Tag: memory

Categories
Features Live Action Movies

A Light
Never Goes Out
(Deng Huo Lan Shan,
Dang Fo Laan Saan,
燈火闌珊,
lit. Waning Light)

Director – Anastasia Tsang – 2022 – Hong Kong – Cert. 15 – 103m

****

The widow of a Hong Kong neon sign maker attempts to fulfil his last wish in constructing a specific neon sign, despite new regulations outlawing them – out in UK cinemas on Friday, May 12th #ALightNeverGoesOut

Mei-heung (Sylvia Chang) hangs around an amusement arcade coming to terms with the loss of her husband Bill (Simon Yam) who died just six weeks ago. He believed in luck and wishes coming true, and once won on a machine she thought a scam by inserting a coin whilst facing away from the machine. In their younger days, he proposed to her by fixing various neon lights on timers so that every time she’d make a wish, a switched off neon street sign would light up. Discovering her hard-nosed, go-getter daughter Prism (Cecilia Choi from Detention, John Hsu, 2019) has dumped Bill’s effects at the local communal recycle bin, she tries to retrieve them, falling foul of a cop more interested in enforcing rules than community spirit.

Bill was a much better craftsman than businessman, and packed in his business ten years ago so as to obtain a university grant for Prism.… Read the rest

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Features Live Action Movies

Enys Men

Director – Mark Jenkin – 2022 – UK – Cert. 15 – 96m

*****

A lady environmentalist working on an uninhabited island off the Cornish coast becomes subject to powerful, localised forces from the area’s past – out on UK Blu-ray/DVD combi and on BFI Player on Monday, May 8th

NB The title is pronounced “Enys Main”, the eponymous “Men” being as in “menhir”.

A radio receiver. A bird. An island. A woman in a red coat (Mary Woodvine). A flower. Jenkin seems to love the process of putting little bits of film together to make a whole that’s altogether larger than the sum of its constructed parts. If that same process was evident in his earlier, equally Cornish if less fantastical and black and white Bait (2019), his new film is radically different and, moreover, it’s in colour.

Enys Men is being touted as a horror film – presumably with Jenkin’s blessing if the trailer is any indication – but I’m not sure that’s exactly what this film is. Some horror fans may well come away wondering while they bothered, while viewers put off by the term ‘horror’ may well respond positively to Jenkin’s latest – provided they can be persuaded into the cinema to see it.… Read the rest

Categories
Features Live Action Movies

Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

Categories
Features Live Action Movies

Maborosi
(Maboroshi
No Hikari,
幻の光,
lit.
Phantasmic Light,
A Trick
Of The Light)

Director – Hirokazu Kore-eda – 1995 – Japan – Cert. 12a – 110m

****

His cinema directorial debut Maborosi (1995) is the only feature Koreeda didn’t also write or edit. Seemingly contented Ikuo (a pre-stardom Asano Tadanobu) goes out one night and is run over by a train. After his young wife Yumiko (Makiko Esumi in her debut role) moves to the North coast to remarry, Ikuo’s suicide continues to trouble her…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Maborosi – BFI reissue):

Categories
Documentary Features Live Action Movies

After Life
(Wandafuru Raifu,
ワンダフルライフ)

Director – Hirokazu Kore-eda – 1998 – Japan – Cert. PG – 119m

*****

…Kore-eda fell back on his TV documentary roots, interviewing 500 ordinary people about their most important memory if they could take only one with them to heaven. He incorporated ten into After Life (1998), playing recently deceased clients in the care of petty bureaucrats played by professional actors. They are given one week to choose and recreate that memory on film before being sent off to the next place…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Curzon Home Cinema.

Trailer (After Life – original Japanese, subs):

Categories
Features Live Action Movies

After Yang

Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest

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Features Live Action Movies

Flag Day

Director – Sean Penn – 2021 – US – Cert. 15 – 109m

****

A woman struggles to come to terms with her father who is a criminal and a pathological liar – out in cinemas on Friday, January 28th

This at once follows a linear narrative trajectory and doesn’t. On the one level, Jennifer grows into a woman, argues with her parents (with good reason) and attempts to find herself and make her way in the world. On the other level, images and sequences move effortlessly between Jennifer aged six (Addison Tymec), Jennifer as a young teenager (Jadyn Rylee) and the adult Jennifer (Dylan Penn). Sometimes it feels like the adult Jennifer having a flashback, sometimes it seems like we’re one of her younger selves, all very vivid and real. Sometimes it’s memory, sometimes it’s experience.

