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Wasteman

Director – Cal McMau – 2025 – UK – Cert. 18 – 90m

*****

A prisoner’s chances of achieving parole are threatened by the arrival of a ruthless and manipulative new cellmate – out in UK cinemas on Friday, February 20th

Taylor (David Jonsson from The Long Walk, Francis Lawrence , 2025; Alien: Romulus, Fede Alvarez, 2024; Rye Lane, Raine Allen-Miller, 2023), a young inmate in prison, is due for parole provided he behaves as required. However, his new cellmate Dee (Tom Blyth from The Hunger Games: The Ballad of Songbirds & Snakes, Francis Lawrence, 2023; Benediction, Terence Davies, 2021; Robin Hood, Ridley Scott, 2010) has other ideas, including making money by dealing all manner of illicit goods from the outside.

This opens with a row between inmates, one of whom is determined to mete out punishment to whoever it was took his mobile phone. Very quickly, the situation descends into his suspected thief being assaulted with a television set that happens to be nearby. As another prisoner says to the one who carries out the assault, part in awe, part in jest, and part in newly-found respect, “Fucking TV, mate.”

Welcome to the world of Wasteman, the term used to designate central character Taylor who has been written off by British society.… Read the rest

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Crime 101

Director – Bart Layton – 2025 – US, UK – Cert. 15 – 140m

*****

high class lone operator thief and the rigorously analytical cop on his trail cross paths with a disillusioned insurance saleswoman to the wealthy – out in UK cinemas on Friday, February 13th

As coloured dots come into focus, they are revealed to be the lights of a Los Angeles freeway upside down, an image which bookends the movie. Davis (Chris Hemsworth) exercise in his sparse apartment before donning a suit. Detective “Lou” Lubesnik (Mark Ruffalo) shaves in his small, untidy bathroom. Sharon Coombs (Halle Berry), in her bathroom, goes through the laborious task of applying make-up.

This is essentially a four-hander – more of the fourth character later on.

Davis is a lone operator who thinks through his proposed robberies beforehand in such a way as to ensure that no-one gets hurt. LAPD investigator Lubesnik has become obsessed with a string of robberies he believes committed by the same person, to the detriment, as his colleagues and superiors see it, of his regular police work. Sharon works for a high end insurance company who have been stringing her along for years with hollow promises of board membership to use her now fading good looks to close sales to wealthy clients.… Read the rest

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All of Us Strangers

Director – Andrew Haigh – 2023 – UK – Cert. 15 – 105m

*****

A gay Londoner travels by train to visit his parents in Sanderstead, following their deaths in a car crash when he was 12 years old – plays one night only, Sunday, Feb 8th, 6.45pm, as part of Film Tottenham

He (Andrew Scott) lives alone in a London tower block. Not only is he the single occupant of his flat, there’s almost no-one else in the building. When he goes outside for a breath of fresh air, he sees a guy in the window of one of the other apartments. Later, there’s a knock at his door. It’s the guy (Paul Mescal), who is slightly drunk, comes on strong and tries to get himself invited in. The visitor’s name is Harry. The occupant introduces himself as Adam, but doesn’t let Harry in.

By day, Adam writes screenplays. But he’s got stuck, so after perusing some personal effects, he takes the train to Sanderstead. There, he watches a boy in a window. He follows a man across an area of parkland. Coming out of a shop, the man spots him and asks him to come over. You think it might be a pickup – but no, it’s his dad (Jamie Bell).… Read the rest

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Strongroom

Director – Vernon Sewell – 2025 – UK – Cert. 12a – 80m

*****

Three men have planned the perfect bank robbery… but then, everything goes wrong – out in UK cinemas on Friday, January 30th, BFI Blu-ray Monday, February 23rd, and BFI Player Monday, March 23rd

Strongroom doesn’t hang around. It opens with a strongroom door which must be locked at close of business by two separate keys, one looked after by the bank manager Mr. Spencer (Colin Gordon from Oh Brother!, TV series, 1968; The Pink Panther, Blake Edwards, 1963; Heavens Above!, The Boulting Brothers, 1963; The Man in the White Suit, Alexander Mackendrick, 1951) and the other by his secretary Miss Taylor (Ann Lynn from Just Good Friends, TV series, 1984-86; A Shot in the Dark, Blake Edwards, 1964). This Saturday, she’s agreed to work late as no-one will be in until the Tuesday after Easter.

