Tag: fire

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Animation Features Live Action Movies

Boonie Bears
Guardian Code
(Xiong Chu Mo
Ban Wo Xiong Xin,
熊出没·伴我“熊芯”)

Directors – Lin Yongchang, Shao Heqi – 2023 – China – Cert. PG – 99m

****1/2

Abandoned by their mother as children, bear siblings Bramble and Briar uncover a conspiracy involving roboticists and robots – in a dubbed format for family audiences – out in cinemas on Friday, May 26th following its premiere at the Prince Charles Cinema around midday on Saturday, May 13th

Bear cubs Bramble (voiced in the English language version by Siobhan Lumsden) and Briar (voice: Nichalia Schwartz) enjoy and idyllic life in the Pine Tree Mountain forest in the care of their loving, lullaby-singing mother Barbara (voice: Kally Khourshid). Barbara shows them her amber pendant containing a moon and a star shape, one for each of her two cubs who have those shapes in light patches of fur on their chests. (Bramble is the one with the yellowish fur and Briar the one with reddish fur.)

One day, Briar sees her walk away through the burning ruins of a house as if she never knew him. The brothers never see her again, growing up on their own and looking out for one another.

Years later, the adult Bramble (voice: Joseph S. Lambert) and Briar (voice: Patrick Freeman), disguised as robots using makeshift fridge and washing machine costumes that would give the robot performer of Brian And Charles (Jim Archer, 2022) a run for his money, are being driven by their best friend the human Vick (voice: Paul ‘Maxx’ Rinehart) along with roboticist Dr.… Read the rest

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Features Live Action Movies

Pirates

Director – Reggie Yates – 2021 – UK – Cert. – 80m

**1/2

Party like it’s 1999! Three 18-year-old, childhood friends from London attempt to see in the new millennium in style – on BFI Player as a Subscription Exclusive from Thursday, April 13th

They’re called pirates because in this year, 1999, they’ve made it onto the air in London pirate radio, DJ-ing and MC-ing from their flat as the ICC, the Ice Cold Crew. Well, two of them, Two Tonne (Jordan Peters) and Kidda (Redda Elazouar), have. Third member Cappo (Elliot Edusah), just back from university, never really felt he contributed much to the ICC even though he was their manager, so he’s been rehearsing his one-line speech to tell the guys he’s leaving the crew.

However, when he drops in on Two Tonne at the latter’s glue factory job, before he can say his piece, his friend spots Sophie (Kassius Nelson), the girl with whom Two Tonne is smitten and with whom he’d like to be at midnight, and the conversation goes in a whole other direction. The lads concoct a plan to get into the best party of the night, the Y2K, but to do that, they need to get tickets at this last minute.… Read the rest

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Features Live Action Movies

Three Colours: White
(Trois Couleurs: Blanc)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 92m

****

A Pole down on his luck and facing legal proceedings from his French wife, smuggles himself on a plane from Paris to Warsaw in order to get his life and dignity back – 4K restoration is out in UK cinemas on Friday, April 7th

This represents the second part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). Or perhaps it’s not as straightforward as that – at least, that’s what actress Julie Delpy suggested when I interviewed her about the film in 1994.

There are some curious editing decisions at the start – bits of stories told in fuller detail later on, such as shots of a suitcase on an airport conveyor belt, and a glimpse of a happy bride (Julie Delpy) in her white bridal dress leaving the church building for the fresh air and bright sunlight outside to meet waiting guests as, in front of her, a host of pigeons take off, an image to which the editing returns several times during what follows.… Read the rest

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Features Live Action Movies

Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

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Features Live Action Movies

Breakout Brothers
(To Yuk Hing Dai,
逃獄兄弟)

Director – Mak Ho-pong – 2020 – Hong Kong – 12 (Camden Council) – 90m

****

Three prison inmates attempt to escape so that they can attend to various pressing, personal issues– online in the UK as part of Focus Hong Kong 2022 Making Waves from Friday, July 8th to Sunday, July 10th

The generic side of Hong Kong movies (kung fu, supernatural, swordplay, gangster, horror, comedy) has long been one of the strengths of that territory’s film production. This one has already spawned two sequels (Breakout Brothers 2, 2021 and Breakout Brothers 3, 2022, both Mak Ho-pong). In essence, it’s deceptively simple: three inmates in prison attempt to break out. This is hardly an original concept, however two elements makes it different.

One, it’s conceived and shot as a caper movie. It’s not really a comedy, but it most definitely has a lightweight feel. This is brilliantly established from the get-go with the introduction of the score by Pong Chow and Noel Li, which follows a long tradition of themes in caper movies and TV series typified by Mission: Impossible (composed by Lalo Schifrin, 1966) with its driving yet off-kilter bass-line. In Breakout Brothers, this is accompanied by a striking, graphic,opening title sequence as good as that for Collectors (Park Jung Bae, 2020), the difference here being that Breakout Brothers lives up to the promise of its superlative title sequence whereas Collectors doesn’t.… Read the rest

Categories
Documentary Features Live Action Movies

Lancaster

Directors – David Fairhead, Anthony Palmer – 2022 – UK – Cert. PG – 110m

****

The story of World War Two’s iconic Lancaster bomber aircraft, the missions it flew and the airmen who served as its crews – out in cinemas on Friday, May 27th

The constant drone-like sound, the view looking downwards moving over water, a Lancaster bomber aircraft flying the length of a lake, the camera above it titling down as it passes to reveal it crossing a dam. This sequence, impressive on a big cinema screen equipped with a really good sound system, opens this informative and compelling documentary.