It’s based on the real life memoir of Jennifer Vogel, who apparently wrote the book trying to sort out her feelings about her unorthodox upbringing.

It starts and (more or less) ends with a line of cop cars pursuing suspect John Vogel (Sean Penn) wanted for counterfeiting. As the images roll over us, there’s a lot of adult Jennifer voice over in the first ten or so minutes (and elsewhere at odd moments in the film).… Read the rest

Categories
Features Live Action Movies

The Mourning Forest
(Mogari
No Mori,
殯の森)

Director – Naomi Kawase – 2017 – Japan – Cert. 12 – 97m

****

Currently on BFI Player as part of 21st Century Japan.

Wind. Trees. Tall grass. A road barely discernible but for the occasional top of a hedge. A fluttering, white banner of a funeral procession moves imperceptibly across the landscape, a futile ritual for an unknown person.

A room’s corner between two windows. Beyond them: wind and trees. Against the corner leans the sleeping Mr Shigeki (Shigeki Uda). The boss of this old people’s home Wakako (Makiko Watanabe) is showing new care worker Machiko (Machiko Ono) the ropes. “There are no rules here”, she tells her. Machiko is in emotional free-fall. At home, a candle beside a photograph of a young boy. Berated by her husband for letting go of her child’s hand, Machiko has never got over the incident.

Kawase is a master of understatement… [Read the rest]

Currently on BFI Player as part of 21st Century Japan.

Full review at All The Anime.

Trailer:

2020

Monday, August 24th: MUBI

2017

August: Eureka! Video released the film on BD/DVD

Categories
Features Live Action Movies

Apples
(Mila,
Μηλα)

Where are we now?

Apples
Directed by Christos Nikou
Certificate 12a, 91 minutes
Greece
Released 07 May on Curzon Home Cinema,
17th May in cinemas

A film whose time has unexpectedly come. People are suddenly losing their memories in a pandemic. A man (Aris Servetalis) nods off on a bus and, when he comes to, can’t remember where he was going, where he came from, or even his name and address. The amnesia is permanent and no one has been known to recover. As in our real life pandemic, the health service is set up to deal with the effects of all this.

The man’s pockets are checked for ID but none found. He is given a number: 18482. In hospital, he chats to the man in the next bed until one day the man has gone – having been identified and claimed by his family. Inevitably, some people remain unclaimed, as is the case for our man… [read more]

Full review in Reform magazine.

Trailer:

Categories
Animation Features Movies

Hello World
(ハロー・ワールド)

Director – Tomohiko Ito – 2019 – Japan – 97m

****

A social misfit schoolboy must rescue a girl classmate from the rogue software underpinning a virtual, future version of Kyoto with the help of his time travelling, ten years older self who is in love with her – plays online in the Japan Foundation Touring Film Programme 2021 in the UK, 48 hour rental window from 6pm, Monday, March 1st

Kyoto, 2027. Bookwormish Naomi Katagaki (voice: Takumi Kitamura) doesn’t really fit in at his Kyoto school. When he walks there in the morning, the fact of his head being buried in a self-improvement book seems the perfect metaphor for his complete lack of social skills. Asked by a bright, pretty classmate if he’d like to join her and a bunch of others for karaoke after school, he doesn’t really know how to respond and before we know it, she and the group have gone.

He doesn’t really pay attention to those around him, so he gets ignored. While he’s working out what food to select in the canteen lunch queue, everyone has dived in and taken everything but the one option no-one wants. Only when the subject of who is to volunteer for the library duty comes up do his fellow students take any interest in him – by recommending him for the post to which he agrees more out of an inability to say no than from any real desire to take it on.… Read the rest