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Features Live Action Movies

Rose of Nevada

Director – Mark Jenkin – 2025 – UK – Cert. 12a – 114m

****1/2

A fisherman joins the crew of a mysteriously reappeared fishing vessel and finds himself inexplicably trapped 30 years in the past when it originally disappeared – plays in a UK director Q&A Tour from Friday, April 3rd, then is out in UK cinemas on Friday, April 24th

30 years ago, the Rose of Nevada, a small fishing vessel, set sail from a small, Cornish coastal village and never returned. Now, suddenly, it reappears in the harbour with its captain looking for crew. Nick (George Mackay) and Liam (Callum Turner), but on their return after their first fishing trip, they arrive back not in the present but 30 years ago.

Apart from this peculiar slippage of time, everyone behaves as if nothing unusual is going on. Nick misses his partner and child. Liam finds himself with a new partner and child, and plays along, taking advantage of what circumstances have offered to him, which doesn’t seem so bad. 

Nick, however, feels increasingly isolated and uneasy in this situation.

Jenkin’s film plays out as a strange, enigmatic mystery.

Working as is his wont as director, cameraman and editor, not to mention sound designer and musician, Jenkin takes real pleasure in building up his story from a series of tiny details, necessitated to some extent by his use of a clockwork Bolex camera which can’t shoot a take longer than 27 seconds.… Read the rest

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Animation Documentary Features Live Action Movies

D is for Distance

Director – Chris Petit, Emma Mathews – 2025 – Finland – Cert. 12A – 88m

****

A diary film about a boy with epilepsy, his interior world, and parenting – out in UK cinemas on Friday, April 3rd

Opening and closing, more or less, with one of the quieter themes from Once Upon a Time in the West (Sergio Leone, composer: Ennio Morricone, 1968), and images first of a boy / young man clambering over coastal rocks and finally of the same young man and his father looking out from atop rock formations near “the top of the world”, this fits into the personal diary school of documentary filmmaking.

The two co-directors are life partners Chris Petit (Radio On, 1979) and Emma Matthews; the subject their son Louis, who started having epileptic fits around age 12. Following various NHS misdiagnoses, the family moved to the Netherlands where they could legally get hold of medical cannabis which, it turned out, cured Louis as long as he kept taking it. 

In former times, notes the unseen narrator (Jodhi May from Dune: Prophecy, TV series, 2024; The Last of the Mohicans, Michael Mann, 1992, A World Apart, Chris Menges, 1988), people with this condition would be taken as demon-possessed and burned at the stake, or (under the Nazis) forcibly exterminated.… Read the rest

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Animation Features Live Action Movies

The Last Blossom
(Housenka,
ホウセンカ)

Director – Baku Kinoshita – 2025 – Japan – Cert. 15 – 90m

*****

A man lives with his wife and child… only they are not really his wife and child – out in UK cinemas on Friday, March 27th

Here’s a movie that breaks all the moulds. I could (and will) tell you several things about it, any of which would (and will) immediately spark preconceptions about what it is. And those preconceptions would (and will) be wrong.

If we start off with it as a drama about family life, which it arguably is, that doesn’t quite give you the full idea. This is a pretty strange family: it’s effectively a single parent mum Nana (voice: Hikari Mitsushima) and her baby son Kensuke who have been taken in by the kindly Minoru Akutsu (voice: Junki Tozuka) who wants to help them. Akutsu is in love with Nana, but he’s the quiet type and can’t bring himself to verbally express his love for her. (Which, I guess, makes this into a romantic drama of sorts. Certainly a tale of unrequited love, albeit an odd one.) And over the years, as the boy grows, the man comes to think of the boy as his own son.… Read the rest

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Features Live Action Movies

Two Prosecutors
(Zwei Staatsanwälte)

Director – Sergei Loznitsa – 2025 – France, Germany, Romania, Latvia, Netherlands, Lithuania – Cert. 12A – 118m

****1/2

Stalinist Russia, 1937. A young, idealistic prosecutor takes up the case of an unjustly imprisoned, political prisoner – out in UK cinemas on Friday, March 27th

A prison yard. Impassive guards. Inmates on scaffolding work at plastering the exterior wall. A man from a new prisoner detail is given a sack of letters and locked in a cell with a stove. He must burn the letters.

