Categories
Movies Animation Features

Tad and the Magic Lamp
(Tadeo Jones
y la Lámpara Maravillosa)

Tad and the Magic Lamp
(Tadeo Jones y la Lámpara Maravillosa)

Director – Enrique Gato – 2026 – Spain – Cert. U – 94m

***1/2

In search of Aladdin’s lamp with a powerful villain in hot pursuit, Tad and his companions are transported back in time to (the) Mummy’s ancient, South American civilization – out in UK cinemas on Friday, October 23rd

Gato’s fourth instalment of the Tad the Lost Explorer franchise starts off in London with Tad pursuing a baby through the clockwork mechanisms of Big Ben, a sequence which recalls the climactic sequence of Disney’s Basil, the Great Mouse Detective (Ron Clements, Burny Mattinson, Dave Michener, Juhn Musker, 1986). It turns out that the baby is his and partner Sara’s, and that Tad is engaged in parenting chores while she is out and about with the Egyptian princess researching the magic lamp reputed to belong to Aladdin and rumoured to be in a room in Buckingham Palace unbeknownst to its royal occupants and accessible via a secret passage.

Entry to the secret passage is though a secret door in a pub, which can only be opened with a special dart which Sara tracks down in a Notting Hill antique shop.… Read the rest

Categories
Movies Documentary Features Live Action

Underland

Underland

Director – Rob Petit – 2025 – US, UK – Cert. 12a – 79m

***

Three separate journeys beneath the Earth’s surface in the company of an archaeologist, a particle physicist and an urban explorer – had its sold out UK Premiere at the Barbican on Tuesday, March 24th and is out in UK cinemas on Friday, March 27th

Why do we seek the void, asks a narrator (Sandra Hüller from Project Hail Mary, Phil Lord, Christopher Miller, 2026; The Zone of Interest, Jonathan Glazer, 2023; Anatomy of a Fall, Justine Triet, 2023) as the camera descends into an Academy 4:3 image of an orifice within an ash tree, a portal to the world below. In a letterboxed image, we’re in a car passing the garish lists of Las Vegas entertainments, then on to breach a wire fence on the outskirts of that city. Then with a group of women cavers in a jungle, possibly South America somewhere, near a tree on the edge of a vast hole in the ground. Another group of cavers stand around in a room in readiness. A further caver walks down an urban street and starts to lift a manhole cover.… Read the rest

Categories
Movies Animation Features

Boonie Bears
Back To Earth
(Xiong Chu Mo
Chong Fan
Di Qiu,
熊出沒·重返地球)

Boonie Bears: Back To Earth
(Xiong Chu Mo: Chong Fan Di Qiu, 熊出沒·重返地球)

Director – Lin Huida – 2022 – China – Cert. PG – 100m

****

The latest movie in this long-running, animated Chinese franchise, hugely successful at the Chinese (and therefore global) box office, is the first to get a UK cinema release – in a dubbed format for family audiences – out in UK cinemas on Friday, May 27th

Urban bear superhero Bramble (voiced in the English language version by Joseph S. Lambert) successfully battles and defeats a monster formed from the garbage that people in the city have failed to properly throw away, lapping up the ensuing admiration from local child and cute animal residents until rudely awakened from his urban daydream by the human Vick (voice: Paul ‘Maxx’ Rinehart), who wants him to clean up the litter in the rest area of the Pine Tree Mountain forest / national park where they live.

Motivated by the promise of an ice cream on completion, Bramble speedily undertakes the task by racing around gathering the detritus in his arms only to come a cropper at the very end, spilling all the collected rubbish at its allotted bins.… Read the rest

Categories
Movies Animation Documentary Features Live Action

Archipelago
(Archipel)

Director – Félix Dufour-Laperrière – 2021 – Canada – 72m

****

A journey along an estuary traversing its archipelago, perhaps real, perhaps imagined, a trip into an obscure territory of the mind – from the Annecy 2021 Animation Festival in the Official Competition Contrechamp section

Defying easy categorisation, this is a conversation between a woman on a journey and a man trying to convince her of her non-existence. The woman’s shape first appears as a framing device – through the moving shape that defines her we see locations, places and more. Eventually we see her too, as her representation changes from a moving window shape to a simple animated line drawing defining her features against what can be seen through the window of her shape.

Numerous elements jostle for attention as the film proceeds. On one level, it’s a journey along the Gulf of St Lawrence in the French-speaking part of Canada, the estuary of the river which connects the Great Lakes with the Atlantic Ocean. A train journey is represented by the view through a carriage window. There are numerous islands, some of which may be real. There are clips from black and white and occasionally colour travelogue documentary films.… Read the rest