What neither of them know is that sitting outside the bank in their small van, waiting for the bank employees to leave as per their usual schedule, is a gang of three criminals Griff (Derren Nesbitt from Tucked, Jamie Patterson, 2018; Where Eagles Dare, Brian G.… Read the rest

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H is for Hawk

Director – Philippa Lowthorpe – 2025 – US, UK – Cert.12a – 115m

*****

An academic grieving her recently deceased photojournalist father buys and trains a goshawk then turns in on herself – adaptation of bestselling memoir is out in UK cinemas on Friday, January 23rd

Helen (Claire Foy) phones her dad to tell him she’s just seen a pair of goshawks. Her dad (Brendan Gleeson), with whom she would often venture out into the English countryside, is a top photojournalist who has made a career out of waiting with his camera – for hours sometimes – to catch just the right moment to tell a story. Technically, he is retired, but still carries on working. And then a few days after Helen sees the goshawks, her mum (Lindsay Duncan) phones. Dad died, suddenly, unexpectedly. He’s gone. Except that, in the manner of the bereaved, he’s still there. Everywhere Helen goes, she remembers flashes of him from the past, things they did together. They were very close.

She works as an academic, teaching science at Cambridge, and not unusually is disenchanted with her students, wishing they’d show a bit more interest. She has been invited to apply for a position in Berlin, and as her best friend Christina (Denise Gough) says, if she applies she’ll probably get it, so they go out to celebrate.… Read the rest

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The History of Sound

Director – Oliver Hermanus – 2025 – UK, US – Cert. 15 – 128m

****

A Kentucky man falls for a music professor in Boston and accompanies him on a field trip recording folk songs – out in UK cinemas on Friday, January 23rd

In 1917, having grown up on a farmstead in rural Kentucky and his remarkable singing voice being noticed by a local schoolteacher, Lionel Worthing (Paul Mescal from Hamnet, Chloé Zhao, 2025; Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023) gets a student scholarship to Boston’s New England Conservatory of Music. One Saturday evening in a Boston pub with friends, he makes the acquaintance of David White (Josh O’Connor from  La Chimera, Alice Rohrwacher, 2023; Mothering Sunday, Eva Husson, 2021; The Crown, TV series, 2019-20; God’s Own Country, Francis Lee, 2017) who is playing folk songs on the piano and, it turns out, is a tenured academic with an obsessive hobby: travelling around the country collecting, recording and cataloguing folk songs. David has what Lionel describes as the sound equivalent of a photographic memory: he can remember word for word and note for note, any song sung in his presence.… Read the rest

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BULK

Director – Ben Wheatley – 2025 – UK – Cert. 15 – 90m

*****

An abducted journalist finds himself involved in multi-dimensional travel – quasi-experimental and completely bonkers sci-fi drama embarks on a tour of UK cinemas, from the smallest to the largest, on Thursday, January 15th

We are watching black and white footage. (The film occasionally uses colour, for instance footage of Sam Riley – from Islands, Jan-Ole Gerster, 2025; Firebrand, Karim Ainouz, 2023; Control, Anton Corbijn, 2007 – in a grey-blue suit reminiscing about what happened to his character). “25 kilometres from the epicentre,” says a voice, instantly recognisable as Bill Nighy (from Living, Oliver Hermanus, 2022; Minamata, Andrew Levitas, 2020; I Capture the Castle, Tim Fywell, 2003), who performs similar duties throughout, including reading the film’s title when it appears moments and several shots later on the screen.