Given two matches, he reads some of the letters before incineration. One is written in blood from an inmate named Stepniak requesting a visit from a prosecutor. 

The young, fresh faced prosecutor Kornev (Alexander Kuznetsov) arrives at the prison to see the governor. He is seen instead to the duty assistant (Andria Keiss). 

The prosecutor is received, but the interviewing duty assistant lives in a different world. The prison staff live in a world where the apple cart is never to be upset and an easy life is paramount. They laugh uproariously at the current joke doing the rounds about a political celebrity being imprisoned both before and after the Revolution. 

They do their jobs efficiently, but woe beside interfering busybodies.… Read the rest

Categories
Documentary Features Live Action Movies

Orwell: 2+2=5

Director – Raoul Peck – 2025 – UK – Cert. 15 – 119m

****1/2

primer on the life and work of George Orwell, particularly Nineteen Eighty-Four, and its relevance to today’s post-truth world – out in UK cinemas on Friday, March 27th

This belongs to the school of documentary which creates a film out of assembling fragments of movies, found footage, archive clips and images, moving or still. The list of feature films and other source material used in this instance is astonishing, with the director given full access to the Orwell Estate. Peck also makes use of clips from various movie adaptations of Nineteen Eighty-Four (Paul Nickell, 1953; Rudolph Cartier, 1954; Michael Anderson, 1956, Michael Radford, 1984) plus Brazil (Terry Gilliam, 1985), a film so heavily inspired by Orwell’s book that it was originally entitled 1984½, and Animal Farm (John Halas, Joy Batchelor, cartoon animated feature, 1954; John Stephenson, Jim Henson Creature Shop, 1999; illustrations by Ralph Steadman, 1995). On top of this, he uses BBC Drama The Crystal Spirit: Orwell on Jura (John Glenister, script: Alan Plater, 1983) and Orwell’s essay Why I Write (1946).

These last two are particularly pertinent, given that Peck has chosen to focus on the final year (1949-50) of Orwell’s life during which he took himself off to the Island of Jura, Scotland to finish writing Nineteen Eighty-Four and was subsequently admitted to University College Hospital, London with Tuberculosis.… Read the rest

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Features Live Action Movies

They Will Kill You

Director – Kirill Sokolov – 2025 – US – Cert. 15 – 94m

****

A young woman, searching from her missing sister, takes a job as a cleaner in a mysterious, wealthy, New York apartment block – horror action movie is out in UK cinemas on Friday, March 27th

This has been sold as a horror / paranoia conspiracy thriller about a New York apartment building in the mould of Rosemary’s Baby (Roman Polanski, 1968). Yet while its opening set up has echoes of that film, it turns out to be something altogether very different.

Asia Reaves (Zazie Beetz from The Bad Guys, Pierre Perifel, 2022; Joker, Todd Phillips, 2019; Deadpool 2, David Leitch, 2018), her younger sister Maria (Myha’la from Dead Man’s Wire, Gus van Sant, 2025; Bodies Bodies Bodies, Halina Reijn, 2022) in tow, flees their abusive father. He tracks them down in a grocery store, outside which she later shoots and hospitalises him before going on the run alone.

Ten years later, she applies for a housekeeper’s job at the Virgil, a nine-storey New York apartment building. The door is answered by Irish building superintendent Lily (Patricia Arquette from Boyhood, Richard Linklater, 2014; Lost Highway, David Lynch, 1997; True Romance, Tony Scott, 1993) who introduces her to a few of the tenants in the lobby including Sharon (Heather Graham from Austin Powers 2; The Spy Who Shagged Me, Jay Roach, 1999; Boogie Nights, Paul Thomas Anderson, 1997) and Kevin (Tom Felton – Draco Malfoy from the Harry Potter films, 2001-2011) before showing her to her room.… Read the rest

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Features Live Action Movies

Redoubt
(Värn)

Redoubt (Värn)

Director – John Skoog – 2025 – Sweden – Cert. – 85m

***1/2

Convinced the enemy will attack soon, a man turns his small house into a fortress that can provide shelter for a small number of people – out in UK cinemas on Friday, March 27th

Before this film came along, ‘redoubt’ was not a word in my vocabulary; it means a small, possibly temporary, building turned into a fortress in preparation for war. John Skoog’s stark film, shot in equally stark black and white by cinematographer Ita Zbroniec-Zajt (Woman on the Roof, Anna Jadowska, 2022) is about a man living in an isolated rural community who, perhaps influenced by old government pamphlets about preparing for war, images from which pepper the film’s opening moments, decides to fortify his house as a refuge for his neighbours in the local community should the unthinkable happen.

