Damian Lewis Archives - Jeremy C. Processing

Director – Anthony Maras – 2026 – UK, France – Cert. 12a – 100m

*****

Days before the proposed Allied D-Day landings in 1944, the Scots meteorologist in charge becomes convinced that it should be postponed due to impending bad weather – out in UK cinemas on Wednesday, September 9th

Taking leave from his heavily pregnant wife Liz (Tamsin Topolski), due in hospital imminently for the birth, Scots meteorologist RAF Gp Capt. James Stagg (Andrew Scott) travels by military car to Southwick House, the stately home requisitioned for the Supreme Headquarters Allied Expeditionary Force (SHAEF) under General Eisenhower (Brendan Fraser), where he meets his own liaison officer Andrew Carter (Jojo Macari) and, in what is to be his office, MTC First Lt. Kay Summersby (a nicely understated Kerry Condon), Eisenhower’s private secretary. All communications with the General go through her.

From their first encounter – three days from the proposed D-Day landing on Monday morning, when USAAF Col. Krick (Chris Messina) and his weather room staff are improvising a version of The Boogie Woogie Bugle Boy from Company B with a piano – Stagg is less than impressed with his American counterpart. Krick boasts that he not only correctly predicted the weather for Eisenhower ahead of various military battles in North Africa and elsewhere, but also did the same for David O.… Read the rest

Orwell: 2+2=5

Director – Raoul Peck – 2025 – UK – Cert. 15 – 119m

****1/2

A primer on the life and work of George Orwell, particularly Nineteen Eighty-Four, and its relevance to today’s post-truth world – out in UK cinemas on Friday, March 27th

This belongs to the school of documentary which creates a film out of assembling fragments of movies, found footage, archive clips and images, moving or still. The list of feature films and other source material used in this instance is astonishing, with the director given full access to the Orwell Estate. Peck also makes use of clips from various movie adaptations of Nineteen Eighty-Four (Paul Nickell, 1953; Rudolph Cartier, 1954; Michael Anderson, 1956, Michael Radford, 1984) plus Brazil (Terry Gilliam, 1985), a film so heavily inspired by Orwell’s book that it was originally entitled 1984½, and Animal Farm (John Halas, Joy Batchelor, cartoon animated feature, 1954; John Stephenson, Jim Henson Creature Shop, 1999; illustrations by Ralph Steadman, 1995). On top of this, he uses BBC Drama The Crystal Spirit: Orwell on Jura (John Glenister, script: Alan Plater, 1983) and Orwell’s essay Why I Write (1946).

These last two are particularly pertinent, given that Peck has chosen to focus on the final year (1949-50) of Orwell’s life during which he took himself off to the Island of Jura, Scotland to finish writing Nineteen Eighty-Four and was subsequently admitted to University College Hospital, London with Tuberculosis.… Read the rest