Tag: doctor

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Features Live Action Movies

Immaculate

Director – Michael Mohan – 2023 – US – Cert. – 89m

***

A virginal, American, novice nun cloistered in an Italian convent finds herself mysteriously pregnant – out in UK cinemas on Friday, March 22nd

A young nun attempts to flee a convent in the middle of the night, but before she can gate the gate open with a key on a large bunch is caught by mysterious nuns with red coverings over their faces, and finds herself buried alive in a coffin. This opening sequence doesn’t bode well for any new nun entering the convent such as the novice Sister Cecilia (Sydney Sweeney, also the film’s producer, from Reality, Tina Satter, 2023), a young woman from a parish in the US that closed down, forcing her to seek a position elsewhere, and who believes God wants her to enter this particular convent, which doubles as a care home for ageing nuns run by Father Tedeschi (Álvaro Morte) and the incumbent Mother Superior (Dora Romano). The premises are built over a network of catacombs.

Before taking her vows on the day she arrives – of which she is told she could opt out beforehand if she doesn’t want to go through with them – Sister Cecilia is entrusted into the care of Sister Isabelle (Giulia Heathfield Di Renzi), an embittered type who doesn’t feel anything like a woman who has given herself to the service of God.… Read the rest

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Features Live Action Movies

Mrs.

Director – Arati Kadev – 2023 – India – Cert. none – 111m

****

After getting married, a woman is expected to work cheerfully from dawn to dusk, waiting on the menfolk of the house hand and foot – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

This is the Hindi remake of Malaysian film The Great Indian Kitchen (Jeo Baby, 2021).

It starts off cheerfully enough with a big song and dance routine with lots of percussion instruments in which the heroine Richa (Sanya Malhotra), who we later learn is a keen amateur choreographer, shows off various Bollywood dance moves in sync with her fellow dancers. You wouldn’t know it from the cleverly constructed trailer, but there are surprisingly few song and dance routines overall for a Bollywood production – the only two complete numbers take place right at the start and right at the end, with the film’s running length at just under two hours a lot shorter than your average, three hour, Bollywood epic which tends to interrupt the action for a song every five minutes. In that sense, the whole thing feels surprisingly Western.

In another sense, the first hour or so doesn’t feel Western at all.… Read the rest

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Features Live Action Movies

Sick Of Myself
(Syk Pike)

Director – Kristoffer Borgli – 2022 – Norway – Cert. 15 – 95m

*****

Fed up with the attention her successful artist partner is getting, a woman deliberately consumes dangerous prescription drugs to make herself the centre of attention– out in UK cinemas on Friday, April 21st

Young Oslo couple Thomas (Eirik Sæther) and Signe (Kristine Kujath Thorp from Ninjababy, Ingvild Sve Flikke, 2021; The Burning Sea, John Andreas Andersen, 2022) have an unhealthy relationship. He is a compulsive thief, stealing luxury items such as expensive wine and designer furniture from restaurants and showrooms, respectively. She is a compulsive liar and attention seeker. They somehow co-exist in a state of unstable equilibrium. They are on a collision course because he has a potential celebrity career while she does not. He is an artist having his first show at a major gallery, while she works at an ordinary coffee shop.

At a celebratory gathering with friends, she is constantly belittling him, constantly talking down his achievement through judicious use of fact coupled with any fiction she might care to invent. At a restaurant meal with his gallery owner and assorted invited guests, she invents an allergy, ‘absent-mindedly consumes a small amount of Thomas’ food and suffers an allergy attack, immediately becoming the focus of attention on what should be his evening rather than hers.… Read the rest

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Features Live Action Movies

The Middle Man

Director – Bent Hamer – 2021 – Norway, Denmark, Canada, UK, Germany, Switzerland – Cert. 15 – 95m

****

I hate to be the bearer of bad news, but… A man in a heartland American town becomes a middle man, whose job it is to convey bad news to local people – out in UK cinemas on Friday, March 10th

Curiously for an English language film set in a small American town, this one was funded by a variety of European countries and Canada. While its visuals clearly owe much to the films of David Lynch, particularly Blue Velvet (1986) and Lost Highway (1997) with their heavy night time interiors filled with dark, impenetrable black spaces, it eschews the over the top moments of sex and violence with which Lynch peppers these films with something much less jocular and more deadpan. Like Lynch it feels distinctly odd, yet in a completely different way. Unlike those films, it’s adapted from (part of) a novel.

Opening images. Factories in a town belch smoke. A small, industrial town on a river. This is Karmack, USA.

Frank Farrelli (Pål Sverre Hagen) is the second interviewee by the three person panel (the local sheriff, pastor and doctor played respectively by Paul Gross, Nicholas Bro and Canadian regular Don McKellar) for the town’s job of middle man, the person who has to deliver bad news, e.g.… Read the rest

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Animation Features Movies

Puss In Boots:
The Last Wish

Directors – Joel Crawford, Januel Mercado – 2022 – US – Cert. PG – 102m

***

As he and others search for the legendary Wishing Star, the eponymous fairy tale character fears for his own mortality after losing eight of his nine lives – out in UK cinemas on Friday, February 5th

It’s been almost two decades since Dreamworks’ Shrek (Andrew Adamson, Vicky Jensen, 2001) turned the animated fairy tale on its head, upending convention to hilarious effect. However, this trick is near impossible to repeat and in animated Hollywood, the success of such a film inevitably engenders a demand for more. Shrek 2 (Andrew Adamson, Kelly Asbury, Conrad Vernon, 2004) introduced Puss In Boots (voice: Antonio Banderas) and the character was given its own spin-off Puss In Boots (Chris Miller, 2011). Over a decade later, here’s the Puss In Boots sequel.

