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Twisters

Director – Lee Isaac Chung – 2024 – US – Cert. 12a – 117m

Film ***1/2

Special Effects (the twisters themselves) *****

A young woman attempts to compensate for failed “twister taming” which caused the tragic deaths of three of her friends, by further pursuing tornadoes – out in UK cinemas on Wednesday, July 17th

In the very first moments, Kate (Daisy Edgar Jones from Where the Crawdads Sing, Olivia Newman, 2022) stands in a field of tall grass. It’s an image that could almost have come out of director Chung’s previous film, the intensely personal Oscar-winner Minari (2020). Almost, but not quite: apart from one briefly seen-child, this is not a film populated with Korean-Americans. It doesn’t attempt any kind of ethnic statement, but then, why should it? People either come to this because they saw Twister (Jan de Bont, 1996) and want a rerun or, if they’re younger, because they want the same thing that pulled audiences into the first film: mayhem caused by the awe-inspiring, unstoppable force of nature that is a tornado, aka a twister.

The title implies there are more than one, and there are indeed, but then, there were in the first film too.… Read the rest

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Features Live Action Movies

Twister

Director – Jan de Bont – 1996 – US – Cert. PG – 108m

Film **

Special Effects (the twisters themselves) *****

1996 review for long defunct website London Calling Internet

A twister, as lovers of The Wizard of Oz (Victor Fleming, 1939) will know, is a tornado that snatches up objects in its path into the air and then dumps them down again. The one that snatched Dorothy into the air was a cheap special effect in a wonderful film. The current movie, on the other hand, is the other way round: basically, it’s a rotten movie with awe-inspiring special effects. The cast here is not so much the workmanlike group of American actors playing uninspired characters as the incredible series of tornadoes which appear one after another, each seemingly darker and by inference more evil than its predecessor.

This may also be one of those rare movies that requires a big (cinema) screen, with all the resolution that a projected celluloid image can give these tornadoes, to really work its magic.

Approaching Twister with the usual criteria, it fails abysmally. The feeble plot, such as it is, concerns Bill Paxton and ex-wife Helen Hunt coming together, leaving the former’s wife-to-be Jami Gertz out in the cold.… Read the rest

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Janet Planet

Director – Annie Baker – 2023 – US – Cert. 12a – 113m

**

Over the Summer, an 11-year-old girl abandons her idealised view of her mother as the latter traverses a series of relationships – out in UK and Irish cinemas on Friday, July 19th

11-year-old Lacy (Zoe Ziegler) isn’t enjoying summer camp. So much so, that she phones home from the payphone (it’s 1991) to ask her mother Janet (Julianne Nicholson) to come and get her. That sets us up for the rest of the film, in which Lacy shares her mother’s house over the remainder of the Summer. During this time, her mother embarks on a series of short-term relationships, with the body of the film split into three sections, one for each.

First up is war veteran Wayne (Will Patton), a damaged individual who is around long enough to briefly introduce Lacy to his own daughter Sequoia (Edie Moon Kearns). But then, before you’ve really got a handle on him, or his daughter, they’re gone from Janet’s life and so from Lacy’s.

Mother takes daughter to witness an open air performance by a bizarre theatre collective involving weird, archetypal, human-sized characters from homegrown hippie folklore (these scenes prove a high point in a largely uninspiring film).… Read the rest

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Longlegs

Director – Oz Perkins – 2023 – US – Cert. 15 – 101m

*****

An FBI hunt for a serial killer becomes embroiled in occult and Satanic practices, and the past history of the FBI agent involved – out in UK cinemas on Friday, July 12th

There’s a peculiar flashback, denoted by a 4:3 rounded-edge frame within the wider letterboxed image, at the start of Longlegs involving a young girl (Lauren Acala) who comes out of her family house and a mysterious, white-feminine-haired stranger (Nicolas Cage) who explains the mystery of his arrival with the phrase, “I’ve got my long legs on today”, an indelible apparition and images that conjure fairy tales and nightmares. Although Cage isn’t on the screen all that much, when he intermittently appears, he delivers one of his most arresting performances in years.

The protagonist, who is onscreen pretty much all the time, is FBI Agent Lee Harker (Maika Monroe) who, with her FBI partner, has been charged with the job of investigating serial killer Longlegs. When early on she accurately picks out a house where he’s hiding with apparent ease, her psychic abilities are revealed to the Bureau and her FBI boss Agent Carter (Blair Underwood), changing the course of the Bureau’s investigations.… Read the rest

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Riddle of Fire

Director – Weston Razooli – 2023 – US – Cert. 12a – 115m

****

Two siblings and their friend get caught up in a quest through the great hills and woods of Wyoming on their bikes to find a speckled egg so they can bake the boys’ sick mother a blueberry pie – out on Blu-ray and DVD on Monday, July 8th

Wyoming. Young siblings Hazel (Charlie Stover) and Jodie A’Dale (Skyler Peters) along with their slightly older friend Alice (Phoebe Ferro) break into the Otomo warehouse to steal a videogame console so they can play on the TV during the Summer holidays. Alas, they’ve reckoned without the two boys’ mother (Danielle Hoetmer) password protecting the TV. She currently has the worst cold she has ever had and isn’t going to relent on the password for the foreseeable future – it’s a beautiful day, and she wants them outside enjoying themselves, not cooped up in the house – unless the kids go to the store and get her a blueberry pie, the one thing that would make her feel better.

