Tag: gun

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Features Live Action Movies

The Killer
(Dip Huet
Seung Hung,
喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Having accidentally blinded a nightclub singer in a hit, a gunman takes on one last job to fund the operation to restore her eyesight – back out in a 4K restoration in UK cinemas on Friday, March 20th

Following the success of A Better Tomorrow (1986), this secured John Woo the international interest that would eventually bring Hollywood offers. Woo further distils A Better Tomorrow’s themes of brotherhood, loyalty and betrayal through the device of a cop first facing off against and subsequently bonding with the assassin he’s pursuing; many consider The Killer Woo’s finest achievement.

Professional assassin Ah Jong (Chow Yun-fat) accidentally blinds nightclub singer Jennie (Sally Yeh) with a stray bullet in a hit to become the focus of his guilt. Detective Li Ying (Danny Lee) is trying to catch him.

The backdrop is already familiar Woo and Hong Kong gangster genre territory – triad hits and betrayals, working cops misunderstood by their superiors. The action set pieces rank among the director’s finest: the opening night club slaying, the Dragon Boat Festival hit followed by the fight on the beach, car chases and multi-storey car park shoot outs, all topped by the brilliantly choreographed and seemingly endless final shoot out wherein killer and cop join forces in a church surrounded by unfriendly gangsters.… Read the rest

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Features Live Action Movies

Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The Assassin, Hou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium Mambo, Hou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate Bridge, Tsui Hark, 2022; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

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Features Live Action Movies

Crime 101

Director – Bart Layton – 2025 – US, UK – Cert. 15 – 140m

*****

A high class lone operator thief and the rigorously analytical cop on his trail cross paths with a disillusioned insurance saleswoman to the wealthy – out in UK cinemas on Friday, February 13th

As coloured dots come into focus, they are revealed to be the lights of a Los Angeles freeway upside down, an image which bookends the movie. Davis (Chris Hemsworth) exercise in his sparse apartment before donning a suit. Detective “Lou” Lubesnik (Mark Ruffalo) shaves in his small, untidy bathroom. Sharon Coombs (Halle Berry), in her bathroom, goes through the laborious task of applying make-up.

This is essentially a four-hander – more of the fourth character later on.

Davis is a lone operator who thinks through his proposed robberies beforehand in such a way as to ensure that no-one gets hurt. LAPD investigator Lubesnik has become obsessed with a string of robberies he believes committed by the same person, to the detriment, as his colleagues and superiors see it, of his regular police work. Sharon works for a high end insurance company who have been stringing her along for years with hollow promises of board membership to use her now fading good looks to close sales to wealthy clients.… Read the rest

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Features Live Action Movies

Odyssey
(2025)

Director – Gerard Johnson – 2025 – UK – Cert. 18 – 110m

****

A ruthless London estate agent with mounting debts finds herself at the mercy of criminal backers – out in UK cinemas on Friday, November 7th

This starts off no holds barred with protagonist Natasha (Polly Maberly from Muscle, Gerard Johnson, 2019) having a tooth removed at the dentist’s, then having her card declined as she attempts to pay the £950 bill, going out of the front door after the third failed payment attempt. Throughout what follows, she will consistently receive phone messages about the outstanding amount and ignore them, although you suspect they are slowly eating away at her soul along with most of the other influences in her life. Somehow the incident seems to define her character: a driven, self-made woman – or, more accurately, a self-making one who never quite got there and lives beyond her means to maintain the illusion.

Natasha runs a tight office with right-hand woman Safi (Kellie Shirley), tech guy Spike (Charley Palmer Rothwell) developing a game-changing app for her, and promising new girl learning the ropes Dylan (Jasmine Blackborow). But Natasha is the person in charge of everything, the place where the buck stops, and despite their undoubted talents the other three seem scarcely to matter: it’s all about Natasha as she struggles to see through a hostile takeover, or, as she frames it, merger.… Read the rest

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Features Live Action Movies

Alone in the Night
(Yoru ga Mata Kuru,
夜がまた来る)

Director – Takashi Ishii – 1994 – Japan – Cert. 18 – 108m

****1/2

After her undercover cop husband is killed by a gang, Nami infiltrates the gang and suffers much abuse as she attempts to identify and take her revenge on his killer – out on Blu-ray as part of the Takashi Ishii: 4 Tales of Nami limited edition digipack set (2000 copies) 

A compelling yet initially indecipherable image is slowly revealed, as we pull out, to be a pink marker pen colouring the handle of a black pistol in the hands of a girl wearing the pyjama top of the man against the side of whose bed she is sitting. He, it turns out, is Mitsuru (Toshiyuki Nagashima from Godzilla Against Mechagodzilla, Miyagawa, 2002; Godzilla vs. Biollante, Seiichi Yamamoto, 1989; Mishima: A Life in Four Chapters, Paul Schrader, 1985), an undercover cop; she is Nami (Yui Natsukawa from I Wish, Hirokazu Kore-eda, 2011; Still Walking, Hirokazu Kore-eda, 2008; Zatoichi: The Blind Swordsman, Takeshi Kitano, 2003), and she’s fed up with his lack of contact while he’s on the job. As they embrace, she pleads with him, “Don’t do it!… Read the rest

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Animation Movies Shorts

Little Shrew
(Snowflake)

Director – Kate Bush – 2024 – UK – Cert. PG – 4m

*****

As modern warfare decimates a landscape, a shrew crosses countryside and town as a small, spirit-like light falls towards it – short accompanies the UK cinema release of From Hilde, With Love on Friday, June 27th

Musician / songwriter Kate Bush originally recorded the song Snowflake, which appeared on her album 50 Words for Snow (2011), in part to record her young son Albert’s voice before it broke. The creative process is such that people don’t always know exactly why they do what they do, and that is clearly the case with this song, since Kate has returned to it after the event to direct an animated film around it. Animation being a painstakingly slow production process, the soundtrack for the short is an edit of the song, pulling it down from almost 10 minutes to 4 minutes. The 4-minute edit is surprisingly coherent and seems to distil the essence of the piece.

