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Features Live Action Movies

Copilot
(Die Frau
Des Piloten)

Director – Anne Zohra Berrached – 2021 – Germany, France – Cert. 15 – 118m

*****

The romantic and sometimes not-so romantic life of a woman whose husband will take part in an act that will shake the world – out in cinemas on Friday, September 10th, advance screening with director Q&A at Genesis Cinema, Mile End at 6.10pm on Wednesday September 8th

“Without you, I wouldn’t have the strength to follow my path.”

Asli (Canan Kir) sees Saeed (Roger Azar) for the first time in Germany when she is on a wild fairground ride with her friend Juia (Ceci Chuh). She meets him again at a student party. They fool around on the beach and in the sea.

1st Year. Two students in Germany. She is from Turkey and studying science. He is from the Lebanon and studying dentistry, a subject his parents pushed him into – he’d rather be a pilot. He hangs up on his mother when she berates him about this – he’d been hoping to introduce her to Amli, now his girlfriend. She doesn’t even know how to talk to her mother about the fact she’s dating an Arab, never mind the fact that they are living together.… Read the rest

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Features Live Action Movies

Jumbo

Director – Zoé Wittock – 2020 – France – Cert. 15 – 93m

*****

A young woman working at a fairground falls in love with one of the rides, a machine named Move It, which she renames Jumbo – out in cinemas and virtually via Modern Films Virtual Player on Friday, July 9th and streaming on Arrow from Wednesday, September 1st

When her single parent mother Margarette (Emmanuelle Bercot) drops Jeanne Tantois (Noémie Merlant) off for her first day of employment at the local amusement part Jeanne has known all her life, her mother makes a passing remark about Jeanne’s father: “if only he could have been my vibrator”. While that comment is never (ahem) touched on again, the idea is central to the film.

Whatever she says, it isn’t an idea that Margarette can live by. An outgoing bartender, shortly into the narrative she strikes up a relationship with Hubert (Sam Louwick), moving him pretty swiftly into the family home. Jeanne doesn’t seem to like or dislike him much either way as a step-dad… She’s not really interested.

Margarette would like her daughter to bed a nice boy. Someone like her young manager at the fairground Marc (Bastien Bouillon) who both encourages her to enter for the Employee Of The Year contest and is drawn to her physically.… Read the rest

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Features Live Action Movies

After Love

A girl in both ports

After Love
Directed by Aleem Khan
Certificate 12a, 89 minutes
Released in cinemas 4 June, on Blu-ray and BFI Player 23 August

*****

The South Coast. Mary (Joanna Scanlan) is married to Ahmed (Nasser Memarzia), a ferry captain who regularly travels to France and back in the course of work. They fell in love as teenagers. She is white British, he is South Asian. She has converted to Islam, his religion, and integrated into his Urdu-speaking family, a language she has herself learned.

One day he comes home from work, and dies while she’s making him a cup of tea. Going through his effects, she checks his mobile phone, and discovers messages from another woman. She goes over to France to confront Geneviève (Natalie Richard)… [read more]

Full theatrical review in Reform magazine.

NB Blu-ray contains the director’s earlier short Three Brothers (2014) plus an informative 46-minute zoom Q&A, trailer and teaser trailer, a stills gallery, and (first pressing only) a booklet containing writing on the film.

Trailer:

2021

Cinemas

Friday, June 4th

Blu-ray, BFI Player (subscription exclusive)

Monday, August 23rd.

