Tag: hotel

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Past Lives

Director – Celine Song – 2022 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – out in UK cinemas on Friday, Sept 8th

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

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Small, Slow But Steady
(Keiko,
Me Wo Sumasete,
ケイコ目を澄ませて)

Director – Sho Miyake – 2022 – Japan, France – Cert. 12 – 99m

The first half hour ****

The rest ***1/2

A completely deaf, young woman trains in the boxing ring at the local gym and turns professional, but when the gym’s closure is announced, she loses the focus needed to carry on – out in UK cinemas and on Curzon Home Cinema from Friday, June 30th

Young woman Keiko (Yukino Kishii from Foreboding, Kiyoshi Kurosawa, 2017) has suffered since birth (a title tells us at the start) from sensorineural hearing loss. She and her younger brother (Himi Sato) rent a flat in Tokyo’s Arakawa neighbourhood, where she has taken up boxing at the local gym. While her brother plays music on an electric guitar for his girlfriend Hana, in the next room, Keiko scribbles obsessively writing down her progress at the gym in her notebook.

She beats an opponent by the narrowest of margins. As the old chairman of the boxing club (Tomokazu Miura from Detective Chinatown 3, Chen Sicheng, 2021; The Outrage, Takeshi Kitano, 2010; Arietty, Hiromasa Yonebayashi, 2010; The Taste Of Tea, Katsuhiro Ishii, 2004) explains to a journalist interviewing him later at the gym, Keiko can’t hear either the bell or anything the ref says.… Read the rest

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Ashes And Diamonds
(Popiół I Diament)

Director – Andrzej Wajda – 1958 – Poland – Cert. 12 – 103m

*****

Two resistance fighters attempt to assassinate a Communist Party official on the last day of the Second World War – plays at the Phoenix Cinema East Finchley in conjunction with the Kinoteka Polish Film Festival at 18:00 on Sunday, March 19th, also on Blu-ray as part of Wajda’s War Trilogy

Made over a decade after not only the historical setting for the events it depicts in 1945 but also the Jerzy Andrzejewski novel on which it is based which was written in 1947 and published in 1948, this condenses that novel’s two weeks into a mere – 24 hours the last day of the Second World War and the evening and night of the victory celebrations that follow plus the subsequent early dawn.

The war is over and the Nazis defeated, but Poland still finds itself the subject of conflict as opposing factions vie for power. On the one hand is the official Party trying to get everything working again and on the other members of the resistance determined to stop them.

The older Andrzej (Adam Pawlikowski) and the younger Maciek (Zbigniew Cybulski) carry out an ordered assassination on Szczuka (Waclaw Zastrzeżyński).… Read the rest

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Rimini
(Rimini)

Director – Ulrich Siedl – 2022 – Austria, France, Germany – Cert. 18 – 114m

*****

A singer of romantic songs performs to elderly female fans (in more ways than one) in an off-season seaside town as his past catches up with him – in cinemas from Friday, December 9th following its screening in the BFI London Film Festival 2022

An old man (Hans-Michael Rehberg, who died in 2016 and whose last lensed appearance on film this performance, split between this film and Siedl’s Sparta, 2022, represents) is lost in a care home where he’s a patient. None of the doors will open. His son (Michael Thomas) arrives and takes him to the man’s wife’s funeral.

His son travels to the off-season, Italian seaside resort of Rimini for bookings as Richie Bravo (presumably his stage rather than his real name, although this is never clarified) at hotels to sing romantic songs to his admiring, elderly, female fan base. The dull, monolithic hotel buildings have exotic names like Soleil and 007 belying their inherent blandness.

In between those performances and traipsing around through heavy rain and snow, he engages in sexual congress in hotel rooms with a small number of his most devoted fans including the single Anna (Claudia Martini) and the married Emmi (Inge Maux).… Read the rest

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Death On The Nile
(2020)

Director – Kenneth Branagh – 2020 – UK – Cert. 12a – 127m

**

Detective Hercule Poirot must investigate a rising body count on a wedding party Nile cruise – out in cinemas on Friday, February 11th

Attending a gig by blues musician Salome Otterbourne (Sophie Okonedo) where her niece and savvy business manager Rosalie Otterbourne (Laetitia Wright) is also in attendance, Hercule Poirot (Kenneth Branagh) runs into Simon Doyle (Armie Hammer) and Jacqueline de Bellefort (Emma Mackey) who are passionately in love with each other and engage in some extremely suggestive dancing. She encourages her friend Linnet Ridgeway (Gal Gadot) to take the floor with Simon, whereupon they too engage in some extremely suggestive dancing.

Holidaying in Egypt, Poiret runs into old acquaintance Bouc (Tom Bateman) and his overbearing mother Euphemia (Annette Bening). Cut to a lavish hotel where Simon and Linnet announce to a party of attendant friends that they are to be married. Simon appears to have done very well for himself: he lacks money or prospects while Linnet is a fabulously rich heiress. The understandably alienated Jacqueline, however, keeps following them around on their travels. The couple asks Poirot if he could do something about this. He refuses on the grounds that no crime has been committed, but nevertheless speaks with Jacqueline and politely asks her to back off.… Read the rest

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Live Action Movies Shorts

Ladies
Of The Forest
(San-na-mul
Cheo-nyeo,
산나물처녀)

Director – Kim Cho-hee – 2016 – South Korea – 29m

*****

A woman descends from the heavens in search of a mate, but lands in a forest where the pickings are slim – part of a strand of films celebrating actress Youn Yuh-jung at LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 4th to Friday, November 19th

