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Animation Documentary Features Live Action Movies

Give It a Shot

Director – Vaishali Sinha – 2025 – Canada, India, US – uncertificated – 92m

***

An Indian scientist has created a reversible male contraceptive technique, yet a combination of human greed and bureaucracy has so far prevented it reaching the masses – International Premiere at 6.30 pm at the ICA on Tuesday, July 14th in the London Indian Film Festival which runs from Thursday July 9th to Sunday, July 19th in London, Birmingham and Manchester

A man visits a trade show in Las Vegas of healthcare products and technology. He’s touting a male contraceptive, a field in which nothing much has happened since the introduction of the condom in the 17th Century. His product is an injection into the vas deferens of the male reproductive system which can last for ten years, yet is totally reversible within that time. He has date on its use and safety going back to the 1970s. He is not the original developer, but has been refining the formula since then. The product has been used extensively in India.

The film moves to India. “This for the vagina, that for the vagina,” says a woman cheerfully. “And meanwhile, the penis is just sitting in the corner.”… Read the rest

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Features Live Action Movies

The Piano Teacher
(La Pianiste)

Director – Michael Haneke – 2001 – Austria, France – Cert. 18 – 131m

*****

A masochistic piano teacher with an abusive mother embarks on an affair with a young male student – the opening film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025

Warning: NSFW.

This is at once representative of Haneke’s wider body of work and very different from it.

Representative because he is one of those directors whose personal use of cinematic vocabulary has been so honed over his years of making movies that he is able to clearly and precisely articulate problematic, controversial and taboo ideas and subject matter that few directors would be able to handle without descending into exploitation or commercialism. He is a director steeped in cinema, fascinated by how the process of making a movie constructs the narrative or other viewing and listening experience, and how that is perceived and understood by audiences.

Different because although Haneke generally writes as well and directs his own films, they are mostly original pieces whereas this one is an adaptation of a book, The Piano Teacher / Die Klavierspielerin by Elfriede Jelinek.… Read the rest