Categories
Animation Documentary Features Live Action Movies Music

The Sparks Brothers

Director – Edgar Wright – 2021 – UK – Cert. 15 – 140m

****

The rollercoaster career of musical duo Sparks with its successful hits and intermittent lapses into obscurity – out in cinemas on Thursday, July 29th

There’s a story about John Lennon phoning Ringo Starr to say, “you won’t believe what’s on television – Marc Bolan doing a song with Adolf Hitler.” This was Sparks’ auspicious debut on BBC music show Top Of The Pops in the early 1970s playing what is probably their best known track, This Town Ain’t Big Enough For The Both Of Us, a broadcast estimated to have reached some 15 million people. Everyone was talking about this the day after – that’s mentioned here, and it’s something I myself remember from my own school days: the lively energetic singer (Russell Mael) and the suited, almost motionless, keyboard player (Ron Mael) with the slicked back hair and the Hitler moustache. The Hitler appearance may not have been deliberate, but that image of the duo – the extrovert and the introvert – has become the band’s enduring media image over the years.

TOTP 1974

One gets the impression from passing moments in this film that Charlie Chaplin was an equally formative presence for Ron – and though it’s never mentioned, Chaplin made the film The Great Dictator (1940) in which he played a Hitler type despot as well as a Jewish barber unfortunate enough to look like him…but I digress.… Read the rest

Categories
Animation Documentary Features Live Action Movies

The Witches
Of The Orient
(Les Sorcières
De L’Orient)

Director – Julien Faraut – 2021 – France, Japan – Cert. U – 100m

*****

A look through a prism of anime and archive footage at the Japanese women’s volleyball team that won the 1964 Olympics – out in cinemas and online in the UK and Ireland on Friday, July 16th

You don’t really expect a documentary about a women’s volleyball team to open with a scene from the anime short Danemon’s Monster Hunt At Shojiji (Yoshitaro Kataoka, 1935) in which the hero, trying to save the damsel in distress from the web of the evil spider witch, learns too late that the damsel is the evil spider witch and has lured him to his fate. Even if the team in question has become known as ‘the Witches of the Orient’. “To refer to people as witches is not very kind,” says Katsumi Matsumura, a surviving member of the team. “But then, witches have supernatural powers. So that suited us fine.”

The nickname originated in the Russian newspaper Pravda when the Japanese women’s team faced the Russians in the 1962 volleyball championships… [Read the rest]

Full review at All The Anime.

The Witches Of The Orient is out in cinemas and virtual cinemas in the UK and Ireland from Friday, July 16th 2021.… Read the rest

Categories
Features Live Action Movies

The Man Standing Next
(Namsanui Bujangdeul,
남산의 부장들)

Director – Woo Min-ho – 2020 – South Korea – Cert. 15 – 113m

****

The head of the Korean CIA becomes increasingly sidelined by President Park and decides to assassinate him – in Virtual Cinemas including Curzon Home Cinema from Friday, 25th June and on Digital Download from Monday, July 5th

Adapted from a novel, part historical truth, part guesswork and invented fiction, this is the story of Kim Gyu-Peong (Lee Byung-hun from The Fortress, Hwang Dong-hyuk, 2017; The Age Of Shadows, 2016; I Saw The Devil, 2010; The Good, The Bad And The Weird, 2008; A Bittersweet Life, 2005, all by Kim Jee-woon, and Joint Security Area, Park Chan-wook, 2000), the last director of the Korean Central Intelligence Agency (KCIA) under President Park Chung-hee ( Lee Sung-min from The Good, The Bad And The Weird, 2008) who was in power in South Korea between leading a coup and winning the subsequent elections in 1963 and his assassination by Kim in 1979. Confusingly, a second character bears the same surname as the President, Kim’s predecessor at the KCIA Park Yong-gak (Kwak Do-won from The Wailing, Na Hng-jin, 2016).

It starts off in 1979 with Kim entering the presidential safe house and vowing to the gate security detail that the president “dies tonight”.… Read the rest

Categories
Animation Features Movies

Marona’s Fantastic Tale
(L’Extraordinaire Voyage
De Marona)

Director – Anca Damian – 2019 – France – 92m

****

Winner of the André-Martin Award for a French Feature Film at Annecy 2021.

Marona’s Fantastic Tale opens with a device straight out of film noir. The main character has been hit by a car and is dying in the arms of an old friend who got to him a few seconds too late to prevent disaster. Him isn’t correct though: both characters are female. Marona is a dog while late teenager Solange is her owner.