It starts off promisingly enough with Puss In Boots, voiced once again by Banderas, hosting a party for local townsfolk at his mansion. Only it isn’t his: in a nod to Robin Hood by way of Anti-Capitalism, he’s co-opted the lavish home of the local landowner for the people, and when the landowner turns up, he’s understandably annoyed – cue an hilarious dialogue exchange about “Su casa, mi casa”) – but no match for Puss’ skill with a rapier.… Read the rest

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Features Live Action Movies

A Childless Village (Sonsuz)

Director – Reza Jamali – 2022 – Iran – Cert. – 81m

****

A village’s documentary filmmaker returns to the subject of local infertility for which the village’s women beat him up two decades ago – gentle comedy premieres in the 26th Tallinn Black Nights Film Festival

20 years ago, Kazem made a film about his village’s women being unable to bear children. As a result, they beat him up. And many of the men in the village divorced them only to feel guilty and remarry them some three times. Now he wants to make another film because the problem may lie not with the women, but the men. Who, reckons the narrator, are equally likely to beat him up. A visiting lady doctor, generally referred to by the locals as Miss Doctor, hopes to run tests on the villagers and establish the cause of childlessness.

Moslem, who is also the narrator, wants to learn how to be a director – and to just be in the film. He claims that all the women in the village are related to him, so he’ll have no problem getting them to talk on camera. But, of course, it doesn’t work out that way.… Read the rest

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Features Live Action Movies

Come Come Come
Upward
(Aje Aje Bara Aje,
아제 아제 바라 아제)

Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m

***1/2

As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationships – part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.

As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest

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Features Live Action Movies

Living

Director – Oliver Hermanus – 2022 – UK – Cert. 12a – 102m

*****

Diagnosed with stomach cancer and given only months to live, a bureaucrat searches for something – anything – to give purpose to his hitherto meaningless life in this remake of Akira Kurosawa’s Ikiru – out in UK cinemas on Friday, November 4th following its screenings in the BFI London Film Festival 2022, while Ikiru is on BFI Player subscription

For anyone who has had the privilege of seeing Ikiru (Akira Kurosawa, 1952) it is a very strange thing to watch this remake of it. On the one hand, it is exactly the same film. It has the same plot. On the other, it is completely different. Both are set in the 1950s, the original in Japan and the new one in London.

At this point, I have to say that this remake sounded to me (until I’d seen it) like a very bad idea. Cinema is littered with great films that have been remade as shadows of their former selves. Generally speaking, most ideas like this are better left well alone. To make matters worse, this is a case of an established novelist writing a screenplay: producers love this because they see a bestselling author as having a reliable track record but, in fact, the skills required for writing a novel and a movie are very different indeed.… Read the rest

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Features Live Action Movies

Never Look Away
(Werk Ohne Autor)

Director – Florian Henckel von Donnersmarck – 2018 – Germany – Cert. 15 – 189m

*****

A German boy wishes to become an artist, but his desire is affected by the events of WW2 and its aftermath, in possibly the best narrative piece you will see this year – twice Oscar-nominated film is now available on VoD

What is art? Why do artists make art? These questions lie behind Florian Henckel von Donnersmarck’s latest film, like his earlier The Lives Of Others (2006) a German story exploring that country’s history and identity. It clocks in at over three hours, but don’t let that put you off because it needs that time to cover the considerable ground it does. Never Look Away spans the bombing of Dresden by the Allies in WW2, the liquidation of people considered by the Nazis inferior and therefore unfit to live and the very different worlds of post-war art schools in first East and later West Germany. This means it also spans two generations: those who were adults during the war, and those who were children at that time and became adults in post-war Germany… [Read the rest at DMovies.org…]

Never Look Away is out in UK cinemas on Friday, July 5th 2019.… Read the rest

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Features Live Action Movies

Red Angel
(Akai Tenshi,
赤い天使)

Director – Yasuzo Masumura – 1966 – Japan – Cert. 15 – 95m

An army nurse is sent to China – as a slogan in one of the film’s trailers puts it, “on the battlefield where life and death is decided.”

*****

Full Blu-ray review published at All The Anime.

In 1939, for her first posting, Nurse Sakura Nishi (Ayako Wakao) is sent to Tianjin Army Hospital. A number of the male patients appear to be faking medical conditions so as to escape the front line, where Japanese casualties are heavy. When she first does her rounds, Private Sakamoto (Jotaro Senba) and a number of the other men are very forward and ask her a lot of personal questions.

Much worse is to come, however, because when she does her night rounds, she finds herself trapped in the men’s dorm and raped by Sakamoto while the others hold her down. Reporting this incident to the head nurse (Ranko Akagi), Nishi learns she’s this soldier’s third victim. The head nurse resolves to have Sakamoto sent back to the front.

As if all this wasn’t bad enough, Nishi is then posted to a front-line hospital where medics go through the incoming wounded, pronouncing them dead or designating them for surgery, for which read amputation.… Read the rest