The source of this plot is a folk tale known as The Fairy And The Woodcutter or The Heavenly Maiden And The Woodcutter. There seem to be a number of variants of the story – a good, much longer summation can be found here – but, broadly speaking, it concerns a woodcutter so poor that no woman will marry him. He lives alone with his mother. One day, he hides a deer from a hunter and in return, the deer offers to grant him a wish. He wishes to be married. The deer tells him of a pool to which beautiful maidens descend from the heavens to bathe. If he steals the clothes of one, she’ll be unable to return and he’ll be able to make her his wife. He must not, however, return her clothes until she has birthed three children, otherwise she will use her clothes to fly back to the heavens.… Read the rest

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Deerskin
(Le Daim)

Director – Quentin Dupieux – 2019 – France – Cert. 15 – 77m

****

A man buys a deerskin jacket then decides he should be the only person who can wear a jacket which leads to disastrous consequences – on BFI Player and Curzon Home Cinema rental from Monday, October 4th

Georges (Jean Dujardin from The Wolf Of Wall Street, Martin Scorsese, 2013; The Artist, Michel Hazanavicius, 2011; OSS 117: Cairo Nest Of Spies, Michel Hazanavicius, 2006) is driving. Some considerable distance across France. And very full of himself, too. After a couple of days, he arrives at the seller’s house. 100% deerskin! The Jacket is everything he dreamed, and he willingly pays the asking price in cash. The seller is stunned at his good fortune; he’s never seen so much money. He throws in a digital video camera.

Georges’ credit card is blocked, so on checking in to the local hotel he leaves his gold wedding ring with the receptionist as a deposit. Drinking at a local bar, he explains to the barmaid Denise (Adèle Haenel from Portrait Of A Lady On Fire, Céline Sciamma, 2019; 120 BPM (Beats Per Minute), Robin Campillo, 2017) that he’s a filmmaker and currently shooting.… Read the rest

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The Collini Case
(Der Fall Collini)

Director – Marco Kreutzpaintner – 2019 – Germany – Cert. 15 – 123m

Film ****

Film trailer * (because: spoilers)

An apparently cut and dried murder case, with a young public defender caught in a conflict of interests, turns out to be far more complex – out in cinemas on Friday, September 10th

Berlin. A man enters a top hotel, makes his way to one of the rooms, is let in and kills the occupant. Then he returns to the lobby trailing bloody footprints, collapses in a chair and is questioned by one of the staff. “He’s dead,” he says, “presidential suite.”

Young public defender Casper Leinen (Elyas M’barek) goes to Court and is introduced by the judge (Catrin Striebeck) to seasoned state prosecutor Dr. Reimers (Rainer Boch). The latter two think it’s an open and shut case: the defendant obviously committed murder. Fabrizio Collini (Franco Nero) was born in 1934 and has lived in Stuttgart for 30 years. His victim was Jean-Baptiste Meyer (Manfred Zapatka). They go down to the basement holding cell to meet Collini, who doesn’t say a word when Leinen questions him.

The victim turns out to be also known as Hans Meyer, the leading industrialist. Leinen is horrified to discover this, as Meyer mentored him growing up.… Read the rest

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Old

Director – M. Night Shyamalan – 2021 – US – Cert. 15 – 108m

*****

A family is trapped on an idyllic beach where people age rapidly – out in cinemas on Friday, July 21st

This was adapted from the graphic novel Sandcastle written by Pierre Oscar Lévy and illustrated by Frederik Peeters which clearly has caught the imagination of M. Night Shyamalan (The Sixth Sense, 1999; Unbreakable, 2000; Glass, 2019).

Guy and Prisca Capa (Gael García Bernal from Rosewater, Jon Stewart, 2017; No, Pablo Larrain, 2012 and Vicky Krieps from Phantom Thread, Paul Thomas Anderson, 2017) and their kids Maddox, 11 (Alexa Swinton) and Trent, 6 (Nolan River) are driven to their tropical holiday resort which Prisca can’t believe she found on the internet. Not that they are so lucky in their personal lives: she has been diagnosed with cancer and the couple have yet to tell their children of their impending divorce.

As they ponder what to do on their first day, the hotel offers them a chance to spend it at an exclusive beach alongside other select guests. These turn out to include surgeon Charles (Rufus Sewell from The Father, Florian Zeller, 2020) and his family – mother Agnes (Kathleen Chalfant), trophy wife Chrystal (Abbey Lee) and Kara, 6 (Kylie Begley) – as well as married couple Jarin (Ken Leung) and Patricia (Nikki Amuka-Bird).… Read the rest

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Shock Wave 2,
(Chai Dan
Zhuan Jia 2,
拆彈專家 2)

Director – Herman Yau – 2020 – Hong Kong – Cert. N/C 15 – 120m

****

A former bomb disposal expert suspected of a terrorist atrocity must prevent a terrorist organisation from destroying the Hong Kong International Airport and taking numerous innocent lives in the process – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Hong Kong, Reimagined strand until Wednesday, May 12th

If you’ve seen Shock Wave (Herman Yau, 2017) you’ll know that a sequel with Andy Lau reprising his character wouldn’t be possible. Both director and star clearly wanted to capitalise on the first film, however, so they’ve simply dumped character names and most of what happened in the first film, reinvented the main character and started all over again with a completely different story. This has the effect of making the audience feel that they’re seeing another film in the series but at the same time seeing something that’s brand new, not at all a carbon copy.

Except that in the broadest outline it IS a carbon copy: once again, Andy Lau plays an heroic member of the Hong Kong Police’s Explosive Ordnance Disposal Bureau (EOD) with Philip Keung as a friend and colleague in the force, this time round named Lee Yiu Sing, while the plot involves the potential huge bombing of an important Hong Kong landmark – here the Hong Kong International Airport which is blown up at the start only for a voice-over to explain that this terrorist atrocity has been prevented thanks to one man.… Read the rest