The narrative flies in the face of the idea that people take on pets and everything is hunky dory thereafter. Marona never has a stable life. She’s the last of nine puppies in the litter, so her mother names her Nine as if knowing that her daughter may not be around long and that a new owner will likely give her a new name.

The last to be born is the first to be given away as Marona is placed with her father, a haughty Argentianian mastiff of high birth. Marona only lasts about a day there and ends up walking the streets.

As part of my Annecy 2019 coverage, I review Marona’s Fantastic Tale for DMovies.orgRead the rest

Categories
Features Live Action Movies

The New Girlfriend
(Une Nouvelle Amie)

Director – François Ozon – 2014 – France – Cert. 15 – 108m

*****

On BFI Player subscription from Monday, May 17th 2021

UK release date 22/05/2015

Spring

Spring

Directors – Justin Benson, Aaron Moorhead – 2014 – US – Cert. 15 – 109m

*****

UK release date 22/05/2015

Both these films can easily be ruined by spoilers, so be wary of reading reviews or cinema blurb or even watching trailers before you see them. That said, the following is spoiler free. Now read on.

Spring

The married, female protagonist of French maverick Ozon’s The New Girlfriend – based on a book by Ruth Rendell who passed away last month – suffers serious emotional trauma then becomes involved with a man who is not all that he seems. The single, male protagonist of US indie Spring suffers serious emotional trauma then becomes involved with a woman who is not all that she seems. In both films, the question is: can their relationship survive?

The New Girlfriend

The New Girlfriend‘s Claire (Anaïs Demoustier) is distraught when friend since childhood Laura (Isild Le Besco) dies leaving behind a husband David (Romain Duris) and child. Having promised to look after David should Laura die, she sets about doing so…and makes an unexpected discovery.… Read the rest

Categories
Features Live Action Movies

Once Upon a Time
in China
(Wong Fei Hung,
黃飛鴻)

Director – Tsui Hark – 1991 – Hong Kong – Cert. 15 – 135m

****1/2

Groundbreaking, period martial arts epic features some of the most spectacular stunt sequences ever filmed, spawned five sequels and made Jet Li a star – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

The real life Wong Fei Hung (1847-1925) was a Chinese practitioner of martial arts and medicine who lived in Foshan and has been the subject of over a hundred films. Tsui Hark’s 1991 production is one of the best known and spawned a series of six movies in total, four of them with Jet Li as Wong, arguably his most iconic role.

Militia-laden American and British and French ships anchored in the harbour put Foshan in an uneasy position and Wong is concerned, as well he might be since it turns out in the course of the narrative that the Americans under a man named Jackson (Jonathan Isgar) are not only tricking local men into debt via getting them to pay for their passage to San Francisco but also trafficking Chinese women into prostitution in the New World. The film isn’t particularly interested in these misdemeanours except as providing motivation for its villain.… Read the rest

Categories
Features Live Action Movies

Custody
(Jusqu’à La Garde)

The Pain Of Separation

Custody

Directed by Xavier Legrand.

Certificate 15, 93 minutes

Released 13 April 2018

Husband Antoine (Denis Ménochet) and wife Miriam (Léa Drucker), whose marriage has fallen apart, attend a custody hearing regarding their son Julien (Thomas Gioria) who is 11. Their daughter Joséphine (Mathilde Auneveux) being almost 18 will soon be considered an adult under French law and is therefore legally regarded as able to take care of herself.

Antoine wants custody so he can look after and spend time with Julien at weekends. Miriam doesn’t want to grant him this. She wants as little to do with Antoine as possible. Each partner makes accusations against the other. As the judge says, it’s a question of who is telling the bigger lies. But the judge must make her decision based on this brief hearing. So Antoine will be allowed custody at weekends… [Read more]

Full review published in Reform magazine, 2018.

Trailer: