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The Piano Teacher
(La Pianiste)

Director – Michael Haneke – 2001 – UK – Cert. 18 – 131m

*****

A masochistic piano teacher with an abusive mother embarks on an affair with a young male student – the opening film of Complicit: A Michael Haneke Retrospective, in cinemas from Friday, June 6th

Warning: NSFW.

This is at once representative of Haneke’s wider body of work and very different from it.

Representative because he is one of those directors whose personal use of cinematic vocabulary has been so honed over his years of making movies that he is able to clearly and precisely articulate problematic, controversial and taboo ideas and subject matter that few directors would be able to handle without descending into exploitation or commercialism. He is a director steeped in cinema, fascinated by how the process of making a movie constructs the narrative or other viewing and listening experience, and how that is perceived and understood by audiences.

Different because although Haneke generally writes as well and directs his own films, they are mostly original pieces whereas this one is an adaptation of a book, The Piano Teacher / Die Klavierspielerin by Elfriede Jelinek. Essentially a character study of a woman exhibiting sexual dysfunction, there’s nothing else in his oeuvre (or any other filmmaker’s, for that matter) that I have ever seen that’s quite like it.… Read the rest

Categories
Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest