Tag: relationship

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20,000 Species
Of Bees
(20.000 Especies
De Abejas)

Director – Estibaliz Urresola Solaguren – 2023 – Spain – Cert. 12a –128m

**

An eight-year-old assigned male at birth struggles with their gender identity while mum struggles with her artistic identity as a sculptress – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 27th

This is one of those films that’s picked up lots of prizes at various international film festivals, which means that lots of people rated some aspect of the film highly or possibly that it was the best of a bad lot (although if a film wins awards over a number of festivals, that latter scenario is less likely).

I didn’t know any of that going in, and I didn’t like the film very much coming out – I found it difficult to follow who was who, a problem scarcely helped by the fact that one of the main characters is initially called by one name, then by a nickname they don’t like very much, then finally by the name by which they wish to be known. The film credits the eight-year-old character played by Sofia Otero as Lucía, but at the start of the film, they are called by their given name Aitor, although the character uses the nickname Cocó.… Read the rest

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The Ex-Files 4:
Marriage Plan
(Qian Ren 4,
前任4：英年早婚)

Director – Yusheng Tian – 2023 – China – Cert. PG – 129m

****

A man in a trial marriage attempts to help his best friend, on the rebound from a failed relationship, navigate the process of finding a new partner – out in UK cinemas on Friday, October 6th

Chinese writer-director Tian’s romantic franchise, now on its fourth entry, has built its previous instalments around characters whose former partners interfere one way or another with their current, ongoing, attempts at relationships. Meng Yun (Han Geng), a character from the original The Ex-Files (2014) is single again following events in The Ex-Files 3: Return Of The Exes (2017), while the relationship of regular character Yu Fei (Zheng Kai) with girlfriend Ding Dian (Zeng Mengxue) has settled down into some sort of stability.

The latter couple are eating out when she suggests, more on a whim than from any basis in fact, that she might be pregnant. His offer to marry her were that to be the case is met with a degree of disbelief in her arguments about being an independent woman, so they agree to a trial marriage. Yu Fei juggles this with trying to help the single Meng find love, enrolling him in a dating site and offering advice as things develop.… Read the rest

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Mind-Set

Director – Mikey Murray – 2022 – UK – Cert. 18 – 90m

***1/2

A woman seeks her way out of a relationship crisis via an affair with a new work colleague – drama masked as deadpan comedy is out in UK cinemas and on demand on Friday, October 6th

NSFW

Lucy (Eilis Cahill) and Paul (Steve Oram) have grown tired of one another. She works days at an uninspiring office job, bringing in the bread and butter money. He works from home as a screenwriter, with one filmed script to his credit. The film received poor reviews because, as she charitably says, the director did a poor job. Paul is now working on another screenplay, about “a space cadet coming to terms with his sexuality”, and there is a possibility that Nick (Jason Isaacs) might just make it happen.

Hosting a party, the couple give a tour of the premises. Paul opines about the virtues of the bidet in the bathroom – it can wash your cock or your vag if, say, you were at a party – while Luce notices the new bloke from work Daniel (Peter Bankolé) has turned up, presumably invited by one of her work colleagues.… Read the rest

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Breaking The Waves

Director – Lars von Trier – 1996 – Denmark, Sweden, France, Norway, Finland, Italy, Germany, US – Cert. 18 – 160m

*****

NSFW.

A mentally vulnerable, young woman in an austere Scots religious community marries an outsider only for her husband to be severely injured working on an oil rig – out in a 4K restoration in UK cinemas on Friday, Aug 4th

Divided into a series of chapter headings in which locked off camera shots are accompanied by popular 1970s rock songs which cut off or fade out before they reach their end, like much of von Trier’s work this is not a film for the faint-hearted.

Young woman Bess McNeill (Emily Watson) is questioned by the priest (Jonathan Hackett) of the local, austere Calvinist community before its elders as to her understanding of matrimony and warned against entering into that institution with an outsider. Nevertheless, she proceeds to marry non-religious oil rig worker Jan Nyman (Stellan Skarsgård). Their relationship is extremely carnal and she is deliriously happy until the time comes, as it must, for Jan to return to work on the rig. She finds his absence almost unbearable.

Then disaster strikes, with Jan seriously injured in a rig accident whilst trying to help an injured fellow worker.… Read the rest

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You Can Live
Forever

Directors – Mark Slutsky, Sarah Watts – 2022 – Canada – Cert. 15 – 96m

***

A not especially religious 17-year-old sent to live with her Jehovah’s Witnesses uncle and aunt becomes smitten with a devout Witness girl her own age – out in UK cinemas and on SvoD and EST streaming platforms from Friday, June 16th

Following the breakdown of her mother (who we never see), 17-year-old Jaime (Anwen O’Driscoll), pronounced Jamie, is sent to live with her aunt Beth (Liane Balaban) and uncle Jean-Francois (Antoine Yared). She’s the sort of girl who wears Siouxsie And The Banshees or New Order t-shirts, prompting a remark by her uncle that he went to see the former many years ago, but these days he doesn’t do such things. That’s because the couple are Jehovah’s Witnesses (JWs) and consider such things worldly. Like the Witnesses in Apostasy (Dan Kokotajlo, 2017), they are waiting with eager anticipation for the Return of Christ and the establishment of the New System, when all things will be renewed and made good. The couple have decided not to have children until that state of things comes to pass, which they believe it will soon.