Some of those shots are worth talking about in detail, because they help convey everything that’s great about this lovingly hand-to-mouth-crafted movie. They include library footage – a jet trail across what could be detail of a planet, troops watching an A-bomb explosion from the trenches.

As Nighy speaks, two tiny static figures stand in a landscape (which looks like a model although it could be a still photographic element behind which is composited live action footage of clouds moving across in a sky.… Read the rest

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Lollipop

Director – Daisy-May Hudson – 2024 – UK – Cert. 15 – 100m

*****

After four months in prison, a young woman must deal with the UK’s social services to regain custody of her kids – on BBC iPlayer from Friday, January 16th

East Londoner Molly (Posy Sterling) leaves prison following a four-month sentence to discover that her two kids Ava, 11 (Tegan-Mia Stanley Rhoads) and Leo, 5 (Luke Howitt) have been taken into care because her alcoholic mum Sylvie (TeriAnne Cousins from Silver Haze, Sasha Polak, 2023) couldn’t cope with them. This means the kids have been taken into care by social services, and in order to get them back, Molly has to have a roof over her head. Alas, while she was detained, the council have taken her home off her.

She finds herself trapped between the devil and the deep blue sea – she can’t get her kids back until she has a suitable home, and she can’t get a suitable home because, until she gets her kids back, she will only be offered accommodation suitable for a single homeless woman. For the time being, she lives out of a tent.

The impulsive Molly worsens her own situation when, during a supervised visit, she abducts her kids and flees with them on the train to the wilds of the countryside.… Read the rest

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Hamnet

Director – Chloé Zhao – 2025 – UK, US – Cert. 12a – 125m

*****

An imagining of the story of William Shakespeare’s son Hamnet, whose name gave rise to the play Hamlet – Maggie O’Farrell’s adaptation of her own novel is out in UK cinemas on Friday, January 9th

According to the opening title card, the names Hamlet and Hamnet were regarded as interchangeable in Elizabethan England. This is curious, since the piece’s female lead (Jessie Buckley from Women Talking, Sarah Polley, 2022; Men, Alex Garland, 2022; Misbehaviour, Philippa Lowthorpe, 2020) appears to be variously addressed as Alice, Agnes or Anyes while the male lead (Paul Mescal from Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023; Aftersun, Charlotte Wells, 2022) is not referred to by name as William Shakespeare until well towards the end. Since this is being promoted as the story of William Shakespeare’s son Hamnet, whose name gave rise to the play Hamlet – as you can see from the trailer below – audiences will enter the film knowing who the Paul Mescal character is as soon as he appears unnamed.

The outdoors, looking up through the trees of a forest.… Read the rest

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Top Ten Movies
(and more,
excluding re-releases)
2025

Work in progress – subject to change. Because I am still watching movies released in 2025, so it’s always possible that a new title could usurp the number one in due course.

All numbered films received either a theatrical, online or home media release in the UK between 01/01/25 and 31/12/25.

This version excludes re-releases (Battleship Potemkin, The Piano Teacher or Hard Boiled, among others) would top everything here). In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2025. For that even longer list, click here.

Finally, last year’s list is here.

Top Ten Movies (and more) 2025

Please click on titles to see reviews.

The numbering will mostly be added later when I’ve watched more of the outstanding 2024 titles, and they have stopped moving around. So, currently, positions in this list should be taken with a pinch of salt.

*****

1=. Flow (2024, Belgium, France, Latvia)

1=. The Glassworker (2024, Pakistan, Spain)

1=. One Battle After Another (2025, US)

1=. Riefenstahl (2024, Germany)

1=. The Seed of the Sacred Fig (2024, Iran, Germany, France)

6=. Mars Express (2023, France)

6=. On Swift Horses (2024, US)

6=. … Read the rest