Tag: house

Limbo

Director – Ben Sharrock – 2020 – UK – Cert. N/C 15+ – 103m

****1/2

Immigrants are holed up in a rundown house on a bleak Scottish island as they await letters granting their requests for asylum in the UK – on MUBI from Thursday, September 23rd

A smiley chalked on a blackboard. A woman’s austere face suggesting exactly the opposite. Instructors Helga (Sidse Babett Knudsen) and Boris (Kenneth Collard) are demonstrating how a man should behave towards a woman dancing to pop music. Helga’s top looks far too proper and her skirt both far too formal and long for a good night out, as if she were dressed for work in an office. Boris is admonished for first resting his head on Helga’s clothed breast then putting his hands on her bottom. “Now, can anyone tell me what Boris did wrong,” she asks the group of stunned men watching, seated.

Behind her on the blackboard are the words, “Cultural Awareness 101. Sex. Is a smile an invitation?”

Welcome (or maybe not) to the world of an asylum seeker from Syria placed on a remote Scots island. Welcome (or maybe not) to the UK’s Hostile Environment.

A rudimentary training centre.… Read the rest

Features Live Action Movies

Herself

Director – Phyllida Lloyd – 2020 – UK/Ireland – Cert. 15 – 97m

****

A woman leaves her abusive and violent husband and builds a new home for herself and her two young daughters – in UK cinemas from Friday, September 10th

Things come to a head in the marriage of Gary (Ian Lloyd Anderson) and Sandra (Clare Dunne, also co-screenwriter) when he violently assaults her and stamps on her hand, an incident witnessed by their younger daughter Molly (Molly McCann). Sandra has trained her kids well for such a situation and the eldest Emma (Ruby Rose O’Hara) knows what to do, rushing to the local shopkeeper with a lunch box inside the lid of which is the family address to give to the Garda.

Like her mother before her, Sandra works as a cleaner to retired and physically disabled local doctor Peggy O’Toole (Harriet Walter). To make ends meet, Sandra also works in a local pub as a barmaid alongside Amy (Ericka Roe) who lives in a nearby squat. After separating from Gary, she and he have joint custody of the kids while the council put her and her kids up in temporary accommodation in a hotel room.

As it’s four years on the housing list to get a home, Sandra investigates other alternatives and, surreptitiously using Peggy’s internet, discovers that she could build a house for only slightly more than a year’s rent to the council.… Read the rest

Tags abuse, abusive marriage, bar work, barmaid, box-ticking, build, build a home, build a house, builder, building, building site, Cathy Belton, children, Clare Dunne, cleaner, cleaning, Conleth Hill, custody, decent home, disabled, doctor, domestic violence, Dublin, emergency, family, family court, female empowerment, government policy, Harriet Walter, home, house, housebuilding, housing need, husbands and wives, Ian Lloyd Anderson, injury, innovation, Ireland, jobs, local authority, Molly McCann, multiple jobs, parents and children, Phyllida Lloyd, physical assault, pub, retired, Ruby Rose O’Hara, school, self-help, separation, single mum, single parent, single parent family, social welfare system, temporary accommodation, two jobs, UK, welfare system, work

Features Live Action Movies

Herself

A house of her own

Herself
Directed by Phyllida Lloyd
Certificate 15, 97 minutes
Released 10 September

Herself has a brutal opening in which Sandra (Clare Dunne), a mother of two girls in Dublin, is physically assaulted by her husband Gary (Ian Lloyd Anderson), an incident witnessed by her youngest daughter, Molly (Molly McCann), while her eldest, Emma (Ruby Rose O’Hara), races across the estate to the local shop to deliver a pre-written emergency message.

From here, it becomes a tale about a single mum’s struggle to find a decent home for her and her kids in the face of a social welfare system that can’t cope with either the level of need or any innovation through which people try to legitimately help themselves… [Read more]

Full review published in Reform.

See my alternative review of the film here.

Trailer:

Tags abuse, abusive marriage, bar work, barmaid, box-ticking, build, build a home, build a house, builder, building, building site, Cathy Belton, children, Clare Dunne, cleaner, cleaning, Conleth Hill, custody, decent home, disabled, doctor, domestic violence, Dublin, emergency, family, family court, female empowerment, government policy, Harriet Walter, home, house, housebuilding, housing need, husbands and wives, Ian Lloyd Anderson, injury, innovation, Ireland, jobs, local authority, Molly McCann, multiple jobs, parents and children, Phyllida Lloyd, physical assault, pub, retired, Ruby Rose O’Hara, school, self-help, separation, single mum, single parent, single parent family, social welfare system, temporary accommodation, two jobs, UK, welfare system, work

Features Live Action Movies

After Love

A girl in both ports

After Love
Directed by Aleem Khan
Certificate 12a, 89 minutes
Released in cinemas 4 June, on Blu-ray and BFI Player 23 August

*****

The South Coast. Mary (Joanna Scanlan) is married to Ahmed (Nasser Memarzia), a ferry captain who regularly travels to France and back in the course of work. They fell in love as teenagers. She is white British, he is south Asian. She has converted to Islam, his religion, and integrated into his Urdu-speaking family, a language she has herself learned.

One day he comes home from work, and dies while she’s making him a cup of tea. Going through his effects, she checks his mobile phone, and discovers messages from another woman. She goes over to France to confront Geneviève (Natalie Richard)… [read more]

Full theatrical review in Reform magazine.

NB Blu-ray contains the director’s earlier short Three Brothers (2014) plus an informative 46-minute zoom Q&A, trailer and teaser trailer, a stills gallery, and (first pressing only) a booklet containing writing on the film.

Trailer:

2021

Cinemas

Friday, June 4th

Blu-ray, BFI Player (subscription exclusive)

Monday, August 23rd.

Features Live Action Movies

Wendy

Director – Benh Zeitlin – 2021 – US – Cert. 12a – 111m

*****

A bold re-imagining of Peter Pan told through the eyes of Wendy which is unlike any other version of the story you’re likely to see – out in cinemas on Friday, August 13th

Her mother runs a fast and furious restaurant. Wendy (Tommie Lynn Milazzo) crawls along the long tables.

Boys play on trains on the nearby tracks outside.

Her brothers James (Gavin Naquin) and Douglas (Gage Naquin) come out to play on the jukebox, but quickly get thrown out for causing disruption. Through the night the goods trains pass. There’s a spark. Wendy, slightly older now (Devin France) sees something atop a train. A boy. She runs outside to chase the train. Her mother’s voice calls her back in.

The fast trains pass. One day she is on one, riding the rails. The boy (Dwight Henry) is in the freight car. He tells them to stand close to the open boxcar door. The train crosses a bridge over water. He pushes them out. They’re in the water.

Then they’re all in the boat, crossing the ocean to the island, Mother. They land. Beach. Forest. Geysers erupt.… Read the rest

Tags adults, BBFC, beach, belief, Benh Zeitlin, blade, blood brother, boat, boxcar, bridge, bridge over water, certification, children, crawl, decayed, Devin France, dream, drifter, Dwight Henry, eruption, fly, forest, freight car, Gage Naquin, Gavin Naquin, geysers, giant fish, goods trains, grotto, grow up, house, island, jukebox, man-made interventions, mother, natural world, never grow up, object, ocean, pirates, restaurant, riding the rails, rock, sea, section of pipe, table, tracks, train, US, used, volcano, water, weathered

Features Live Action Movies

Nomadland

Director – Chloé Zhao – 2020 – UK – Cert. 12a – 107m

****1/2

A poor widow drives around the US in her van picking up casual work where she can get it, meeting and making friends with other vandwellers – on VoD, in cinemas from Monday, May 17th

There’s a restlessness about Nomadland. In most films, the characters live in fixed abodes – houses or flats. Perhaps parts of villages, towns or cities. Not so here.

“I’m not homeless”, explains Fern (Frances McDormand) at one point to a daughter of a friend she’s not seen for years and runs into in a hardware store, ” I’m houseless. There’s a difference.” Indeed there is.

Following the rapid economic collapse of Empire, the town where she lived, explained in a throwaway introductory title at the start, and the death of her husband, Fern has taken off in an RV and now moves from place to place, getting paid work where she can find it, meeting people and, frankly, enjoying the freedom this mobile and rootless lifestyle affords her.

The property was originally a non-fiction book by journalist Jessica Bruder who documented the lives of so-called vandwellers living on the road following the US economic depression of 2007-2009.… Read the rest

Features Live Action Movies

Creepy
(Kuripi:
Itsuwari No Rinjin,
クリーピー偽りの隣人)

Post author By Jeremy Clarke
Post date 1 October 2016
No Comments on Creepy
(Kuripi:
Itsuwari No Rinjin,
クリーピー偽りの隣人)

Director – Kiyoshi Kurosawa – 2016 – Japan – Cert. 15 – 130m

****

Currently on BFI Player as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

The following review originally appeared in Funimation UK.

Kiyoshi Kurosawa’s new crime thriller Creepy draws on Vertigo, Psycho and Audition.

The latest film by Kiyoshi Kurosawa to receive a UK cinema release is an extraordinary and highly original crime thriller with more than a passing nod to two better known Alfred Hitchcock films. Its opening reworks that of Vertigo (1958) while certain later narrative elements owe much to Psycho (1960) although not the parts of that film which are usually aped or recycled in other movies. It also recalls Takashi Miike’s notorious Audition (1999) in its overall structure. Yet despite these clear influences, Creepy is very much its own film.

Vertigo‘s first scene opens with the rung of a ladder grasped moments afterwards by a human hand. This develops into a chase sequence in which the vertigo of Detective ‘Scottie’ Ferguson (James Stewart) causes a cop to fall to his death. Creepy‘s first scene opens with bars over a window.… Read the rest

Animation Features Movies

When Marnie
Was There
(Omoide
No Mani,
思い出
のマーニー)

Post author By Jeremy Clarke
Post date 26 June 2016
No Comments on When Marnie
Was There
(Omoide
No Mani,
思い出
のマーニー)
Sticky post

Director – Hiromasa Yonebayashi – 2014 – Japan – Cert. U – 103m

****

This second animated work by Ghibli / Arrietty director Yonebayashi is another adaptation of an English children’s author – now showing on Netflix (subtitled / dubbed) and can also be seen in the Anime season April / May 2022 at BFI Southbank (dubbed)

—

The following review originally appeared in Funimation UK.

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Jeremy Clarke on Studio Ghibli’s latest and possibly last theatrical movie. Now showing on Netflix

Studio Ghibli’s star director Hayao Miyazaki has suggested When Marnie Was There may be its final production. That would be a great shame since the film confirms its director Hiromasa Yonebayashi as a rising talent.

Twelve year old Anna has low self-esteem, rarely interacts with others and is prone to asthma attacks. So Anna’s foster mother sends her to stay with Aunt and Uncle Oiwa in the country. Her uncle warns her to stay away from the supposedly haunted grain storage silo on the hill. The Oiwas put her up in their daughter’s long vacated bedroom.

When she opens the window an improvement is immediately visible in Anna as if the view of trees and a lake which greets her is making her aware she is breathing pure, fresh country air for the first time.… Read the rest

Tags 2D animation, anime, BFI Anime 2022, broken families, children, fairy tale, fairytale, haunted house, Hokkaido, house, Japan, marsh, naturalism, Netflix, reality and dreams