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Art Documentary Features Live Action Movies

Exhibition on Screen
Van Gogh
Poets & Lovers

Director – David Bickerstaff – 2024 – UK – Cert. 12a – 90m

*****

Fascinating journey through Van Gogh’s two plus years in Arles and Saint-Rémy in the South of France through his paintings of 1888-90 (collected in the current National Gallery exhibition) and readings from his letters – out in UK cinemas from Wednesday, November 6th

This is the latest offering in Exhibition on Screen’s excellent series of films about art, which usually tie in with some current, recent or upcoming art exhibition. In this case, the tie-in is with the National Gallery’s current offering Van Gogh – Poets & Lovers, and on one level the film follows EoS’ tried and tested template of shooting footage of the exhibition and paintings along with interviews with exhibition curators (in this instance, Cornelia Homburg and Christopher Riopelle) and assorted artists, critics or other biographers.

It also incorporates footage of actor Jamie de Courcey playing Vincent van Gogh – more as shots from moving visual tableaux than anything else (a form of filmic illustration, if you will) – the actor isn’t required to speak dialogue – to break up the whole and make it more manageable by the viewer.

Vincent van Gogh who, as Homburg notes early on, had within 25 years of his death become the best known artist in the world, is something of a gift to anyone making a film about him.… Read the rest

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Animation Features Movies

The Glassworker
(Sheesha Gar,
شیشہ گ)

Director – Usman Riaz – 2024 – Pakistan, Spain – 98m

*****

The son of a pacifist glassblower learning his father’s trade falls for the violin-playing daughter of an army colonel in wartime – complex anti-war drama from the 2024 Annecy International Animation Festival in the Contrechamps section, released in Pakistan on Friday, 26th July 2024

If you knew nothing about this animated film beforehand, you’d assume it to be Japanese. Love it or hate it, most animation made in Japan falls within very distinctive, stylistic, visual parameters. According to the press blurb, director Riaz is an admirer of Studio Ghibli directors Miyazaki and Takahata as well as more recent directors Mamoru Hosoda and Satoshi Kon. Visually, the film feels more like a Miyazaki than anything else, and of comparable quality too. Yet it’s also highly original, and Riaz, here directing his first feature after a number of shorts, clearly has his own voice.

It opens with a frame story about youthful glassblower Vincent Oliver (voice: Sacha Dhawan) who, with the help of his father, is preparing for the opening of his debut glassware exhibition. He rereads a letter from a girl which his father (voice: Art Malik) had told him years ago to destroy in their workshop’s furnace.… Read the rest

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Art Documentary Features Live Action Movies

Exhibition on Screen:
John Singer Sargent
Fashion & Swagger

Director – David Bickerstaff – 2024 – UK – Cert. U – 93m

****

Late nineteenth century society portrait painter John Singer Sargent was fascinated more by their clothing and the possibilities of paint than he was by the women he painted – documentary is out in UK cinemas for selected screenings from Tuesday, April 16th

Based on the exhibition first at the Museum of Fine Arts, Boston (MFA) and now at Tate Britain, this opens with incidental music that conjures a contemporary dance floor, a soundtrack which provokes a strange tension with paintings hanging on walls and costumes displayed in glass cases as the camera moves through the physical spaces in which they are displayed. But then, the title suggests this might be a little different from Exhibition on Screen’s usual fare.

John Singer Sargent’s A Portrait of Miss Elsie Palmer (A Lady In White), 1889-90, shows the energy and intensity of his portraiture. The brushstrokes are arresting and like nothing else being done at the time. The paintings might be perfect, but the people within them most definitely are not: Sargent captures their imperfections in a most compelling way. He looked deeply at people, and some of his sitters were afraid to sit for him because of what he might see.… Read the rest

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Art Documentary Features Live Action Movies Music

Exhibition on Screen:
Klimt & the Kiss

Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest

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Art Documentary Features Live Action Movies

Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman

Director – Ali Ray – 2023 – UK – Cert. U – 93m

*****

A look at an often overlooked member of the Impressionists, a US-born, female painter and printmaker who moved from Philadelphia to live in France – out in UK cinemas for one day only on Wednesday, March 8th (International Women’s Day)

I had never heard of Mary Cassatt when I came to this documentary. I’m not really sure why not (apart from the obvious reason, the widespread exclusion of numerous women artists from the annals of art history until recently) and feel indebted to this remarkable study for introducing me to her work. It comes as no surprise that the film was produced by Phil Grabsky for his excellent Exhibition On Screen series about art, although what IS a surprise here is that all the interviewees in this instance are women. Nothing at all wrong with that if they have something of value to say, which they clearly do.

One could argue that the piece has a very strong feminist leaning with its emphasis on women being free to live their lives as they choose. It’s tempting to say that one could forget the gender bias here and simply say that all the interviewees have important insights to share and do a good job.… Read the rest

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Animation Art Features Live Action Movies

Hilma

Director – Lasse Hallström – 2022 – Sweden – Cert. 12a – 119m

****

Late in her life, Swedish artist Hilma af Klint, today considered the world’s first abstract painter, remembers her life – out in UK cinemas on Friday, October 28th

As Swedish artist Hilma af Klint (Lena Olin) takes a tram journey, she remembers key events and moments within it: she is haunted by the memory of her little sister Hermina (Emmi Tjernström), who tragically died when Hilma (Tora Hallström) was 18 and with whom she often played hide and seek.

Interested in drawing and painting from nature as a form of scientific inquiry – at her art school interview panel she lists mathematics, geometry, biology and astronomy as interests other than flowers – she meets up with other women studying technical painting and drawing in Stockholm, among them the wealthy Anna Cassel (Catherine Chalk) who becomes her lover and finances her as an artist – and becomes part of their group of five women artists interested in spiritism. She also studies the Theosophical writings of Madame Blavatsky and makes a particular connection to the Anthroposophist ideas of Rudolf Steiner.

Acknowledging these interests, the film infuriatingly refuses to explore them at any great depth, perhaps because it fears such ideas might prove controversial and perhaps because they might prove boring to a contemporary audience, it’s impossible to tell.… Read the rest

Categories
Art Documentary Features Live Action Movies

Eric Ravilious:
Drawn To War

Director – Margy Kinmonth – 2022 – UK – Cert. PG – 87m

***1/2

The career of the British watercolour artist tragically killed while serving as an official war artist in World War Two – now available to watch online following UK cinema release on Friday, July 1st 2022

The first official war artist to be commissioned in World War Two, Eric Ravilious was on an aircraft which set out from Iceland in 1942 and never came back. There is no exact record of what took place, covered by the phrase “missing in action”, but in all likelihood the plane went down in the sea. Kinmonth finds simple images to convey the incident, which appears in both her opening introduction to Ravilious’ life and her closing reel representing his passing – a warplane descending, our viewpoint falling towards the surface of the sea, an indistinct body moving in water filled with bubbles. At the end, the cold blue of the water contrasts with the gentler, rural green of the family house and surroundings back home.

After his death, Ravilious’ art was largely ignored. Alan Bennett, an admirer of the artist’s work, puts this down to the work’s cheerful and unthreatening nature and a prevailing view that art should grapple with dark and foreboding subject matter.… Read the rest

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Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.