It’s easy enough to get time away from them, though, and Jaime hangs out on her own in the fabulous countryside, accidentally losing her portable music player when it falls off the bridge parapet on which she’s perched into the river below.… Read the rest

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Sick Of Myself
(Syk Pike)

Director – Kristoffer Borgli – 2022 – Norway – Cert. 15 – 95m

*****

Fed up with the attention her successful artist partner is getting, a woman deliberately consumes dangerous prescription drugs to make herself the centre of attention– out in UK cinemas on Friday, April 21st

Young Oslo couple Thomas (Eirik Sæther) and Signe (Kristine Kujath Thorp from Ninjababy, Ingvild Sve Flikke, 2021; The Burning Sea, John Andreas Andersen, 2022) have an unhealthy relationship. He is a compulsive thief, stealing luxury items such as expensive wine and designer furniture from restaurants and showrooms, respectively. She is a compulsive liar and attention seeker. They somehow co-exist in a state of unstable equilibrium. They are on a collision course because he has a potential celebrity career while she does not. He is an artist having his first show at a major gallery, while she works at an ordinary coffee shop.

At a celebratory gathering with friends, she is constantly belittling him, constantly talking down his achievement through judicious use of fact coupled with any fiction she might care to invent. At a restaurant meal with his gallery owner and assorted invited guests, she invents an allergy, ‘absent-mindedly consumes a small amount of Thomas’ food and suffers an allergy attack, immediately becoming the focus of attention on what should be his evening rather than hers.… Read the rest

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The Wife
And
Her House Husband

Director – Marcus Markou – 2022 – UK – Cert. 15 – 86m

****

A divorcing couple follow instructions in a document they handwrote between them back when it seemed they’d be in love forever – out in selected UK cinemas (admission only one pound) from Friday, March 10th

Cassie (Laura Bayston – smart crimson suit, smart shirt) and Matt (Laurence Spellman from the director’s earlier short Two Strangers Who Meet Five Times – cheap hoodie) are at the end of their relationship. Somewhere along the line, it was good. But then it all went wrong. And now, here they are at their final meeting in her solicitor’s offices (£250 an hour, she’s paying) sorting everything out. She’s given him the house, half her salary.

Back at the beginning of their relationship, between them, they handwrote a document to be read and acted upon should it all come to this. Each of their handwriting gives away which bits they each wrote, which is just as well because their memories aren’t that good and they don’t remember writing parts of it. Or even any of it. But she just wants the chance to say goodbye. Properly. An ending.

First item on the list: to meet up in the park where they first met 20 years ago.… Read the rest

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The Son

Director – Florian Zeller – 2022 – UK – Cert. 15 – 123m

****1/2

A man and his wife must deal with the mental illness of his son by a previous marriage when he moves in with them – in cinemas from Friday, February 17th

Peter (Hugh Jackman) is a successful New York lawyer with a wife Beth (Vanessa Kirby) and a small child Theo. One day, his ex-wife Kate (Laura Dern) turns up at his apartment door to inform him that, as she’s just found out, their teenage son Nicholas (Zen McGrath) has not been to school for one month. She has tried to talk to the boy but got no sense out of him. When Peter goes to visit them, the boy insists he’d like to come and live with his dad.

New mum Beth is understandably hesitant, but nevertheless the couple agree to have Nicholas stay. It quickly becomes apparent that he has grievances against his father and step-mother for leaving his mother and becoming involved with his married father respectively. While Nicholas has never got over his parents’ break-up, Peter has continued in a career which leaves him increasingly less time for family. That looks like getting worse, too, because he has the chance of being part of the team of an electoral candidate.… Read the rest

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Peter Von Kant
(Peter Von Kant)

Director – François Ozon – 2022 – France – Cert. 15 – 85m

***1/2

A re-imagining of R.W. Fassbinder’s all-female-cast The Bitter Tears Of Petra Von Kant, with the three central gay characters switched from female to male – plays in cinemas from Friday, 30th December

Köln, 1972. Peter von Kant (Denis Ménochet) is a successful film director who resides in his apartment with his personal assistant Karl (Stefan Crepon). He is visited by his old friend, the singer Sidonie (Isabelle Adjani), whose blown up picture adorns one of his walls. She introduces him to young man of Arab extraction and actor wannabe Amir Ben Salem (Khalil Gharbia) with who Peter becomes besotted and who subsequently moves in with him.

Their passionate relationship is, however, doomed, with Amir suddenly leaving some months later on the pretext of visiting his wife when she unexpectedly phones him from a nearby city. After Aamir has left him, Peter becomes an emotional wreck. On his birthday, he waits on the phone, hanging up in seconds when he realises the caller isn’t Amir. He vents his emotional distress on his three birthday visitors: his mother Rosemarie (Hanna Schygulla), his boarding school student daughter Gabrielle (Aminthe Audiard) and Sidonie.… Read the rest

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Come Come Come
Upward
(Aje Aje Bara Aje,
아제 아제 바라 아제)

Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m

***1/2

As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationships – part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.

As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest