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Dance Features Live Action Movies Music

Sirāt
(Sirāt)

Director – Óliver Laxe – 2025 – Spain, France – Cert. 15 – 115m

*****

Young son in tow, a man goes in search of his daughter who has gone missing at raves in the North African desert – 2025 Cannes Jury Prize Winner is out in UK cinemas on Friday, February 27th

Luis (Sergi López from Pan’s Labyrinth, Guillermo del Toro, 2006; Dirty Pretty Things, Stephen Frears, 2002; Harry, He’s Here to Help, Dominik Moll, 2000) and his son Esteban (Bruno Núñez Arjona) are searching for his son’s elder sister who vanished five months ago. Believing she is headed to a rave in the Moroccan desert, they turn up there to hand out Missing fliers and ask people there if they have seen her.

No-one has seen her.

They start off asking among dancing revellers, but soon move on to try people resting or on the fringes of the event. One group of three people halfway up a hillside, seem more sympathetic than most, but they’ve not seen the daughter so there isn’t a lot they can do to help. 

The rave is an illicit event not sanctioned in any way by the authorities, so it’s perhaps not surprising that on maybe the second day… time can be hard to keep track of at these events… soldiers turn up to close the event down. … Read the rest

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Dance Features Live Action Movies Music

The Testament
of Ann Lee

Director – Mona Fastvold – 2025 – US, UK – Cert. 15 – 130m

****

In the mid-eighteenth century, wishing to preach her unique take on the Christian Gospel, Ann Lee crosses the Atlantic with a small party from from Manchester, England, to establish a Shaker community in America – unlikely religious musical is out in UK cinemas on Friday, February 20th

This review is written after seeing this film for a second time. On my first viewing, I went in cold, knowing a great deal about both Christian history and the Quakers, but nothing about the Shakers (‘the Shaking Quakers’) around whom the historical side of this film is based. As far as I can tell, the historical portrayals of the Shakers here, and their leader Mother Ann Lee (Amanda Seyfried in a career-defining role), are pretty accurate.

This is to leave aside the fact that this is also a musical, the genre in which people suddenly burst into song, and we somehow accept it. In real life, people generally don’t burst into song in the ordinary run of things. And yet, it’s a genre convention we accept, and as a genre the musical has a perfectly respectable history. That said, if you’ve been brought up within any sort of English protestant Christian church tradition, from C of E to house churches, you’ll be familiar with people singing hymns as part of their religious worship.… Read the rest

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Features Live Action Movies

Scream 7

Director – Kevin Williamson – 2026 – US – Cert. 18 – 114m

****

A survivor from the original murder spree tries to protect her 17-year-old daughter from the recently reappeared killer – out in UK cinemas on Friday, February 27th

This cleverly plays to both anyone who has followed the Scream franchise since its inception and anyone coming to it for the first time. It grabs you straight from the start with a clever little sequence, featured in the first quarter of the trailer, in which a young couple (Michelle Randolph and Jimmy Tatro) arrive for their stay at a Woodsboro house where the Stu Macher murders took place decades earlier, now done up as a short stay holiday home for crime thrill seekers. Since the trailer gives it away, it seems reasonable to point out that these two are about to become the latest victims of the so-called Ghostface killer, clad in his familiar mask that to this writer has always conjured Edvard Munch’s painting The Scream (1893).

Jimmy Tatro stars in Paramount Pictures and Spyglass Media Group’s “Scream 7.”

An additional conceit of the franchise is that the Ghostface killer’s trademark mask and cape can be worn by anyone, meaning that if you can disarm or kill them, you can then remove the mask and discover the identity of this particular Ghostface.… Read the rest

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Animation Features Movies

All You Need is Kill
(Oru Yu Nido izu Kiru)

Directors – Kenichiro Akimoto, Yukinori Yakamura – 2025 – Japan – Cert. 15 – 86m

***1/2

A woman trapped in a repeating time loop dies fighting alien plant monsters, joins forces with a man in a similar time loop – animated science fiction tale is out in UK cinemas on Friday, February 27th

This began as a science fiction novel first published in Japan in 2004. Ten years later, as is the way of things in Japan, it appeared as a manga. It also formed the basis of the Tom Cruise / Emily Blunt vehicle Edge of Tomorrow (Doug Liman, 2014). The novel is about a cowardly military man killed in a skirmish with unexpected invading aliens who wakes up and realises he’s reliving that first day of the alien invasion. He gets killed over and over again, and wakes up and relives the same day over and over again. Similarly trapped in a time loop is a brave military woman fighting the aliens. It’s a military hardware alien action movie using the looped repeating day structure of Groundhog Day (Harold Ramis, 1993).

