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Mother’s Kingdom
(Uhm-mah-ui
Wahng-gook,
엄마의 왕국)

Director – Lee Sang-hak – 2024 – South Korea – LKFF Cert. 15 – 97m

*****

A Christian mother, her ‘Christian book’ author son, and her local pastor brother-in-law are haunted by traumas from their collective past – suspense thriller from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

I don’t often preface a film review with a piece of verbal, religious text, but in this exceptional case, the following Old Testament quote may be pertinent, particularly the phrase in bold:

The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation.”

– Exodus 34:6–7

Ji-wook (Han Ki-jang) lives with his mother Kyung-hee (Nam Kee-ae), and although he’s earning a respectable living working from home as a writer of self-help motivational books, in many ways he seems deeply unqualified to be peddling such advice to a wider public.… Read the rest

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Features Live Action Movies

Point Break
(1991)

Director – Kathryn Bigelow – 1991 – US – Cert. 15 – 122m

*****

A rookie FBI man goes undercover with a group of surfers, believing them to be a gang of bank robbers who disguise themselves as former US Presidents – milestone action movie is out in a 4K Restoration in UK cinemas on Friday, November 8th as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

At a cursory glance, there’s nothing particularly remarkable about Point Break, a crime movie about bank robbers, surfers and undercover cops, except perhaps the juxtaposition of surfers on the one hand with cops and robbers on the other except as a route into making a film about cops undercover. Certainly, that juxtaposition pervades the film, with fresh out of training school, undercover FBI man Johnny Utah (Keanu Reeves) coming up against accomplished surfer Bodhi (Patrick Swayze) and his new age-y philosophy of life, which is all about living in the moment and experiencing the biggest rush. Those two concepts happen to embody elements that could potentially make a great action film. Point Break does exactly that. Even though it’s a 35-year-old film, it feels as fresh today as it did on initial release.… Read the rest

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Features Live Action Movies

Aimless Bullet
(Obaltan,
오발탄)

Director – Yu Hyun-mok – 1961 – South Korea – 110m

****

Former soldiers and others struggle with the effects of post-war economic depression in the newly constituted South Korea – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Made and released in the brief period of about a year between the collapse of one dictatorship and the rise of another, and the temporary relaxation of state censorship that accompanied it in South Korea, Aimless Bullet deals with the struggle to survive in that country amidst economic collapse. Men including demobbed soldiers and officers struggle to find work, others lucky enough to have jobs struggle to support their extended networks of loved ones while women drift into prostitution – or, if they’re really lucky, become movie stars.

It opens with crippled, former officer Gyeong-sik, constantly asking Sgt. Park and other drinking buddies not to call him “The Commander”, making a scene in a bar and smashing a glass door. Wandering through the streets at night alone afterwards, he’s accosted by former girlfriend Song Myeong-suk (Seo Ae-ja) who desperately wants him to fulfil his promise and marry her, but he won’t because as a cripple he feel an incomplete man.… Read the rest

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Save the Green Planet!
(Jigureul Jikyeora!,
지구를 지켜라!)

Director – Jang Joon-Hwan – 2003 – South Korea – Cert. 18 – 118m

*****

NSFW

Convinced that a corporate boss is an alien who killed his mother, a man takes him prisoner and tortures him to find out his race’s plans for planet Earth – plays alongside Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Lee Byong-gu (Shin Ha-kyun) is convinced that corporate CEO Kang Man-shik (Baek Yoon-shik) is not only responsible for the death of his mother but also is an alien spy set to communicate with his extra-terrestrial superiors at the next full moon in seven days time. So, aided by girlfriend Sooni (Hwang Jung-min), Lee kidnaps Kang and brings him back to his underground workshop beneath his hilltop home near which he keeps bees in hives. Lee wants to hear the truth from Kang’s own lips, and is prepared to torture him to get it.

CEO Kang is clearly not a nice guy – he is obviously raking in the money, yet we watch him driven home drunk by a valet who he shamelessly short changes on his fare.… Read the rest

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The Crime is Mine
(Mon Crime)

Director – François Ozon – 2023 – France – Cert. 12a – 102m

*****

Two young women, an actress and a lawyer, take advantage of casting couch sex abuse of the former to boost both of their fledgeling careers – sharp period comedy with more to it underneath the surface is out in UK and Ireland cinemas on Friday, October 25th

A swimming pool. A lavish, art deco mansion. Out of a door staggers a clearly distressed, young blonde woman. Leaving the estate, she walks down the street, bumping into people. The setting and her clothes indicate the 1930s.

Meanwhile, a middle-aged M. Pistole (Franck de Lapersonne) calls on young brunette tenant Pauline (Rebecca Marder) to demand 3 000 Fr for five months’ back rent. A qualified lawyer, she manages to negotiate 48 hours’ respite on the grounds that a hotshot producer wants to put her flatmate Madeleine in his new play, and money will follow once the contract is signed. However, once Madeleine (Nadia Tereszkiewicz from Only The Animals, Dominik Moll, 2019) comes in to spill her tale of woe – in a manner closer to screwball comedy than rape or crime drama – it rapidly becomes obvious that the situation has changed.… Read the rest

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Animation Features Live Action Movies

Joker
Folie à Deux

Director – Todd Phillips – 2023 – US – Cert. 15 – 138m

****1/2

Get Happy… Get Ready for the Judgement Day! Prison movie, courtroom drama, musical… the new Joker movie is something of a wild card – out in UK cinemas on Friday, October 4th

The big surprise about this sequel to Joker (Todd Phillips, 2019), if indeed it is a sequel rather than another standalone film reimagining the same character, is not one but two big surprises. In no order of anything… One, it is a courtroom drama. Two, it is a musical. This is extraordinary. Less of a surprise is that, like its predecessor, it is also a character study. More of a surprise is that it completely breaks the mould as to what a comic book superhero – or, in this case, supervillain – movie might be.

