Jeanne Balibar – Jeremy C. Processing

Director – Pauline Loquès – 2025 – France – Cert. 15 – 96m

****1/2

A young man attempts to cope with the news that he has throat cancer in his first weekend following diagnosis – out in UK cinemas on Friday, June 19th

There are some films you watch which are so close to parts of your own life that it’s impossible to be objective about them. This doesn’t happen very often to this writer, but it happened on this film. Over a year ago, completely out of the blue, I was diagnosed with breast cancer. As a UK citizen I’m entitled to free healthcare, and as a cancer patient my treatment is fast-tracked. My initial experience was of being tested for cancer, waiting a week or so for the results to come back, and having the presence of the cancer confirmed. That gave me around ten days to adjust, but it was a terrible shock. Not least because my (mis)understanding was that men didn’t get breast cancer, only women did, so that couldn’t possibly be what I had. And, obviously, it was life-changing.

Cut to the film Nino. A name film, named after its central character. What follows is my own highly personalised reaction as a cancer patient / survivor.… Read the rest

Memoria

Director – Apichatpong Weerasethakul – 2021 – UK, Colombia, Thailand – Cert. 12 – 126m

****1/2

A British woman travelling around Bogotá, Colombia, is troubled by a strange banging sound and goes on a quest to investigate it – out in cinemas on Friday, January 14th

This is a film to approach with caution: I confess to never having previously got on with a Weerasethakul film; perhaps I’ll go back and revisit some after this. His work – or at least his feature films – have been described as Slow Cinema (of which, more shortly).

This is light years away from Hollywood cinema with its determination to grab your attention and hold it by throwing stuff at you at frequent intervals. The director is Thai, however his films don’t seem to sit alongside any Thai movies or wider Oriental movies I’ve seen. Even locating it in art house cinema, it doesn’t really look like anything else. I am reminded of what has been said about the French director Jean-Luc Godard: if cinema hadn’t existed, he would have invented it. Although his movies are nothing like Godard’s, the same could be said of Weerasethakul’s movies.

Actually, the feature films are only the tip of the iceberg: he makes far more short films than he he does features, an output that immediately puts him at odds with the feature film-oriented world of theatrical cinema distribution.… Read the rest