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Features Live Action Movies

Rose of Nevada

Director – Mark Jenkin – 2025 – UK – Cert. 12a – 114m

****1/2

A fisherman joins the crew of a mysteriously reappeared fishing vessel and finds himself inexplicably trapped 30 years in the past when it originally disappeared – plays in a UK director Q&A Tour from Friday, April 3rd, then is out in UK cinemas on Friday, April 24th

30 years ago, the Rose of Nevada, a small fishing vessel, set sail from a small, Cornish coastal village and never returned. Now, suddenly, it reappears in the harbour with its captain looking for crew. Nick (George Mackay) and Liam (Callum Turner), but on their return after their first fishing trip, they arrive back not in the present but 30 years ago.

Apart from this peculiar slippage of time, everyone behaves as if nothing unusual is going on. Nick misses his partner and child. Liam finds himself with a new partner and child, and plays along, taking advantage of what circumstances have offered to him, which doesn’t seem so bad. 

Nick, however, feels increasingly isolated and uneasy in this situation.

Jenkin’s film plays out as a strange, enigmatic mystery.

Working as is his wont as director, cameraman and editor, not to mention sound designer and musician, Jenkin takes real pleasure in building up his story from a series of tiny details, necessitated to some extent by his use of a clockwork Bolex camera which can’t shoot a take longer than 27 seconds.… Read the rest

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Animation Documentary Features Live Action Movies

D is for Distance

Director – Chris Petit, Emma Mathews – 2025 – Finland – Cert. 12A – 88m

****

A diary film about a boy with epilepsy, his interior world, and parenting – out in UK cinemas on Friday, April 3rd

Opening and closing, more or less, with one of the quieter themes from Once Upon a Time in the West (Sergio Leone, composer: Ennio Morricone, 1968), and images first of a boy / young man clambering over coastal rocks and finally of the same young man and his father looking out from atop rock formations near “the top of the world”, this fits into the personal diary school of documentary filmmaking.

The two co-directors are life partners Chris Petit (Radio On, 1979) and Emma Matthews; the subject their son Louis, who started having epileptic fits around age 12. Following various NHS misdiagnoses, the family moved to the Netherlands where they could legally get hold of medical cannabis which, it turned out, cured Louis as long as he kept taking it. 

In former times, notes the unseen narrator (Jodhi May from Dune: Prophecy, TV series, 2024; The Last of the Mohicans, Michael Mann, 1992, A World Apart, Chris Menges, 1988), people with this condition would be taken as demon-possessed and burned at the stake, or (under the Nazis) forcibly exterminated.… Read the rest

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Documentary Features Live Action Movies

Underland

Director – Rob Petit – 2025 – US, UK – Cert. 12a – 79m

***

Three separate journeys beneath the Earth’s surface in the company of an archaeologist, a particle physicist and an urban explorer – had its sold out UK Premiere at the Barbican on Tuesday, March 24th and is out in UK cinemas on Friday, March 27th

Why do we seek the void, asks a narrator (Sandra Hüller from Project Hail Mary, Phil Lord, Christopher Miller, 2026; The Zone of Interest, Jonathan Glazer, 2023; Anatomy of a Fall, Justine Triet, 2023) as the camera descends into an Academy 4:3 image of an orifice within an ash tree, a portal to the world below. In a letterboxed image, we’re in a car passing the garish lists of Las Vegas entertainments, then on to breach a wire fence on the outskirts of that city. Then with a group of women cavers in a jungle, possibly South America somewhere, near a tree on the edge of a vast hole in the ground. Another group of cavers stand around in a room in readiness. A further caver walks down an urban street and starts to lift a manhole cover.

