digital effects Archives - Jeremy C. Processing

How to Train Your Dragon
(2025)

Director – Dean DeBlois – 2025 – US – Cert. PG – 125m

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Instead of fighting dragons like other viking teenagers, Hiccup shoots a dragon out of the sky then secretly trains it as his steed– live action remake of animated classic is out in UK cinemas from Monday, June 9th

Following in the footsteps of Disney, who are slowly but surely turning their back catalogue of animated features into live action movies, Dreamworks have taken the plunge and turned the first of their three animated How To Train Your Dragon movies into live action. Director DeBlois previously directed the three animated outings, and clearly cares a great deal about the franchise because he has made a live action equivalent of the first film with the same plot, dragons that look near identical, and locations that feel like those in the original.

If you’re an admirer of the first film, which I am, as you’re watching this new one, you feel like you’ve seen it all before. Except, this is in live action. It’s enjoyable enough, and avoids the obvious trap of trying to redesign its classic animated characters for live action (the trap that Disney’s Snow White remake (Marc Webb, 2025) walked straight into with its hyperrealist dwarfs).… Read the rest

In The Heights

Director – Jon M. Chu – 2021 – US – Cert. – 143m

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Boy meets girl even as they yearn to fulfil their dreams outside the confines of New York’s immigrant-populated, urban Washington Heights district – in cinemas from Friday, June 18th

Musicals in the movies present a potentially strange world where people sing rather than talk and dance rather than walk. Set the movie in an urban setting and you have the possibility of crowds of people singing and dancing in unison. All this is a cliché, though, and in order for a movie to profoundly move us, it have to find ways of transcending such material, otherwise it’ll just feel like, we’ve seen it all before.

In The Heights ticks these boxes but sadly, most of the time, fails to transcend the clichés. It has other problems too: elements in the script which aren’t fully thought out and come across as merely confusing. The basic Boy Meets Girl plots are fine as far as they go but they don’t really go very far. The parallel countdown to a blackout looks highly significant, as though it’s going to presage some incredible change in the local community – a successful fight against greedy property developers or uncaring town planning bureaucrats perhaps – but after an incredible build up… the power goes out, people have to manage without electricity and… that’s pretty much it.… Read the rest