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H is for Hawk

Director – Philippa Lowthorpe – 2025 – US, UK – Cert.12a – 115m

*****

An academic grieving her recently deceased photojournalist father buys and trains a goshawk then turns in on herself – adaptation of bestselling memoir is out in UK cinemas on Friday, January 23rd

Helen (Claire Foy) phones her dad to tell him she’s just seen a pair of goshawks. Her dad (Brendan Gleeson), with whom she would often venture out into the English countryside, is a top photojournalist who has made a career out of waiting with his camera – for hours sometimes – to catch just the right moment to tell a story. Technically, he is retired, but still carries on working. And then a few days after Helen sees the goshawks, her mum (Lindsay Duncan) phones. Dad died, suddenly, unexpectedly. He’s gone. Except that, in the manner of the bereaved, he’s still there. Everywhere Helen goes, she remembers flashes of him from the past, things they did together. They were very close.

She works as an academic, teaching science at Cambridge, and not unusually is disenchanted with her students, wishing they’d show a bit more interest. She has been invited to apply for a position in Berlin, and as her best friend Christina (Denise Gough) says, if she applies she’ll probably get it, so they go out to celebrate.… Read the rest

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Features Live Action Movies Music

The History of Sound

Director – Oliver Hermanus – 2025 – UK, US – Cert. 15 – 128m

****

A Kentucky man falls for a music professor in Boston and accompanies him on a field trip recording folk songs – out in UK cinemas on Friday, January 23rd

In 1917, having grown up on a farmstead in rural Kentucky and his remarkable singing voice being noticed by a local schoolteacher, Lionel Worthing (Paul Mescal from Hamnet, Chloé Zhao, 2025; Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023) gets a student scholarship to Boston’s New England Conservatory of Music. One Saturday evening in a Boston pub with friends, he makes the acquaintance of David White (Josh O’Connor from  La Chimera, Alice Rohrwacher, 2023; Mothering Sunday, Eva Husson, 2021; The Crown, TV series, 2019-20; God’s Own Country, Francis Lee, 2017) who is playing folk songs on the piano and, it turns out, is a tenured academic with an obsessive hobby: travelling around the country collecting, recording and cataloguing folk songs. David has what Lionel describes as the sound equivalent of a photographic memory: he can remember word for word and note for note, any song sung in his presence.… Read the rest

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The Ice Tower
(La Tour de Glace)

Director – Lucile Hadzihalilovic – 2025 – France, Germany, Italy – Cert. 15 – 117m

*****

Midwinter. A homeless girl stumbles onto a film set where a notoriously difficult actress is shooting an adaptation of The Snow Queen – screens exclusively on BFI Player from Monday, January 12th

Opening with microscopic images of of snowflakes and more abstract visuals of refracted light, this swiftly delivers a female voiceover (by Aurélia Petit from Saint Omer, Alice Diop, 2022; By the Grace of GodFrançois Ozon, 2018; Happy End, Michael Haneke, 2017; Personal Shopper, Olivier Assayas, 2016; The Science of Sleep, Michel Gondry, 2006) in French with English subtitles for those of us in the UK, in which the word ‘neige’ (snow) is seemingly, endlessly repeated. Then images of a girl wandering snow covered mountainsides gives way to night time small town streets before Jeanne (newcomer Clara Pacini) is told off for arriving late at the supper table. “I was afraid you’d gone”, says one of the younger girls (Cassandre Louis Urbain).

At night, Jeanne surreptitiously reads a postcard from a friend picturing Alpenaille skating rink addressed to her at the Bon Secours (Good Rescue) Foster Home.… Read the rest

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Hamnet

Director – Chloé Zhao – 2025 – UK, US – Cert. 12a – 125m

*****

An imagining of the story of William Shakespeare’s son Hamnet, whose name gave rise to the play Hamlet – Maggie O’Farrell’s adaptation of her own novel is out in UK cinemas on Friday, January 9th

According to the opening title card, the names Hamlet and Hamnet were regarded as interchangeable in Elizabethan England. This is curious, since the piece’s female lead (Jessie Buckley from Women Talking, Sarah Polley, 2022; Men, Alex Garland, 2022; Misbehaviour, Philippa Lowthorpe, 2020) appears to be variously addressed as Alice, Agnes or Anyes while the male lead (Paul Mescal from Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023; Aftersun, Charlotte Wells, 2022) is not referred to by name as William Shakespeare until well towards the end. Since this is being promoted as the story of William Shakespeare’s son Hamnet, whose name gave rise to the play Hamlet – as you can see from the trailer below – audiences will enter the film knowing who the Paul Mescal character is as soon as he appears unnamed.

The outdoors, looking up through the trees of a forest.… Read the rest

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Hamnet

Directed by Chloé Zhao
Certificate 12A
125 minutes
Released 9 January

Shakespeare’s romantic relationship, family life and the tragedy of bereavement resulted in his writing one of his bestknown plays, Hamlet. In Elizabethan England, we are told at the start of Hamnet, the two names were interchangeable. Adapted from Maggie O’Farrell’s novel, this film is well-served by the landscape-friendly sensibilities of the director Chloé Zhao (Nomadland). [Read the rest at Reform magazine…]

[Read my longer review on this site…]

Hamnet is out in cinemas in the UK on Friday, January 9th.