In terms of following what’s going on, apart from the idea of people in different places possessed of a desire to penetrate the Earth’s surface, and exciting, pulsating music by Hannah Peel, all this is really hard to follow; the viewer’s brain is overloaded.… Read the rest

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Features Live Action Movies

How to Make a Killing

Director – John Patton Ford – 2026 – UK, France – Cert. 15 – 105m

****

A disinherited son culls the seven family members standing between him and the fortune of his super-rich family one by one – US reimagining of Kind Hearts and Coronets is out in UK cinemas on Friday, March 13th

Sentenced to death for murder, Becket Redfellow (Glen Powell) asks for a priest to visit his cell on death row so he can recount the long story behind his incarceration. The priest arrives, and Becket starts to tell his tale…

Mary Redfellow (Nell Williams) has a child, Becket (Grady Wilson), with a man her wealthy family, the Redfellows, consider beneath her station. As a result, they cut her off. She nevertheless teaches the child to be mindful of gaining his true inheritance. She has him learn archery and piano. At a piano recital as a child, he meets Julia (Maggie Toomey), a monied girl his own age, and the two immediately hit it off.

As an adult, the family’s rejection of Becket and his mother is made crystal clear to him when his mother dies and he attempts to get family funding for her funeral, the refusal coming in the terse form of a three-line letter delivered by chauffeur-driven car to the family estate gates where Becket is waiting.… Read the rest

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Features Live Action Movies

A Pale View of Hills
(Toi Yamanamino Hikari,
遠い山なみの光)

Director – Kei Ishikawa – 2025 – UK, Japan, Poland – Cert. 12a – 123m

From the novel by Kazuo Ishiguro

***1/2

An aspiring journalist in 1982 England delves into her mother’s past life in 1952 Nagasaki and unearths dark family secrets – out in UK cinemas on Friday, March 13th

As will be seen from the above logline description, this essentially plays out in two timelines.

One is in Nagasaki, Japan in 1952, less than a decade after the dropping of the atomic bomb, where the married and barely visibly pregnant Etsuko (Suzo Hirose from Lupin III the First, Takashi Yamazaki, 2019; The Third Murder, Hirokazu Kore-eda, 2017The Boy and the Beast, Mamoru Hosoda, 2015; Our Little Sister, Hirokazu Kore-eda, 2015) befriends Sachiko (Fumi Nikaido from River’s Edge, Isao Yukisada, 2018; Himizu, Sion Sono, 2011), the mother of local waif Mariko (Mio Suzuki), who lives in an isolated shack near the river and plans to emigrate to the US with a man named ‘Frank’.

The other is in a town in England somewhere near Greenham Common, Berkshire, in 1982, where aspiring journalist Niki (Camilla Aiko from Dr.Read the rest

Categories
Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Turner & Constable

Director – David Bickerstaff – 2026 – UK – Cert. U – 93m

****

A journey through the current Tate Britain show and art history about the two rival landscape painters – out in UK cinemas from Tuesday, March 10th

This latest Exhibition on Screen entry kicks off in uncharacteristic fashion with photographic shots of landscape (typical of views that used by painters Turner and Constable) accompanied by an excerpt from the poem Richmond by James Thomson (1834-1882), a favourite of both painters whose work will be similarly deployed (voiced by Robert Lindsay) at appropriate intervals throughout this documentary.

Amy Concannon © David Bickerstaff

However, the film soon moves into more familiar territory with shots of present day London and of the Tate Britain’s current Turner & Constable exhibition, with visitors admiring some of the paintings on display. Amy Concannon, Manton Senior Curator, Historic British Art, Tate Britain, notes that this show represents the first time the two painters have been displays side by side on such a vast scale. Turner & Constable were born within a year of one another, which became a catalyst for the current show’s displaying them together.

Lachlan Goudie © David Bickerstaff

Artist, writer and broadcaster Lachlan Goudie talks about the “dazzling” influence of both artists on the likes of Delacroix.… Read the rest

Categories
Dance Features Live Action Movies Music

The Testament
of Ann Lee

Director – Mona Fastvold – 2025 – US, UK – Cert. 15 – 130m

****

In the mid-eighteenth century, wishing to preach her unique take on the Christian Gospel, Ann Lee crosses the Atlantic with a small party from from Manchester, England, to establish a Shaker community in America – unlikely religious musical is out in UK cinemas on Friday, February 20th

This review is written after seeing this film for a second time. On my first viewing, I went in cold, knowing a great deal about both Christian history and the Quakers, but nothing about the Shakers (‘the Shaking Quakers’) around whom the historical side of this film is based. As far as I can tell, the historical portrayals of the Shakers here, and their leader Mother Ann Lee (Amanda Seyfried in a career-defining role), are pretty accurate.

This is to leave aside the fact that this is also a musical, the genre in which people suddenly burst into song, and we somehow accept it. In real life, people generally don’t burst into song in the ordinary run of things. And yet, it’s a genre convention we accept, and as a genre the musical has a perfectly respectable history. That said, if you’ve been brought up within any sort of English protestant Christian church tradition, from C of E to house churches, you’ll be familiar with people singing hymns as part of their religious worship.… Read the rest

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Features Live Action Movies

Wasteman

Director – Cal McMau – 2025 – UK – Cert. 18 – 90m

*****

A prisoner’s chances of achieving parole are threatened by the arrival of a ruthless and manipulative new cellmate – out in UK cinemas on Friday, February 20th

Taylor (David Jonsson from The Long Walk, Francis Lawrence , 2025; Alien: Romulus, Fede Alvarez, 2024; Rye Lane, Raine Allen-Miller, 2023), a young inmate in prison, is due for parole provided he behaves as required. However, his new cellmate Dee (Tom Blyth from The Hunger Games: The Ballad of Songbirds & Snakes, Francis Lawrence, 2023; Benediction, Terence Davies, 2021; Robin Hood, Ridley Scott, 2010) has other ideas, including making money by dealing all manner of illicit goods from the outside.

This opens with a row between inmates, one of whom is determined to mete out punishment to whoever it was took his mobile phone. Very quickly, the situation descends into his suspected thief being assaulted with a television set that happens to be nearby. As another prisoner says to the one who carries out the assault, part in awe, part in jest, and part in newly-found respect, “Fucking TV, mate.”

Welcome to the world of Wasteman, the term used to designate central character Taylor who has been written off by British society.… Read the rest

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Features Live Action Movies

Crime 101

Director – Bart Layton – 2025 – US, UK – Cert. 15 – 140m

*****

high class lone operator thief and the rigorously analytical cop on his trail cross paths with a disillusioned insurance saleswoman to the wealthy – out in UK cinemas on Friday, February 13th

As coloured dots come into focus, they are revealed to be the lights of a Los Angeles freeway upside down, an image which bookends the movie. Davis (Chris Hemsworth) exercise in his sparse apartment before donning a suit. Detective “Lou” Lubesnik (Mark Ruffalo) shaves in his small, untidy bathroom. Sharon Coombs (Halle Berry), in her bathroom, goes through the laborious task of applying make-up.

This is essentially a four-hander – more of the fourth character later on.

Davis is a lone operator who thinks through his proposed robberies beforehand in such a way as to ensure that no-one gets hurt. LAPD investigator Lubesnik has become obsessed with a string of robberies he believes committed by the same person, to the detriment, as his colleagues and superiors see it, of his regular police work. Sharon works for a high end insurance company who have been stringing her along for years with hollow promises of board membership to use her now fading good looks to close sales to wealthy clients.… Read the rest

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Features Live Action Movies

All of Us Strangers

Director – Andrew Haigh – 2023 – UK – Cert. 15 – 105m

*****

A gay Londoner travels by train to visit his parents in Sanderstead, following their deaths in a car crash when he was 12 years old – plays one night only, Sunday, February 8th, 6.45pm, as part of Film Tottenham

He (Andrew Scott) lives alone in a London tower block. Not only is he the single occupant of his flat, there’s almost no-one else in the building. When he goes outside for a breath of fresh air, he sees a guy in the window of one of the other apartments. Later, there’s a knock at his door. It’s the guy (Paul Mescal), who is slightly drunk, comes on strong and tries to get himself invited in. The visitor’s name is Harry. The occupant introduces himself as Adam, but doesn’t let Harry in.

By day, Adam writes screenplays. But he’s got stuck, so after perusing some personal effects, he takes the train to Sanderstead. There, he watches a boy in a window. He follows a man across an area of parkland. Coming out of a shop, the man spots him and asks him to come over. You think it might be a pickup – but no, it’s his dad (Jamie Bell).… Read the rest