It bears similarity to the Biblical story of Noah who is instructed by God to build an ark prior to the forthcoming global flood. In that account, everyone else thinks him completely nuts and just lets him get on with it, and the same thing happens here – people like him, and he’s tolerated as the local eccentric.… Read the rest

Categories
Documentary Features Live Action Movies

Underland

Director – Rob Petit – 2025 – US, UK – Cert. 12a – 79m

***

Three separate journeys beneath the Earth’s surface in the company of an archaeologist, a particle physicist and an urban explorer – had its sold out UK Premiere at the Barbican on Tuesday, March 24th and is out in UK cinemas on Friday, March 27th

Why do we seek the void, asks a narrator (Sandra Hüller from Project Hail Mary, Phil Lord, Christopher Miller, 2026; The Zone of Interest, Jonathan Glazer, 2023; Anatomy of a Fall, Justine Triet, 2023) as the camera descends into an Academy 4:3 image of an orifice within an ash tree, a portal to the world below. In a letterboxed image, we’re in a car passing the garish lists of Las Vegas entertainments, then on to breach a wire fence on the outskirts of that city. Then with a group of women cavers in a jungle, possibly South America somewhere, near a tree on the edge of a vast hole in the ground. Another group of cavers stand around in a room in readiness. A further caver walks down an urban street and starts to lift a manhole cover.

In terms of following what’s going on, apart from the idea of people in different places possessed of a desire to penetrate the Earth’s surface, and exciting, pulsating music by Hannah Peel, all this is really hard to follow; the viewer’s brain is overloaded.… Read the rest

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Features Live Action Movies

The Killer
(Dip Huet
Seung Hung,
喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Having accidentally blinded a nightclub singer in a hit, a gunman takes on one last job to fund the operation to restore her eyesight – back out in a 4K restoration in UK cinemas on Friday, March 20th

Following the success of A Better Tomorrow (1986), this secured John Woo the international interest that would eventually bring Hollywood offers. Woo further distils A Better Tomorrow’s themes of brotherhood, loyalty and betrayal through the device of a cop first facing off against and subsequently bonding with the assassin he’s pursuing; many consider The Killer Woo’s finest achievement.

Professional assassin Ah Jong (Chow Yun-fat) accidentally blinds nightclub singer Jennie (Sally Yeh) with a stray bullet in a hit to become the focus of his guilt. Detective Li Ying (Danny Lee) is trying to catch him.

The backdrop is already familiar Woo and Hong Kong gangster genre territory – triad hits and betrayals, working cops misunderstood by their superiors. The action set pieces rank among the director’s finest: the opening night club slaying, the Dragon Boat Festival hit followed by the fight on the beach, car chases and multi-storey car park shoot outs, all topped by the brilliantly choreographed and seemingly endless final shoot out wherein killer and cop join forces in a church surrounded by unfriendly gangsters.… Read the rest

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Features Live Action Movies

Project Hail Mary

Directors – Phil Lord, Christopher Miller – 2026 – US – Cert. 12a – 156m

*****

Hail Mary, Full of Grace. A school teacher is sent to a star 12 light years from Earth to determine why it is surviving the emergent life form killing all other stars, including our sun – out in UK cinemas on Friday, March 20th

“What is 2 + 2?” Rudely awakened from cryogenic sleep by the ship’s computer (voice: Priya Kansara from Polite Society, Nida Manzoor, 2023), Ryland Grace (Ryan Gosling from Blade Runner 2049, Denis Villeneuve, 2017; La La Land, Damien Chazelle, 2016; Drive, Nicholas Winding Refn, 2011) comes under a barrage of questions designed to check his medical status. While he is perfectly healthy, his fellow crew members – the captain (Milana Vayntrub) and the pilot (Ken Leung from Joker: Folie à Deux, Todd Phillips, 2024; Lost, TV series, 2008-10; Rush Hour, Brett Ratner, 1998) – have died in their sleep chambers. Who is he, how did he get here? Memories come flooding back, building a picture of his past and revealing the answers, even as he goes about his mission.

Back on earth, Grace was a middle school teacher.… Read the rest