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Documentary Features Live Action Movies

All That Breathes

Director – Shaunak Sen – 2022 – India – Cert. – 97m

*

Set against the backdrop of heavily polluted Delhi, Muslim siblings devote their time to healing the local species of bird that seems to get injured more than most: the black kite – plays in the BFI London Film Festival 2022 which runs from Wednesday, October 5th to Sunday, October 16th in cinemas and on BFI Player, out in UK cinemas on Friday, October 14th

Plunging the viewer right from the start into a rarely seen, night time netherworld, this contains incredible intermittent footage of life in a modern city, in this case Delhi. We are on a patch of waste ground, whether an officially designated rubbish tip or simply the place people check their waste is not clear, but the refuse is piling up and you can hear creatures scuffling around. The takes are long and soon you’re picking out rats in the darkness, and thinking that if only the rubbish was more securely contained, the rat infestation wouldn’t be a problem.

There are several similar lengthy shots that punctuate All That Breathes, and they’re absolutely mesmerising. This is in no small part due to the use of the unbroken take, coupled with complex camera moves which reminded me of last year’s pig documentary Gunda (Victor Kossakovsky, 2020).… Read the rest

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Features Live Action Movies

All Is Vanity

Director – Marcos Mereles – 2021 – UK – Cert. 15 – 72m

*

A photographer, an intern, a model and a make-up artist unite for a photography shoot that goes horribly wrong – out in cinemas on Friday, October 14th

What went wrong, exactly,? asks the opening voice over. He’s referring to a day, a night and a day when a photographer (Sid Phoenix) with an unpaid intern (James Aroussi) in tow, a model (Isabelle Bonfrer) and a make-up artist (Rosie Steel) gather in a London studio to do a photographic fashion shoot for the All Is Vanity clothing brand. There’s a degree of tension and drama between the four. The photographer has the intern’s introductory letter on his phone and tells him he takes himself far too seriously: no-one wants to know his internal conflicts or motivation. He doesn’t have nice things to say about he model either, noting before she arrives that she can be a bit of a bitch.

It doesn’t bode well when she arrives late and holds up the shoot. The photographer likes the clothes and the décor in the studio that the brand has chosen, but doesn’t think the two work together. Something strange is going on because at one point the power goes off and the problem doesn’t appear to be blown fuses.… Read the rest

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Features Live Action Movies

The Woman King

Director – Gina Prince-Bythewood – 2022 – US – Cert. 15 – 135m

****

The warrior women of Dahomey defend their people against capture by neighbouring nations for the white foreigners’ slave trade – out in UK cinemas on Friday, October 7th

Outside of the Greek myth of the Amazons, we don’t really think of armies as being made up of women rather than men prior to the last few decades, yet historically this actually occurred in a West African country, the Kingdom of Dahomey (further info: National Geographic; wikipedia) between the middle of the seventeenth and the end of the nineteenth centuries. These warrior women are the subject of this film which takes place in 1823.

A prologue shows a small unit of the women in action under their General Nansica (an unforgettable Viola Davis) as they attack and slaughter a unit of (male) soldiers [Read more…]

Full review published at DMovies.org.

The Woman King is out in cinemas in the UK on Friday, October 7th.

Trailer (please note that the irritating, ill-judged pop soundtrack is not representative of the film):

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Categories
Documentary Features Live Action Movies

Doctor Who Am I

Directed by Matthew Jacobs & Vanessa Yuille
Certificate 12a, 80 minutes
Released in cinemas 27 October and
DVD & Digital 28 November

What is a church, and why do people attend it? This is a documentary about Doctor Who fandom and conventions. At no point does it suggest, at least not in so many words, that such gatherings might be churches. Hold that word, ‘gathering’. It’s one that those of us who are religious often employ to describe ‘church’.

Screenwriter Matthew Jacobs has, for many years, avoided attending such gatherings… [Read the full review in Reform Magazine.]

Doctor Who Am I is out in cinemas in the UK on Thursday, October 27th and DVD & Digital Download Monday, 28th November.

Read a longer review elsewhere on this site.

Trailer:

Categories
Features Live Action Movies

Girls Girls Girls
(US: Girl Picture,
Tytöt Tytöt Tytöt)

Director – Alli Haapasalo – 2022 – Finland – Cert. 15 – 100m

****

Three teenage girls’ lives are turned upside down by sex, romance and fledgeling relationships – out in UK cinemas on Friday, September 30th

Ice hockey class. In the spur of the moment, Mimmi (Aamu Milonoff) attacks another girl with her hockey stick. She and her best friend Rönkkö (Eleonoora Kauhanen) talk about it after. They are like two misfits, spurned by everyone else, but happy in each other’s company.

Elsewhere, under the watchful eye of her coach Tarja (Sonya Lindfors), Emma (Linnea Leino) is doing ice skating practice but it’s all going horribly wrong. She seems to have forgotten how to do the Triple Lutz – the build up is fine, the spin into the air is fine, but she keeps coming a cropper on the landing, falling flat on the ice. She tries to calm herself with her meditation app. She talks about it in French with her mum.

