Categories
Features Live Action Movies

The Last Dance
(Po Dei Juk,
破·地獄)

Director – Anselm Chan – 2024 – Hong Kong – Cert. 12a – 130m

****

A failed, professional wedding planner joins a Taoist funeral director as a partner in his company as various crises come to a head in the latter’s family – engaging drama is out in UK cinemas on Friday, November 15th

There have been movies about undertakers and funeral parlours before, but never one quite like this. Whether or not one is at a stage in life where one has had much experience of bereavement, at some point, each one of us is going to die – and, before that, in all likelihood, have to deal with our nearest and dearest dying and, by extension, undertakers and funeral directors in whatever culture we happen to live. Consequently, there is a universal fascination with such matters.

Hong Kong has a very specific cultural take on this phenomenon in its Taoist priests and rituals. While these have over the years supplied the basis for much beloved and fantastical Hong Kong action or horror fare such as Zu Warriors From the Magic Mountain (Tsui Hark, 1983) or the Mr. Vampire films (1985 onwards), no-one has ever tried to build a contemporary, generational family drama around the Hong Kong funeral business, at least, not so far as I’m aware.… Read the rest

Categories
Animation Features Movies

Watership Down
(new 4K restoration)

Directed by Martin Rosen
Certificate PG
92 minutes
Released 25 October

Reviewed for Reform magazine.

Now fully restored in a new 4K restoration, this 1978 tale of rabbits on the run proved that an animated film need be neither made by Disney nor sugar-coated for children. Watership Down, although a children’s film, came from the producer of the Oscar-winning DH Lawrence adaptation Women in Love (1969), Martin Rosen. He ended up directing it too.

A prologue details the relationship between the creator-god Frith – represented as the sun – and rabbitkind. As with most creation myths outside the Judeo-Christian, there’s quite a bit of sex and violence. The rabbits breed furiously; hitherto non-carnivorous animals are given teeth to keep the rabbit numbers down. The rabbits are given powerful hind legs to outrun their predators.

Having established rabbits as intelligent creatures possessing a mythology and a world view, the main story… [Read the rest at Reform magazine]

[Read my alternative, longer review for this site.]

Trailer:

Categories
Features Live Action Movies

Only the River Flows
(He Bian de Cuo Wu,
河边的错误,
lit. Mistake (or Mistakes)
By the River)

Director – Wei Shujun – 2023 – China – Cert. 15 – 101m

**

A cop must solve a complex murder mystery his chief believes to be an open and shut case – out in UK cinemas on Friday, August 16th

A small boy with a toy gun plays cops and robbers in a deserted building, He opens doors like the protagonist of a Hollywood cop movie, looking for an armed criminal. And then he opens the door at the end of the corridor to reveal… a drop. The edge of a half demolished building, a building site with diggers.

This bravura opening is the high point of a film that combines a number of disparate elements in an attempt to construct a gritty police procedural murder mystery. However, it gets rather too caught up in many of these elements, and they swamp the narrative, which becomes incredibly tough to follow as a result. (This reviewer went back a second time to see if he liked it more on second viewing. He didn’t.)

A police chief (Tianlai Hou), who is also a keen table tennis player, encourages his force to get their merit recommendations in. This offers a fascinating glimpse into Communist China’s concept of community – you point out those who are making a useful contribution so that they can be rewarded.… Read the rest

Categories
Documentary Features Live Action Movies

Agent
of Happiness

Directors – Arun Bhattarai, Dorottya Zurbó – 2023 – Bhutan, Hungary – 94m

****

A civil servant travels around Bhutan assessing individual people’s happiness even as his personal life begs the questions whether he, himself, is truly happy – out in UK cinemas on Friday, July 12th

Judging by the opening montage of cloudy and hilly scenery here, Bhutan may not be the sunniest place on the planet, but it looks fabulously beautiful. In their house, a fortysomething man clips and files his mother’s fingernails. He puts on his uniform (which includes a traditional type of robe), says goodbye to her, and goes out to work. He has a job as one of 75 agents who travel the kingdom conducting surveys assessing people’s happiness. We will only lean his name fortysomething minutes into the film.

The surveys have 148 questions and nine categories. The King of Bhutan has instigated a Happiness Index, to measure Gross National Happiness (GNH), which serves as the basis of future policy to improve his subjects’ lot and make them as happy as they can be.

The agent and his colleague drive around in his car meeting people and asking them the questions. At the end of each interview, a chart overlays the image of the person (sometimes it’s more than one family member) showing marks from one to ten for each category, plus another mark for their overall Happiness Level.… Read the rest

Categories
Features Live Action Movies

The White Ribbon
(Das Weiße Band)

Director – Michael Haneke – 2009 – Germany – Cert. 15 – 144m

Reviewed for Third Way magazine to coincide with UK release date 13/11/2009.

Haneke’s first period drama for the big screen is set in 1913-14 in a Northern German Protestant village where strange accidents befall the community. A doctor (Rainer Bock), out riding a regular route, is brought down and injured by a wire between two trees. The wife of a farm labourer is killed when factory floorboards give way beneath her. Children are abducted. A baby’s window is left open in Midwinter. A building burns. But who is – or are – responsible?