While I recommend the 2014 movie, and have no issue mentioning it in terms of contextualising the new film, I also recommend you put it firmly to one side and don’t try and base whatever expectations you might have about the new film on it.… Read the rest

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Features Live Action Movies Music

Sinners

Director – Ryan Coogler – 2025 – US – Cert. 15 – 138m

*****

In 1932, a young blues guitarist finds himself out of his depth when two brothers open a juke joint which comes unexpectedly under siege from supernatural forces – plays one night only, Sunday, March 1st, 6.30pm, as part of Film Tottenham following its release in UK cinemas on Friday, April 18th 2025

It’s a strange thing, but Warner Bros., which has a reputation for tough guy movies from its hard-edged gangster movies of the 1930s, has never made a movie about the blues. If that seems something of a stretch as an assumption, humour me here. The blues came out of the hardships of the Afro-American experience – white racism and the slave trade, poverty and hardship, and there was something raw about it, much as with those early gangster movies that shaped the Studio’s identity.

The idea of Warner Bros. making a movie about the black experience and the blues (or, indeed, building an entire genre around that idea) seems so obvious that it’s a wonder the Studio never did it before. Perhaps it’s significant that Warner Bros. were the Studio that made Elvis (Baz Luhrmann, 2023), which touches on such material.… Read the rest

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Features Live Action Movies

Wasteman

Director – Cal McMau – 2025 – UK – Cert. 18 – 90m

*****

A prisoner’s chances of achieving parole are threatened by the arrival of a ruthless and manipulative new cellmate – out in UK cinemas on Friday, February 20th

Taylor (David Jonsson from The Long Walk, Francis Lawrence , 2025; Alien: Romulus, Fede Alvarez, 2024; Rye Lane, Raine Allen-Miller, 2023), a young inmate in prison, is due for parole provided he behaves as required. However, his new cellmate Dee (Tom Blyth from The Hunger Games: The Ballad of Songbirds & Snakes, Francis Lawrence, 2023; Benediction, Terence Davies, 2021; Robin Hood, Ridley Scott, 2010) has other ideas, including making money by dealing all manner of illicit goods from the outside.

This opens with a row between inmates, one of whom is determined to mete out punishment to whoever it was took his mobile phone. Very quickly, the situation descends into his suspected thief being assaulted with a television set that happens to be nearby. As another prisoner says to the one who carries out the assault, part in awe, part in jest, and part in newly-found respect, “Fucking TV, mate.”

Welcome to the world of Wasteman, the term used to designate central character Taylor who has been written off by British society.… Read the rest

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Features Live Action Movies

Scare Out
(Jing Zhe wu Sheng,
惊蛰无声)

Director – Zhang Yimou – 2026 – China – Cert. 15 – 104m

***1/2

A mole in a small National Security department is narrowed down to one of two operatives… But which one of the two is it?– high tech surveillance thriller is out in UK cinemas on Friday, February 20th

A National Security operation involving numerous operatives and frankly overwhelming high tech surveillance technology is tracking Nathan (Nathaniel Boyd) who is receiving a package from a contact on the street. A fast and furious attempt to catch him involving numerous officers, notably Yan Di (Jackson Yee from ResurrectionBi Gan, 2025; The Battle at Lake ChangjinChen Kaige, Dante LamTsui Hark, 2021; Better Days, Derek Tsang, 2019) and Hwang Du (Zhu Yilong from Dongji RescueFei Zhenxiang, Guan Hu, 2025; Only the River FlowsWei Shujun, 2023; Lost in the Stars, Cui Rui, Liu Xiang, 2022), goes badly wrong when drone operator Chen Yi (Lin Bo Yang) accidentally steers her drone into an operative causing him to fall from a great height. After much frantic running, Nathan is apprehended hiding high up in the scaffolding behind an advertising hoarding.… Read the rest