Most of the lyrics are sung by Albert, yet Kate sings the haunting refrain:

The world is so loud

Keep falling

I’ll find you

It’s impossible to listen to this without thinking she is the mother somehow waiting for her falling son, whatever that means.… Read the rest

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Features Live Action Movies

Alienoid
(Oegye+in 1bu,
외계+인)

Director – Choi Dong-hoon – 2022 – South Korea – LKFF Cert. 12 – 142m

*****

In Part One of a proposed double feature, aliens incarcerate prisoners in human brains and time travel between present day and fourteenth century Korea and mayhem ensues – from LKFF, the London Korean Film Festival 2022;

Part Two Alienoid: Return to the Future plays in LKFF 2024

The first film of a two-part adventure, which would be more sensibly released as Alienoid – Part One (which may already be the case in some territories), this revolves around multiple protagonists in two separate timelines divided by six or seven centuries. In the fourteenth century, Guard, who morphs between true robot and fake human appearances not unlike the T-1000 of Terminator 2 Judgement Day (James Cameron, 1991), and his even more confusing companion Thunder, who is sometimes a car, sometimes a flying pod and sometimes any number of human manifestations (both / all played by Kim Woo-bin), fail to save a woman from dying after an alien escapes incarceration within her brain, however Thunder rescues the woman’s baby.

The pair travel forward in time to raise Lee Ahn (Choi Yu-ri) in the twenty-first century where she sees what she’s not supposed to: the impregnation process whereby alien prisoners are incarcerated in human brains, a memory wiped immediately afterwards from the humans used for this purpose, meaning people wander around not knowing there are aliens trapped inside their heads.… Read the rest

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Features Live Action Movies

The Marines
Who Never Returned
(Doraoji
Anneun Haebyong,
돌아오지 않는 해병)

Director – Lee Man-hee – 1963 – South Korea – 110m

***1/2

A small unit of Korean soldiers pushing North in the Korean War adopt an orphaned girl as a mascot before being all but wiped out – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This opens impressively with what looks like stock footage of armoured cars and infantry coming up a beach. Soldiers race across open ground to a safe shooting position, briefly going back a couple of dozen or so feet to drag two of their wounded comrades forward into comparative safety.

They move on to a derelict, war-torn town. Burning buildings, half-collapsed sections of walls (one of which partially topples as they wait momentarily beside it). One soldier advances across a patch of open ground, gun in hands, grenade at the ready, watched by his expectant comrades from their positions of cover. Time seems to stand still. Eventually he lobs the grenade and the others move up behind him. He drops into a ditch. Ahead of him, a civilian woman comes onto the waste ground with her small daughter.… Read the rest

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Features Live Action Movies

Yannick
(Yannick)

Director – Quentin Dupieux – 2023 – France – Cert. – 67m

*****

An audience member, unhappy with the play currently being performed, hijacks it with a gun to write something more entertaining himself – on Mubi UK from Friday, April 5th

NSFW. Absolutely worth seeing.

A play, The Cuckold, is being performed at a two-thirds empty Paris theatre. In the play, the husband (Marmaï Pio from Daaaaaali!, Quentin Dupieux, 2023) had learned from his wife (Blanche Gardin from Smoking Causes Coughing, Quentin Dupieux, 2022) that she is seeing another man. Couldn’t she wait until the weekend to tell him?

Worse, the man is ill, having picked up some sort of stomach bug from Kenya. Finally, the man – Bruno (Sébastien Chassagne from Mars Express, Jérémie Périn, 2023; The Truth, Hirokzu Kore’eda, 2019; Eden, Mia Hansen-Løve, 2014) – comes back from the lavatory. The wife wants to leave with Bruno. The husband tries to talk him into staying. Perhaps a bite from the fridge? The wife doesn’t want him to open the fridge.

At this point, audience member Yannick (Raphaël Quenard from Jeanne du Barry, Maïwenn, 2023; Smoking Causes Coughing) stands up.… Read the rest

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Features Live Action Movies

The Sweet East

Director – Sean Price Williams – 2023 – US – Cert. 18 – 104m

****

Dumping her boyfriend, a South Carolina high school student skips a class trip to Washington, DC and falls in with a series of outsiders living in their own isolated visions of America – out in UK cinemas on Friday, March 29th

Although this starts off with heroine Lilian (Talia Ryder from West Side Story, Stephen Spielberg, 2021) in bed with her boyfriend Troy (Jack Irv), and a lot of visible flesh, it’s not so much a sex scene as a scene in which two people talk about the ending of the movie they watched last night. Soon after, the pair and their classmates are piled into a coach, complete with tour guide, driving them to Washington, DC. When Troy and others lark around in hotel corridors, she doesn’t really feel part of what’s going on.

At a restaurant, she meets activist and body-piercing enthusiast Caleb (Earl Cave from True History of the Kelly Gang, Justin Kurzel, 2019, Days of the Bagnold Summer, Simon Bird, 2019), who without sexual intent shows her the piercings and metal studs encrusting his penis. Going with him and his fellow commune members to an activists’ event, she finds herself at an outdoor radicals’ fair where she meets Laurence (Simon Rex from Red Rocket, Sean Baker, 2021) to whom she gives her name as Annabelle and who kindly offers her a place to stay – his place in Delaware, no strings attached.… Read the rest