

This seemingly starts out as a conservative family drama. The family in question comprises father Katsukuni Kobayashi (Katsuya Kobayashi in his debut feature role), mother Saeko (Mitsuko Baisho who worked with directors Akira Kurosawa, Shohei Imamura and Kaneto Shindo), elder teenage son Masaki (Yoshiki Arizono from Ichi the Killer, The Happiness of the Katakuris, both Takashi Miike; Electric Dragon, 80,000 V, Sogo Ishii, all 2001) and younger teenage daughter Erika (Youki Kudoh from Typhoon Club, Shinji Somai, 1985; Mystery Train, Jim Jarmusch, 1989; Heaven’s Burning, Craig Lahiff, 1997). The Kobayashis move in to their first home as owner-occupiers which, although it’s a little on the small side, promises an idyllic existence. Father is the breadwinner with a nondescript office job, mother waters the plants and does the cooking and housework, the daughter wants to be an idol singer and the son is spending all his time studying for school and university in his room upstairs.… Read the rest

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Furiosa
A Mad Max Saga

Director – George Miller – 2024 – Australia – Cert. 15 – 148m

*****

Kidnapped by a biker gang she attacks, young Furiosa must make her way in the desert wasteland populated by despots, bikers, and gas truck drivers – out in UK cinemas on Friday, May 124h

In the forest where fruit is plentiful near her home, young Furiosa (Alyla Browne, the lead in the upcoming Sting, LINK, Kiah Roache-Turner, 2023) spots a group of bikers who capture her as she tries to cut their bikes’ fuel lines. Her mother Mary Jabasa (Charlee Fraser) sets off across the desert in pursuit, stealing a bike from one of their number, only to be captured and crucified. Furiosa is taken to the biker’s despotic and nomadic leader Dementus (Chris Hemsworth), later escaping and falling in with gas truck driver Praetorian Jack (Tom Burke). Furiosa becomes a young woman (Anya Taylor-Joy) who as Jack’s protégé learns everything he knows.

The desert economy, where gasoline is the most precious commodity, consists of a wasteland in which are situated three strongholds: Gas Town, The Citadel and The Bullet Farm.

This prequel to Mad Max: Fury Road (George Miller, 2015) was essentially written at the same time as that film as part of the process of understanding the backstory of Imperator Furiosa (Charlize Theron).… Read the rest

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Documentary Features Live Action Movies

Made in England:
The Films of
Powell and Pressburger

Powell and Pressburger on the set of The Red Shoes

Director – David Hinton – 2023 – US – Cert. 12a – 129m

*****

Martin Scorsese talks about the seminal British filmmaking duo, and how they inspired his own movies – out in UK cinemas on Friday, May 10th

As a child, Martin Scorsese suffered from asthma and would constantly find himself at home while other kids were outside playing. He often found himself sitting front of the black and white TV watching a show called Million Dollar Movie. This would show a movie a week, playing it several times, and it was at a time when US producers wouldn’t sell their movie rights to TV but British producers would. Consequently, he grew up watching black and white versions of old British movies.

The ones he particularly liked opened with an arrow hitting a target: “a production of the Archers. Written, produced and directed by Michael Powell and Emeric Pressburger.” When this logo and these names appeared, Scorsese always knew he was in good hands. He watched these movies over and over again whenever they were shown, and learned much of his filmmaking craft from them. The first of these films to which he thrilled didn’t have this logo: it was the Alexander Korda production of The Thief of Baghdad (Ludwig Berger, Michael Powell, Tim Whelan, 1940) and parts of the film have the unmistakeable Powell visual stamp.… Read the rest

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Features Live Action Movies

Hoarder on the Border
(Danshari Paradise,
断捨離パラダイス)

Director – Takayuki Kayano – 2022 – Japan – 101m

****

A failed pianist takes on a job at a cleaning company which specialises in decluttering houses filling up with rubbish – played UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

Promising young pianist Ritsuke Shirotaka (Ryo Shinoda), whose mantelpiece is adorned with prizes he won in school, can’t carry on due to hand tremors. His girlfriend pushes him towards eking out a living giving piano lessons, but that isn’t enough to stop her abandoning him.

In need of gainful employment, he interviews for and gets a job at cleaning company Danshari Paradise. (Note: Danshari is a Japanese philosophy of decluttering, based on principles that have been around in that culture a long time.)

This is a whole new world to him, and he must learn on the job. The houses or flats that the company deals with are typically places where you can’t see the floor for items of clothing and packaging that have been discarded there.

On his first assignment with such a team, Ritsuke attempts to physically pull blockages from a kitchen sink, only for a female colleague to pull him aside and pour liquid down the plughole to clear it.… Read the rest