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Animation Features Movies

LUPIN THE IIIRD
The Movie
The Immortal Bloodline
(RUPAN SANSEI ZA MUBÎ
Fujimi no Ketsuzoku,
LUPIN THE IIIRD
THE MOVIE
不死身の血族)

Director – Takeshi Koike – 2025 – Japan – Cert. 15 – 93m

***

Lupin and his friends are lured to a zombie-populated island run by an immortal being where a toxic gas kills people after 24 hours – out in UK cinemas on Saturday, February 21st

Lupin III (or LUPIN THE IIIRD as he’s called here) has been around in Japan a very long time, first in the manga created by artist Monkey Punch in 1967 and later in live action movies, animated TV series, animated features and various other media formats.

© MP / T

You be forgiven for thinking that makes the franchise inaccessible for the newcomer, but this latest instalment opens with a burst of fuzz guitar and black and white images of ink clouds in liquid and drawings of the five main characters, who are helpfully introduced one by one, invaluable to the newcomer but equally, given the stylish drawings and the rapid pace at which they are introduced, a pleasure also for the viewer already familiar. Thus, we meet master thief (and narrator) Arsène Lupin III (voice: Kenichi Kurita) (“the cops are always after me”), his gunslinging partner Daisuke Jigen (voice: Akio Otsuka), his friend Goemon the swordsman (voice: Daisuke Namikawa), his friendly rival the curvaceous Fujiko Mine (voice: Miyuki Sawashiro), briefly zipping up cleavage that appears have been considerably enlarged for this particular film, and his nemesis Inspector Zenigata (voice: Koichi Yamadira) who has failed to apprehend him for decades, here introduced as an ace even though elsewhere in the franchise he’s pretty hapless.… Read the rest

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Animation Features Movies

Little Amélie
or
The Character of Rain
(Amélie
et
la Métaphysique des Tubes)

Directors – Maïlys Vallade & Liane-Cho Han – 2025 – France – Cert. PG – 77m

*****

A Belgian diplomat’s baby daughter growing up in Japan comes to realise, by her third birthday, that she is not God – out in UK cinemas on Friday, February 13th; previews Saturday, 7th and Sunday, 8th February

In the beginning was God. At least, that’s how the new-born Amélie (French language version voice: Loïse Charpentier) sees herself. She is, essentially, a tube which swallows, digests and ejects (as per the film’s French language title). She has a perfect command of verbal language, so sees no need to say anything. That said, she makes great use of voice-over throughout the piece. She remains motionless, practising “the gift of serenity”. “Your child is a vegetable”, proclaims a doctor to the child’s parents. She remains in this state until her second birthday, when life is interrupted by an earthquake – nothing significant in the wider scheme of things, but a momentous event in the interior life of a small child. She attempts to speak, but to her horror the words in her head don’t emerge, only baby noises.

Amelie is the third child of Patrick (French voice: Marc Arnaud) and Danièle (French voice: Laetitia Coryn), and has two older siblings, Juliette (French voice: Haylee Issembourg) and André (French voice: Isaac Schoumsky).… Read the rest

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Features Live Action Movies

Crime 101

Director – Bart Layton – 2025 – US, UK – Cert. 15 – 140m

*****

high class lone operator thief and the rigorously analytical cop on his trail cross paths with a disillusioned insurance saleswoman to the wealthy – out in UK cinemas on Friday, February 13th

As coloured dots come into focus, they are revealed to be the lights of a Los Angeles freeway upside down, an image which bookends the movie. Davis (Chris Hemsworth) exercise in his sparse apartment before donning a suit. Detective “Lou” Lubesnik (Mark Ruffalo) shaves in his small, untidy bathroom. Sharon Coombs (Halle Berry), in her bathroom, goes through the laborious task of applying make-up.

This is essentially a four-hander – more of the fourth character later on.

Davis is a lone operator who thinks through his proposed robberies beforehand in such a way as to ensure that no-one gets hurt. LAPD investigator Lubesnik has become obsessed with a string of robberies he believes committed by the same person, to the detriment, as his colleagues and superiors see it, of his regular police work. Sharon works for a high end insurance company who have been stringing her along for years with hollow promises of board membership to use her now fading good looks to close sales to wealthy clients.… Read the rest