hotel window Archives - Jeremy C. Processing

Case 137 (Dossier 137)

Director – Dominik Moll – 2025 – France – Cert. 12a – 116m

*****

A member of the internal police watchdog department investigates a complaint of police violence in the 2018 Yellow Jackets riots – out in UK cinemas on Friday, October 16th

Who watches the watchmen? Who polices the police? It’s a question with great relevance to today’s societies, including our own in the UK. In the US, the Police have the Internal Affairs. In France, the police have a branch called the IGPN (L’inspection générale de la police nationale / The General Inspectorate of the National Police). So if members of the public accuse the police of bad or criminal behaviour, they have a department set up to investigate that. An internal department, not an external body.

IGPN inspector Stéphanie Bertrand (Léa Drucker from Mars Express, Jérémie Périn, 2023; Two of Us, Filippo Meneghetti, 2019; The Blue Room, Matthieu Amalric, 2014) is working on allegations of police misconduct during the Yellow Jackets protests of 2018. She tries to be scrupulously fair in questioning an officer who threw stones at rioters, later defending him to superiors as being in a situation that put him under intense psychological pressure.… Read the rest

Billie Eilish
Hit Me
Hard and Soft
The Tour
Live in 3D

Billie Eilish Hit Me Hard and Soft The Tour Live in 3D

Directors – James Cameron, Billie Eilish – 2026 – US, UK – Cert. 12a – 114m

*****

One night of the singer’s latest world tour is captured up close and personal using specially developed, 3D camera technology – out in UK cinemas on Friday, May 8th

Disclaimer. Yes, I listen to a great deal of music. No, I don’t know the first thing about Billie Eilish. However, I have a huge admiration for James Cameron, who might reasonably be described as the R&D wing of the movie business.

I have also, in my time, seen a good few concert movies, but never anything quite like this. That’s in part because the contemporary music concert has come a long way, and Billie Eilish typifies a performer who is the act, performing on custom built stages in large stadium-sized venues, even though she has working with her a band and two backup singers, not to mention a vast array of lighting, stage and sound technicians.

And, in her case, James Cameron.

Who insisted that she be given equal director / producer credit on the film. At least, that’s how he puts it in one of many of the more intimate backstage / offstage / on tour sequences inserted into the footage of the one concert which forms the backbone of the film. … Read the rest