Warner Bros. / DC appear to have unearthed a unique asset. DC Comics have a long tradition of alternate histories, something capitalised on in their Elseworlds imprint which have, for example, recast Batman on different occasions in as diverse roles as an historic American Civil War participant and a vampire. Thinking about such volumes in terms of the movies, such shifts of context as a musical built around a character like Joker makes perfect sense.… Read the rest

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Animation Features Movies

Detective Conan
The Million-Dollar Pentagram
(Meitantei Konan
Hyakuman Doru
no Michishirube,
名探偵コナン
100万ドルの五稜星)

Director – Chika Nagaoka – 2024 – Japan – Cert. 15 – 111m

****

Spin-off from a hugely populardetective mystery manga and anime franchise – and Japan’s biggest box office success of 2024 – impresses on the level of eye-candy provided you don’t attempt to follow the overly convoluted plot – out in UK cinemas on Friday, September 27th

Japanese property Detective Conan is huge, running as a serialised manga in Weekly Shonen Sunday for 30 years, and turned into an anime series two years after that. By 2024, the manga has been collected into over a hundred volumes, while the franchise has spawn both animated and live action features among other things. The current film is the 27th animated feature, and at the time of writing is the biggest film at this year’s Japanese box office.

It may not be a good place to start with the franchise. Unlike Spy x Family Code: White (Kazuhiro Fusuhashu, Takashi Karagiri, 2023), which does a surprisingly effective job at getting the newcomer up to speed on a well-established anime franchise, Detective Conan: The Million-Dollar Pentagram doesn’t bother to explain its characters and their complex network of relationships, so you may find yourself completely lost before it starts throwing its increasingly convoluted plot developments at the viewer (as it does almost immediately with disorienting speed).… Read the rest

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No Trees in the Street

Director – J. Lee Thompson – 1959 – UK – Cert. 12 – 96m

****

An essentially honest young woman living in her parents’ East End slum fails to stop her impetuous younger brother from becoming involved in the criminal underworld – one of two J. Lee Thompson movies out on UK Blu-ray, DVD and Digital

Framed by a contemporary story of plain clothes policeman Frank (Ronald Howard) trying to talk sense into a knife-carrying teenager (David Hemmings), this takes place in the East End street where the latter lives some 20 years previously. The name has changed: back then, Somerset Street was known as Kennedy Street. The policeman, who is local, has always worked this beat. 20 years ago, he was trying to prevent another young man from drifting into a life of crime.

That other young man is Tommy (Melvyn Hayes), who lives with his father, mother and older sister Hetty (Sylvia Syms) in fairly basic accommodation. It’s a poor area and honest work is hard to come by. Both brother and sister would like to find a way out, into a better life. Both have less than honest ways of doing so, in the form of local ‘businessman’ Wilkie (Herbert Lom).… Read the rest

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The Weak and the Wicked

Director – J. Lee Thompson – 1954 – UK – Cert. 12 – 88m

***1/2

A woman spends 12 months in prison after being convicted of fraud – one of two J. Lee Thompson movies out on UK Blu-ray, DVD and Digital in August, 2024

Jean (Glynis Johns) is marched from her cell and up the stairs into the courtroom to hear the judge’s verdict. She gets 12 months for fraud, and is sent to HM Prison Blackdown. Her crime is detailed in flashback – she has a gambling problem, which costs her her doctor boyfriend Michael Hale (John Gregson) who walks out on her. She pays for chips at a casino with a cheque, for which she hadn’t the funds in the bank. In this office, the owner Mr. Seymour (Edwin Styles) tells her he has his own way of dealing with debts, as she’ll shortly find out.

Her friend Pam (Ursula Howells) gets her a job in a clothing store, but it turns out Pam is actually working for Mr. Seymour and steals a family heirloom from Jean’s handbag the first chance she gets. Jean claims the insurance money only for two policemen to arrest her the day the money comes through, going into her home and finding a pawn ticket for the allegedly stolen item tucked into the back of a mirror.… Read the rest

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Duchess

Director – Neil Marshall – 2023 – US – Cert. 15 – 113m

**1/2

A low life, female criminal falls for a gangster diamond smuggler, then attempts to take back control after a rival gang ousts him – out in UK cinemas on Friday, August 9th and on digital DL from Monday, August 12th

From an opening where a too good to be true sex bomb lures a man into a room then violently assaults his exposed (albeit not to the camera) genitals, revealing herself in a voice-over to be Scarlett (Charlotte Kirk, also a co-screenwriter, who worked in the same capacities on director Marshall’s The Lair, 2022, and The Reckoning, 2020), London-born and bred, and her victim Nacho, who “totally has it coming” from her friend Danny Oswald (Sean Pertwee). After a struggle, we “have to go back a bit” via a series of fast-reverse images.

Thus, this is one of those movies with a framing device which starts in the middle of the film, goes back to the beginning of the story and then at some point arrives at the opening scene before proceeding to tell the rest of the story. Which points out its major flaw: just before that opening frame story scene in the middle of the film comes a scene which completely changes what the film is, from a woman criminal’s romantic involvement with a gangster who gets to know his world to a woman wronged revenge thriller.… Read the rest