So the three kids set out for the local store on their pushbikes, but on arrival find the place has run out of blueberry pies and the cook is off sick (perhaps there’s a bug going around).… Read the rest

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The Beast
(La Bête)
(2023)

Director – Bertrand Bonello – 2023 – France – Cert. 15 – 146m

*****

Required to expunge her emotions by the ruling AI of 2044, a woman with a sense of dread revisits her past lives in 1910 and 2014 and their incarnations of the love of her life – curious mix of art house movie and science fiction is out on MUBI from on Friday, July 12th

An actress (Léa Seydoux) against green screen rehearses a scene in a house – the director’s voice tells her where the stairs and other features are in relation to her position and marks on the floor. With these minimal visuals but with the addition of music and full sound effects, she works through the scene up to the point where she sees the terrifying shadow of the Beast on a wall and screams. Consciously or unconsciously, this echoes the screen test on the boat of Ann Darrow (Fay Wray) in King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933) as she is required to scream at an unseen, gargantuan monster for the camera.

As in Kong, this scene anticipates one that will play out later in the film. However, Bonello plays it as a curious introduction to the whole, rather than part of the story proper.… Read the rest

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A Quiet Place
Day One

Director – Michael Sarnoski – 2024 – US – Cert. 15 – 100m

*****

A terminally ill woman returns to the New York of her childhood as hostile aliens land and start wreaking havoc – franchise prequel is out in UK and Ireland cinemas on Friday, June 28th

Another attempt to duplicate the success of A Quiet Place (John Krasinski, 2018), this time by showing us the first day of the alien invasion in New York City, the sort of thing that couldn’t be done on the small budget of the original. Which sounds like more of the same – and on one level, that’s exactly what this is (so admirers of the original – among whom I number myself – wanting more aliens who hunt by sound, and more terrifying games of hide and seek with them, should find themselves more than satisfied).

There’s a curious attempt by the Studio’s marketing department to offer the chance to find out “why the world went quiet”, which is a great idea but bears no relation whatsoever to this film. Once you know that the aliens hunt by sound, so you must keep quiet to survive – revealed in the original film – this new film offers no further explanation as to why the world went quiet.… Read the rest

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Documentary Features Live Action Movies

Eternal You

Directors – Hans Block, Moritz Reisewieke – 2024 – US – Cert. – 87m

*****

People deal with bereavement with the help of interactive versions of their deceased, loved ones recreated by AI – out in UK cinemas on Friday, June 28th

In a rare visual shot in this mostly verbally based documentary, an aerial shot of a graveyard, with light creating lots of little blocks of shadow as it falls on the ranks of gravestones, resembles a slice of internal computer electronics. It’s a pertinent pictorial moment that stands out from almost everything else here.

“Is there some reason you wouldn’t believe me?,” a woman asks her boyfriend. “You died,” comes the sceptical reply. Joshua, from Ontario, Canada, had to endure the trauma of watching the life support machines that were keeping her alive being switched off. After she died, about two weeks short of high school graduation which she was expected to pass, he got the school to graduate her. He later explains this by written chat to her interactive AI.

Psychiatrist Sherry Turkle talks about the problems people face coping with grief in the modern world, where they often live on their own following the death of a partner and don’t have an extended network of family around them like they would have done in former times.… Read the rest

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Creation
Of The Gods
I:
Kingdom
Of Storms
(Feng Shen
Di Yi Bu:
Zhao Ge Feng Yun,
封神第一部
朝歌风云,
lit.
Investiture
Of The Gods
Part I:
Zhaoge Turmoil)

Director – Wuershan – 2023 – China – Cert. 15 – 148m

****

A king’s infatuation with a beautiful woman possessed by a vixen demon threatens to bring down a terrible curse upon his kingdom – first part of epic, period, mythological adventure trilogy is out on Blu-ray and DVD from Monday, June 24th

This first trilogy instalment of an adaptation of the Xu Zhonglin-attributed novel Investiture Of The Gods, written towards the end of the Ming dynasty (1368-1644), deals with the downfall of the Shang dynasty (which existed well before a thousand years BC). While the tale may well contain elements of historical truth, it also mixes in supernatural deities and creatures to cover an awful lot of ground in its two and a half hours’ running length.

The novel is known by a number of titles in Chinese, one of which is Fengshen Bang, an artefact of which name turns up in this film as a sort of MacGuffin, here a mystical scroll endowing its owner with great power which at least one major character seeks to possess, others seek to help him do so and immortals want to make sure it gets into the right (i.e. righteous or deserving) hands rather than his.… Read the rest

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New Life

Director – John Rosman – 2023 – US – 85m

***1/2

Neither the widow nor the assassin pursuing her towards the Canadian border are quite what they seem – genre-bending thriller is out on digital in the UK

The sound of a distressed woman. Now we see her (Hayley Erin) – her head is bleeding as she walks. Away from – what? She makes it down the street in a very normal-looking, small town somewhere in Middle America, into her very ordinary, well-kept, no frills, suburban house. She washes the blood off her head, switches a hoodie for a sweater. Constantly checking around her, she sees the armed men in the hallway and exits through a window.

Another woman (Sonya Walger) puts down her handgun on the edge of a bathroom sink. She looks tired. The yellow post-it notes on her mirror read “I have unlimited opportunities to succeed” and “I am in the process of becoming the best version of myself”. She takes a pill from the ‘M’ compartment of a little circular dispenser marked in letters for days of the week. On her mobile, she hits Play on Bob Dylan’s Highway 61 Revisited, specifically the song Like a Rolling Stone.… Read the rest