The Lancaster is entrenched in the British psyche from The Dam Busters (Michael Anderson, 1955) and in due course clips from that film and a few others appear here. I can remember seeing it many times on afternoon television as a child in the late 1960s / early 1970s. Present day footage of this amazing aircraft in flight jostles with comments by present day airmen who fly in it, and their enormous affection and respect for the aircraft comes through loud and clear. They are seen touching a plaque by the plane’s entrance doorway commemorating all those who flew her during World War Two as a way of taking the spirits of those people with them on flights today.… Read the rest

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Features Live Action Movies

Nightmare Alley
(2021)

Director – Guillermo del Toro – 2021 – US – Cert. 15 – 150m

****

A former carny gets deep into trouble using mind-reading trickery on a wealthy mark – out in cinemas on Friday, January 21st. Also available on Digital Wednesday, March 16th and on Blu-ray and DVD on Monday, March 21st

After burning a body in an isolated farmhouse, Stanton Carlisle (Bradley Cooper) gets work with travelling carnival showman Clem (Willem Dafoe) via midget The Major (Mark Povinelli) and strongman Bruno (Ron Perlman). He soon ingratiates himself with mind reader Zeena (Toni Collette) who lets him into some of the secrets of her trade, but romantically he’s more interested in Molly (Rooney Mara) with whom, despite opposition from her unofficial guardian Bruno, he runs away intent on working a lucrative act on a wealthier audience to make larger amounts of money.

One night, during a residency at a hotel, Stanton and Molly’s show is interrupted by a woman (Cate Blanchett) trying to expose him as a fraud. Successfully navigating her heckling, he convinces Judge Kimball (Peter MacNeill) that he is in contact with the Judge’s dead son. Going against Molly’s advice not to do “spook shows”, and offering to cut in the woman, psychoanalyst Dr.… Read the rest

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Features Live Action Movies

Death,
Desire
And Rat Poison

An introduction to the films of Korea’s late and, lamentably, largely unknown director Kim Ki‑young – originally published in Manga Max, Number 8, July 1999. Reprinted here to coincide with London East Asia Film Festival (LEAFF)’s screening of Woman Of Fire (1971) on Friday, October 29th. If you missed it, the restoration screens again on Friday, November 5th as part of a strand dedicated to actress Youn Yuh-jung at London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young

It seems unthinkable that the world could have failed to recognise a director whose 2.35:1 widescreen visuals compare favourably with Seijun Suzuki and John Boorman and whose marriage of technique with subject matter is as terrifying as anything by Dario Argento or Alfred Hitchcock. Nevertheless, when 1997’s Pusan International Film Festival (PIFF) ran a retrospective season of films by Kim Ki-young (the first of a proposed series of annual events showcasing Korean directors) it quickly became clear to astonished audiences that the unthinkable had indeed happened. Sadly, on February 4th 1998 – within six months of his new-found international acclaim – Kim and his wife died in a fire in Korean capital Seoul.… Read the rest

Categories
Features Live Action Movies

Ròm

Director – Tran Thanh Huy – 2019 – Vietnam – Cert. 12a – 79m

*****

An urban street kid works as a lottery runner to survive while a slightly older boy attempts to steal his turf – from the London East Asia Film Festival (LEAFF), on now

Spending his nights alone in his slum rooftop shack under the stars shooting tin cans with a catapult, young teenager Ròm (Tran Ahn Khoa) must live by his wits. The tenants of his block, like all the city’s residents, are obsessed with the lottery, the only chance any of them have of getting out of poverty. He spends his days going around collecting bets, racing to place them with the bookies on time then racing back equally fast to deliver the results as soon as they’re announced.

If the numbers win, people collect their money and he’s a local hero. If they don’t his customers may beat him up. It’s a challenging and desperate lifestyle, right down at the bottom of the social pile, yet a part of him seems to thrive on it, almost like some indescribable, youthful affirmation of life.

In the course of trying to impress the local, pool playing gangster, older homeless teeenager Phúc (Nguyen Phuc Anh Tu) – who took his name from a Westerner he worked for some time back who used a simiar sounding word a lot – attempts to muscle in on Ròm’s customers and turf.… Read the rest

Categories
Animation Documentary Live Action Movies Music Shorts

Blondie:
Vivir En La Habana

Director – Rob Roth – 2021 – US – 18m

*****

Watch an incredible collision of cultures as new wave band Blondie tours Havana – from Sheffield DocFest 2021

Shot in several aspect ratios by multimedia artist and Blondie collaborator Roth (Doom Or Destiny music video, cert. 18, 2017; creative director on lead singer Debbie Harry’s memoir Face It, 2019), this is a vibrant, visual account of the band’s March 2019 tour of Havana. There are clips from songs recorded at several gigs here (with Harry sporting a variety of striking outfits) that make you wish you’d been there. For some songs, the band’s sound is augmented by Cuban musicians giving the likes of The Tide Is High a completely new lease of life.

Rather than going the obvious route and simply producing a film of the concerts – which I’m sure would be well-received by the band’s admirers, among whom I number myself – Roth has mashed the digitally produced concert footage up with Super 8 and 16mm footage of both Havana itself and members of the band.

He’s also had a lot of fun augmenting numerous live action shots with 2D animation drawn directly onto the moving images adding another layer to the already complex imagery.… Read the rest