The film sets out its cast of characters in terms of the social hierarchy. The landowning classes are represented by the local Baron (Ulrich Tukur), his wife (Ursina Lardi) and their child; the professional classes by a widowed doctor, the midwife (Susanne Lothar) “who has made herself useful to him”, the Baron’s steward (Josef Bierbichler), the village Pastor (Burghart Klaussner) and the local teacher (Christian Friedel) – also as an old man the narrator (Ernst Jacobi) – who is courting the nanny of the Baron’s son; the working classes by numerous agricultural labourers who generally feature less prominently in the story.… Read the rest

Categories
Features Live Action Movies

Furiosa
A Mad Max Saga

Director – George Miller – 2024 – Australia – Cert. 15 – 148m

*****

Kidnapped by a biker gang she attacks, young Furiosa must make her way in the desert wasteland populated by despots, bikers, and gas truck drivers – out in UK cinemas on Friday, May 124h

In the forest where fruit is plentiful near her home, young Furiosa (Alyla Browne, the lead in the upcoming Sting, LINK, Kiah Roache-Turner, 2023) spots a group of bikers who capture her as she tries to cut their bikes’ fuel lines. Her mother Mary Jabasa (Charlee Fraser) sets off across the desert in pursuit, stealing a bike from one of their number, only to be captured and crucified. Furiosa is taken to the biker’s despotic and nomadic leader Dementus (Chris Hemsworth), later escaping and falling in with gas truck driver Praetorian Jack (Tom Burke). Furiosa becomes a young woman (Anya Taylor-Joy) who as Jack’s protégé learns everything he knows.

The desert economy, where gasoline is the most precious commodity, consists of a wasteland in which are situated three strongholds: Gas Town, The Citadel and The Bullet Farm.

This prequel to Mad Max: Fury Road (George Miller, 2015) was essentially written at the same time as that film as part of the process of understanding the backstory of Imperator Furiosa (Charlize Theron).… Read the rest

Categories
Features Live Action Movies

Evil Does Not Exist
(Aku wa Sonzai Shinai,
悪は存在しない)

Director – Ryosuke Hamaguchi – 2023 – Japan – Cert. 12a – 106m

**

A small, unspoiled village community is visited by two representatives of a company planning to set up a glamping facility – out in UK cinemas on Friday, April 5th

This starts and ends with a journey on foot through a forest with a viewpoint looking up at the branches of trees as quiet, meditative and arresting music by Eiko Ishibashi plays on the soundtrack.

A young girl of about eight (was it her viewpoint?) wanders through the woods.

A man chainsaws chopped tree trunks into small logs, then takes them near to his house to chop them for firewood. He puts several big, plastic cans in his car boot and drives out to a stream to fill them with water. Kazuo drops by to help the man load the filled bottles into his car. They hear gunshots, which the first man remarks he heard they were hunting in Kunihara.

At this point the first man Takumi (Hitoshi Omika) realises he’s forgotten to pick up his daughter from daycare, and drives over there to discover she’s given up waiting and walked home along. He finds her in the forest and gives Hana (Ryo Nishikawa), for that is her name, a piggyback home.… Read the rest

Categories
Features Live Action Movies

Concrete Utopia
(Konkeuriteu Yutopia,
콘크리트 유토피아)

Director – Eom Tae-hwa – 2023 – South Korea – Cert. 15 – 130m

****1/2

A massive earthquake makes the residents of the sole Seoul apartment block still standing close their doors to survivors outside – out on UK digital platforms on Monday, April 1st

Concrete: a structural material made of aggregate, cement, and water. (Definition from Encyclopedia Britannica.) Harsh. Unyielding. Impenetrable. Opaque. Not alive. Commonly used in today’s world in the manufacture of buildings, and associated with Brutalist architecture.

Utopia: an ideal community whose inhabitants exist under seemingly perfect conditions. (Definition from Encyclopedia Britannica.) The English word derives from two Greek words, the compound meaning of which is nowhere. Hence, “seemingly”. Utopias tend to have some fatal flaw. If they didn’t, any story about them would lack dramatic conflict. Thus, the word carries within it a degree of irony.

The eponymous montage of these two words pits them against each other: an unyielding, dead physicality confronts the optimism of a better world. The title evokes JG Ballard’s novels Concrete Island (1974) and High-Rise (1975), the former about a stranded motorist struggling to survive on a spaghetti junction after a car accident, the latter about a newly built block of flats in which the residents descend through social breakdown towards a new order.… Read the rest

Categories
Features Live Action Movies

Silver Haze

Director – Sacha Polak – 2023 – UK – Cert. 15 – 102m

*****

A young nurse – who seeks closure and revenge from being burned in a fire as a child – falls into a romantic attachment which may lead her towards a sense of community – out in UK cinemas on Friday, March 29th

This is the second collaboration between writer-director Polak and performer Vicky Knight, who in real life as a small child was burned in a fire and whose flesh is marked by the physical scars of that trauma. In Dirty God (2019), their first film together, Knight delivered a bravura performance as the victim of an acid attack.

In addition to her being compelling on the screen in that film, Knight apparently enjoyed the whole process of making and promoting it, and Polak wanted to do a further film with her, writing a twenty-page fictional treatment and then leaping into a shoot without fully knowing what she was doing. Her backers misunderstood her to be making a documentary about Knight, yet this is a work of fiction, using created characters to explore the effect of Knight’s real life trauma. If the scars are clearly visible on Knight’s body, what draws you in is something altogether beyond that, the trauma playing out in her interior life.… Read the rest

Categories
Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest