blue Archives - Jeremy C. Processing

Artists / Directors – Barney Steel, Ersin Han Ersin, Robin McNicholas – 2026 – UK – 25m

*****

A sensory experience centred around a moving image of the Thames as part of the global water network based on data sets – installation at St. Martin-in-the-Fields crypt 12:30-21:00 hours from Saturday, October 3rd to Sunday, October 18th as part of the London Film Festival’s LFF Expanded strand

A little waiting area shows a series of hand-crafted hangings by artist Elena Landinez showing various river tributaries before you enter the experience space proper. Before entering that space, you are alerted to the fact that the experience includes a total blackout section, also that there are pottery vessels handmade by ceramicist Ludmilla Balkis inside the space for you to take containing water that was cloud some two weeks ago, from which you can drink. Seating is mostly bean bags on the floor, and a single row of conventional seating at the back.

So I’m sitting on a seat at the back – or is it the back? – not really knowing what to expect. The lights go down: total blackout. All around me, sounds. (These started, I think, before the blackout, as if little rivulets of water were running somewhere.)… Read the rest

Rose of Nevada

Director – Mark Jenkin – 2025 – UK – Cert. 12a – 114m

****1/2

A fisherman joins the crew of a mysteriously reappeared fishing vessel and finds himself inexplicably trapped 30 years in the past when it originally disappeared – out in UK cinemas on Friday, April 24th

30 years ago, the Rose of Nevada, a small fishing vessel, set sail from a small, Cornish coastal village and never returned. Now, suddenly, it reappears in the harbour with its captain looking for crew. Nick (George Mackay) and Liam (Callum Turner), but on their return after their first fishing trip, they arrive back not in the present but 30 years ago.

Apart from this peculiar slippage of time, everyone behaves as if nothing unusual is going on. Nick misses his partner and child. Liam finds himself with a new partner and child, and plays along, taking advantage of what circumstances have offered to him, which doesn’t seem so bad.

Nick, however, feels increasingly isolated and uneasy in this situation.

Jenkin’s film plays out as a strange, enigmatic mystery.

Working as is his wont as director, cameraman and editor, not to mention sound designer and musician, Jenkin takes real pleasure in building up his story from a series of tiny details, necessitated to some extent by his use of a clockwork Bolex camera which can’t shoot a take longer than 27 seconds.… Read the rest