Mimmi and Rönkkö are on their shift at the health food drink stand in the local shopping mall. Mimmi takes the mick (or the mimmi) out of customer Emma while Rönkkö plays it so cool with the boy that she fancies when he tries to chat her up at the counter it’s as if nothing happened.… Read the rest

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Features Live Action Movies

Smile

Director – Parker Finn – 2022 – US – Cert. 18 – 115m

***

After a psychiatrist witness a patient smile then commits suicide, she finds herself stalked by a malevolently smiling presence – out in UK cinemas on Wednesday, September 28th

A patient describes her condition to Psychiatrist Dr. Rose Cotter (Sosie Bacon) who then witnesses her apparently see something which drives her to suicide, smiling malevolently as she slices half of her own face off. The patient has previously described an entity which appears as people, sometimes people she knows, sometimes strangers. She can see it but no-one else can. And it’s always smiling at her. And now Rose can see this entity smiling at her, which suggests she’s next. Especially when it starts chanting, “you’re going to die” over and over again. (Spoiler alert: you’re going to die. We all are, sooner or later. So this really isn’t such surprising news.)

Just as she herself had done to her patient, those to whom Rose attempts to explain her plight come up with psychological explanations – childhood trauma, her genes, she’s been under a lot of stress lately and so on. There’s a certain daft pleasure to be had in such films that no-one ever takes the obvious explanation (here, that this woman is being stalked by a malevolent entity) seriously.… Read the rest

Categories
Animation Features Movies

Inu-Oh
(Inu-Oh,
犬王)

Director – Masaaki Yuasa – 2021 – Japan – Cert. – 98m

***1/2

In fourteenth century Japan, a blind musician and a deformed, masked dancer shake up the culturally staid world of Noh theatre by forming a hugely popular rock band – out in UK cinemas on Wednesday, September 28th

You never quite know what you’re going to get with an animated feature by Masaaki Yuasa (Ride Your Wave,2019; Lu Over the Wall, 2017; Mind Game, 2004) as he has a tendency to break with tradition. Here, he takes on periods of Japanese history but rather than go with power struggles as to who rules Japan, he focuses on two outcasts, an orphaned musician and a deformed dancer, who join together to form a rock band with an emphasis on theatrical showmanship to upend the artistic conventions of the day and become an overnight sensation until the ascendant ruler, determined to control the historical narrative, has the musician killed, and the dancer emasculated, forbidden to perform anything but state-approved material, and that only in the Imperial court.

It’s a triptych, one long story split into three sections. In the first section, after a prologue detailing the decisive Battle of Dan-No-Ura towards the end of the twelfth century, in which the Heiji clan were defeated by the Genji and the formers warriors threw themselves into the sea and perished, two centuries later in the period of the Northern and Southern Courts, Northern would be Kyoto-based, shogunate emperor Ashitaka decides that the power to rule demands he acquire three sacred treasures, one of which is a sword buried in the lake at Dan-No-Ura.… Read the rest

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Features Live Action Movies

In Front Of Your Face
(Dangsin Eolgul Ap-eseo,
당신얼굴 앞에서)

Director – Hong Sang Soo – 2021 – South Korea – Cert. 12a – 85m

*****

A Korean-born actress returns from the US to spend time with those close to her and attend a meeting with a director for a possible acting job – out in UK cinemas on Friday, September 23rd

A woman on a sofa. She gets up but can’t wake the woman sleeping in the bedroom. Later Sangok (Lee Hyeyoung, the sofa one) and Jeongok (Cho Yunhee, the bedroom one) talk – Jeongok had been having a really vivid dream – and go out for coffee and breakfast to a pleasant lakeside café, followed by a visit to the local café run by Jeongok’s son and his girlfriend. Sangok has a meeting with a director later at a restaurant to discuss a possible film project. Going there in the taxi, she gets a message from director Jaewon (Kwon Haehyo) on her phone that the venue changed, so changes the destination. Her admiring host makes her feel at home enough to explain her situation – and why she feels unable to do the film, which leaves him in a state of shock.

In the latter part of his career, director Hong has honed his personal filmmaking style and vocabulary into a distinctive form uniquely his own.… Read the rest

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Features Live Action Movies

After Yang

Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest

Categories
Documentary Features Live Action Movies

My Childhood,
My Country:
20 Years
In Afghanistan

Director – Phil Grabsky, Shoaib Sharifi – 2022 – UK – Cert. tbc – 90m

**1/2

The story of a boy from his harsh childhood in a mountain cave through to his life as a husband and father of three in present day Kabul under the Taliban – out in UK cinemas on Tuesday, September 20th

Mir Hussain has already been the subject of two previous Grabsky documentaries The Boy Who Played On The Buddhas Of Bamiyan (2004) and The Boy Mir (2011). The first covers his time as an eight-year-old living in the caves of Bamiyan, beside the remains of the famous monuments which had been destroyed by the Taliban. The second documents his life from eight- to eighteen-year-old. This third film takes a longer view, following Mir’s life from that early period through to the present day.

Afghanistan has undergone huge changes in the last twenty years, from Taliban rule through occupation post 9/11 by NATO forces led by the US to the withdrawal of Western forces, the collapse of the Afghan government and the return to power of the Taliban. That story is related here via clips of various news reports from TV channels all around the globe.… Read the rest