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The Tenants
(Se-ip-ja,
세입자)

Director – Yoon Eun-Kyung – 2023 – South Korea – LKFF Cert. 12 – 90m

*****

In a black & white, futuristic Seoul, a tenant who sublets his rental apartment to prevent his eviction finds out that this approach has its drawbacks – from LKFF, the London Korean Film Festival 2024 which runsin cinemas from Friday, November 1st to Wednesday, November 13th

An alluring image turns out to be merely an image on a wall, an artifice rather than the paradise we at first assume it to be. This is an image many filmmakers have used to open their movies and, depending on what they’ve seen over the years, it will conjure different films for different viewers. For this viewer, it conjures what I consider one of the funniest films of recent decades, Quick Change (Howard Franklin, Bill Murray, 1990) where the image is revealed as a tawdry New York subway train ad above a clown who will shortly proceed to rob a bank.

The Tenants may not be a comedy, but it shares with that film a sense of urban malaise, a feeling of being trapped in a grim metropolis where everything about the place conspires to prevent the protagonists leaving.… Read the rest

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My Favourite Cake
(Keyke Mahboobe Man,
کیک محبوب من)

Directors – Maryam Mogadam, Behtash Sanaeeha – 2024 – Iran, France, Sweden, Germany – Cert. 12a – 97m

****1/2

An old woman living alone in Iran takes a shine to a taxi driver after learning he has no romantic attachments – out in UK cinemas on Friday, September 13th

Mahin (Lily Farhadpour), 70, likes to lie in. Every morning, she’s woken by her mobile phone and her friend Pouran’s distinctive Vivaldi Four Seasons ringtone. She waters her small courtyard garden, she goes to the market to buy vegetables, she gets a lift home. She talks to her daughter and grandkids on a videolink – her daughter has long since left Iran. In the evening, she has friends round for a meal, including the hypochondriac Pouran who insists on talking about her recent colonoscopy (of which she’s brought along a disc with a video).

The next day, she gets a cab to a hotel to visit a coffee shop inside its premises, where she is confounded by a menu consisting of a QR code. She visits a park and asks a man there, where do people exercise? It seems they tend to come earlier in the morning than she gets up.… Read the rest

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The Conversation

Director – Francis Ford Coppola – 1974 – US – Cert. 12a – 113m

*****

A surveillance expert records a conversation between two people, then worries about turning the recording over to his corporate client as contracted – 50th anniversary 4K Restoration is out on UHD, Blu-ray and DVD on Monday, July 15th

There’s nothing else quite like The Conversation in cinema.

Union Square, San Francisco. People milling around. Among them, a couple (Frederic Forrest and Cindy Williams) having a conversation. Also in the square, a man in a plastic mac (Gene Hackman). And another man (Michael Higgins) following them around, holding a bag. And, at two separate windows above the square, two long range microphones.

The first man, Harry, enters a nearby van, inside which is his recording assistant Stan (John Cazale). He’s shortly followed by the other man, Paul, who believes the couple spotted him trailing them.

Harry pays a nighttime visit to his girlfriend Amy (Teri Garr). She wants him to spill his secrets. He claims he has none. He leaves, with her telling him not to bother to come back.

He goes to work in his office, situated at one end of the floor in an otherwise deserted warehouse.… Read the rest

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Sting

Director – Kiah Roache-Turner – 2024 – Australia – Cert. 15 – 91m

***1/2

A girl traps a venomous spider and cares for it as a pet, but as she feeds it, it grows… and grows… and gets out… – onto UK Home Premiere on Monday, July 15th

Helga (Noni Hazlehurst) is hearing strange noises in her Brooklyn apartment. She doesn’t remember so good, however, helpfully pinned to the wall by the phone is her name and address. So when she phones Frank the pest exterminator (Jermaine Fowler), she can read those details to him. It’s probably a rat, he tells her. Soon he is at the door of the block, asking her to buzz him in. But inside the apartment, he realises this particular bug may be more than he bargained for.

Flash back to four days earlier. A hand-sized meteor plunges to Earth to crash through a window into a doll’s house in the same apartment block. It is a tiny pod not unlike the ones in Alien (Ridley Scott, 1979). It opens, hatching a small spider, which looks huge until we realise it’s in a small scale doll’s house, not outside in the apartment proper. The spider is found by Charlotte (Alyla Brown from Furiosa: A Mad Max Story, George Miller, 2024) who empties out her money jar, the one with the screw lid, to make a home for it, feeding it with the roaches that infest the apartment.… Read the rest

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the G

Director – Karl R. Hearne – 2023 – Canada – Cert. 15 – 106m

*****

A 72-year-old conned out of her home and assets calls up someone from her past to exact revenge – gripping thriller is out in UK and Ireland cinemas on Friday, June 21st

After a brief opening in which two men complete the task of burying a third alive, this switches to a hospital appointment of Mrs. Hunter (Dale Dickey from Hell or High Water, David MacKenzie, 2016; Winter’s Bone, Debra Granik, 2010), 72 years old and gruffly describing herself as “socialite, retired”. She is accompanied by her grown-up granddaughter (Romane Denis), photogenic legs in tight shorts, and giving the middle finger to men who come on to her. The elder drives the younger home, deliberately missing the turn-off so they can spend more time together talking in the car.

Then Hunter returns to her condo to care for her bedridden partner Chip (Greg Ellwand from February, Oz Perkins, 2015), hit a bottle of vodka and perch precariously on a stepladder on her balcony to fix a dicky light. She is watched by a man from a car parked in the street. Next morning, there’s a knock at the door, and men including “your legal guardian Rivera” (Bruce Ramsay) and his assistant (Jonathan Koensgen) come into the apartment bearing a court order to move the couple to a facility.… Read the rest

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Jeanne du Barry
(Jeanne du Barry)

Director – Maïwenn – 2023 – France – Cert. 15 – 117m

***1/2

A commoner works her way into the King of France’s affections and becomes a member of the aristocracy – out in UK cinemas on Friday, April 19th

Born of the illicit union between a monk and a cook, the latter (Marianne Basler) taken in along with her daughter by the kindly M. Dumousseaux (Robin Renuchi) who ensures the child gets a decent education, Jeanne (Maïwenn) quickly realises her only viable career options are cooking, which she has no intention of pursuing, and harlotry. Before long, favoured client Compte Jean du Barry suggests to her that she should meet the King. To achieve this, she would need to become part of the King’s court for which a title is required, so she marries Jean in order to become the Countess du Barry and be presented to the King, Louis XV (Johnny Depp) .

Catching his majesty’s eye and favour, she is invited to his apartment, like many other women before or after her (although one suspects there were more before than after). Before meeting him alone, she is schooled in royal etiquette by the King’s trusted, right-hand man La Borde (Benjamin Lavernhe).… Read the rest

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Concrete Utopia
(Konkeuriteu Yutopia,
콘크리트 유토피아)

Director – Eom Tae-hwa – 2023 – South Korea – Cert. 15 – 130m

****1/2

A massive earthquake makes the residents of the sole Seoul apartment block still standing close their doors to survivors outside – out on UK digital platforms on Monday, April 1st

Concrete: a structural material made of aggregate, cement, and water. (Definition from Encyclopedia Britannica.) Harsh. Unyielding. Impenetrable. Opaque. Not alive. Commonly used in today’s world in the manufacture of buildings, and associated with Brutalist architecture.

Utopia: an ideal community whose inhabitants exist under seemingly perfect conditions. (Definition from Encyclopedia Britannica.) The English word derives from two Greek words, the compound meaning of which is nowhere. Hence, “seemingly”. Utopias tend to have some fatal flaw. If they didn’t, any story about them would lack dramatic conflict. Thus, the word carries within it a degree of irony.

The eponymous montage of these two words pits them against each other: an unyielding, dead physicality confronts the optimism of a better world. The title evokes JG Ballard’s novels Concrete Island (1974) and High-Rise (1975), the former about a stranded motorist struggling to survive on a spaghetti junction after a car accident, the latter about a newly built block of flats in which the residents descend through social breakdown towards a new order.… Read the rest

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The Lyricist Wannabe
(Tin4 Ci4 L,
填詞L,
lit. Lyrics Nerd / Dickhead)

Director – Norris Wong – 2023 – Hong Kong – Cert. 12a – 112m

****

A girl pursues her dream of becoming a Cantopop lyricist – out in UK cinemas on Friday, March 15th

The movies are full of rags-to-riches stories in which someone dreams of becoming a star, works hard to achieve that, and it ultimately all comes true. While that can happen, because in real life there are clearly stars out there, in most cases it doesn’t. This film follows a similar path: a girl gives her all to achieve her chosen dream but ultimately doesn’t make it, which is probably a far more common occurrence than the one in which the aspirant succeeds.

Law Wing Sze (Chung Suet-Ying) is a student at a church school run by nuns. She doesn’t read music, but is obsessed by Cantopop and wants to write lyrics, spending much time rewriting lyrics of old Cantopop songs such as Infernal Affairs which she rewrites as Student Affairs. For this endeavour she is summoned to Sister Che’s office where the nun / teacher helpfully gives her a crit session and suggests she change certain words to more accurately express what she’s trying to say without unintended double entendres.… Read the rest

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All of Us Strangers

Director – Andrew Haigh – 2023 – UK – Cert. 15 – 105m

*****

A gay Londoner travels by train to visit his parents in Sanderstead, following their deaths in a car crash when he was 12 years old – out on digital from Tuesday, March 12th

He (Andrew Scott) lives alone in a London tower block. Not only is he the single occupant of his flat, there’s almost no-one else in the building. When he goes outside for a breath of fresh air, he sees a guy in the window of one of the other apartments. Later, there’s a knock at his door. It’s the guy (Paul Mescal), who is slightly drunk, comes on strong and tries to get himself invited in. The visitor’s name is Harry. The occupant introduces himself as Adam, but doesn’t let Harry in.

By day, Adam writes screenplays. But he’s got stuck, so after perusing some personal effects, he takes the train to Sanderstead. There, he watches a boy in a window. He follows a man across an area of parkland. Coming out of a shop, the man spots him and asks him to come over. You think it might be a pickup – but no, it’s his dad (Jamie Bell).… Read the rest

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Observing
(Opazovanje)

Director – Janez Burger – 2023 – Slovenia, Italy, Croatia, North Macedonia – Cert. none – 83m

*****

A paramedic must deal with the aftermath of a man being kicked unconscious after people watch the incident on social media livestreaming – plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The sounds of a man (Vito Weiss) being beaten up by others. No images. Mercifully.

If you lived in Slovenia, you’d be familiar with a news story about a man who was beaten up by others who livestreamed the event over social media, picking up an audience of 20 000, out of whom only a negligible number, maybe a handful, thought to call the police. That incident was the starting point for this film, which is an attempt to come to term with such events.

It’s a drama based around the three-person ambulance detail who find themselves picking up the victim of the livestreamed attack. He’s in a bad way and winds up in intensive care. Most of the ambulance pickups either die on the way to or in hospital, or they make a full recovery; this man, however, remains stable but unconscious in the ICU with no sign of either recovery or lapse.… Read the rest