Trailer:

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Avatar
Fire and Ash

Director – James Cameron – 2025 – US – Cert. 12a – 195m

Immersive Cinema *****

Screenplay ***1/2

Return to Pandora – this time, with a terrifying tribe whose trust in the planet’s spirit has been wiped out by a volcano – second Avatar sequel is out in cinemas from Friday, December 19th

Whatever you think of the Avatar movies – of which this is the third – there’s no denying that audiences love them, and that these films are, for the time being at least, critic-proof. The original Avatar (2009) is a remarkable work, right at the cutting edge of what one might call immersive cinema, with Cameron making superb use of 3D in an industry which long ago decided 3D was a fad useful primarily for jacking up the price of tickets: in Cameron’s hands, however, 3D goes hand-in-hand with artistic intent as he involves you in a planet or a world – Pandora – with its own, unique, eco-system. Having done that, the question is, where can you go. The second film Avatar: The Way of Water (James Cameron, 2022), in this writer’s opinion, is just as impressive as a further piece of immersive cinema; however, while it delivers some extraordinary sequences, it fails to deliver in terms of story in the way that the original did.… Read the rest

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Valley of the
Shadow of Death
(不赦之罪)

Directors – Jeffrey Lam Sen & Antonio Tam – 2024 – Hong Kong, China – Cert. 15 – 84m

***1/2

The lives of a Christian pastor and his wife become intertwined with that of a youth who believes himself responsible for their teenage daughter’s suicide some years ago – out in UK cinemas on Friday, November 14th

For roughly its first half, this delivers a narrative that sits squarely in an evangelical Christian framework. Unable to keep that up, it shifts focus in its second half to fire off in a number of directions.

Pastor Leung (Anthony Wong) and visits an old lady named Chan who is dying in hospital, asking her on her deathbed to accept Jesus as her Saviour. As he’s leaving, the nurse with him spots her grandson coming in, chained between two police officers. His granny is unconscious, and he finds her clasping a crucifix tight in one hand.

Praying alone, the Pastor talks about ”joining in the sufferings of Christ” as well he might: when interviewed by a lady journalist (Amber Van Cheung) about suffering and his experiences, something he is known for speaking about widely, it’s apparent that he and his family – pictured on a cupboard top photo as father, mother and daughter – suffered terrible grief a few years back.… Read the rest

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Bambi:
a Tale of Life in the Woods
(Bambi,
l’histoire d’une Vie
dans les Bois)

Director – Michel Fessler – 2024 – France – Cert. PG – 78m

*****

The woods. A faun is born, looked after by its mother, and learns to fend for itself – remarkable live action adaptation of Bambi, shot with real live animals, is out in UK cinemas on Friday, August 15th

It’s inevitable that any film adaptation of Austrian writer Felix Salten’s novel Bambi: a Tale of Life in the Woods will conjure the spectre of Disney’s groundbreaking, animated Bambi (David D. Hand, 1942). However, this French live action film (which opened in that country last year) takes interesting decisions from the get go. For a start it’s live action, so straight away we’re in the quasi-documentary area of animals being photographed, and it’s unclear to what extent these performers or their environments are being augmented by computer animation. (A couple of wide, establishing drone shots in the opening minutes, too far away to show animals, looked to this writer to incorporate CGI. But perhaps that’s just my imagination, and there’s little or perhaps no computer animation here.)

Then we have the addition of a narrator (this is the English language version, so the narrator (NAME) speaks in English – one would hope that the French soundtrack with on / off-able subtitles would be included on any forthcoming Blu-ray or DVD release, which perhaps might even have an option to switch the voice-over off altogether and just play the sound effects and the music, or even better, have a music only track available as well.)… Read the rest

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The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hackedThe Shrouds is out on UK digital from Monday, August 11th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest

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Red Path
(Les Enfants Rouges,
الذراري الحمر)

Director – Lotfi Achour – 2024 – Tunisia, France, Belgium, Poland, Saudi Arabia, Qatar – Cert. 15 – 100m

*****

When paradise is suddenly taken away from him, a young innocent must come to terms with stark and brutal forces of corruption and death – searing drama is out in UK cinemas on Friday, June 20th

** SPOILER ALERT**

Two boys are herding a flock of sheep cross-country. The older one (Wided Dabebi), who tells the younger not to be scared, but to watch out for mines, knows his way around. The younger one Achraf (Ali Helali) hasn’t told his mother he’s doing this, because he knows she would have forbidden him from coming.

They are navigating the slopes of Tunisia’s Mighila Mountain, which is fabulously beautiful. They find a perfect place to give the sheep a rest, and the older one shows the younger a good spot – they climb to the top of a ridge, with a stunning, panoramic view of the local landscape, and bask on the rock in the sunshine. Life is good. In fact, it is paradise. After some time, they head back down to the watering hole they left earlier, plunge their heads in the cool water.… Read the rest