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Features Live Action Movies

Shoulders

Director – Jamie Flatters – 2024 – UK – Cert. 15 – 101m

* or *****, depending how I’m feeling at the time

A group of soldiers armed with sticks instead of guns fight a war against an unseen enemy on open ground near some woodlands – opens the Clapham International Film Festival which runs from Wednesday, November 27th to Saturday, November 30th.

With a title that sounds like a mis-pronounciation of ‘Soldiers’, Shoulders is a pretty strange experience. Photographed, ***** SPOILER ALERT ***** apart from a couple of shots in colour ***** SPOILER ALERT ENDS *****, in at once stark and ravishing black and white, it features a visually partially diverse cast some of whom are instantly recognisable and some of whom it’s easy to confuse with one another. There is (I believe) a script, although any narrative coherence is largely lost under what feels like multiple layers of improvisation. And yet… Somehow, the whole thing coheres, at least up to a point, by virtue of its own peculiar internal logic and succeeds almost entirely on its energy and that of its various collaborators, director, cast, and crew. I’m not even sure that that logic can be adequately expressed in words.… Read the rest

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Features Live Action Movies

Open The Door
(Opeun Deo Do-eo,
오픈 더 도어)

Director – Chang Hang-jun – 2022 – US, South Korea – Cert. 15 – 72m

*****

Serial bad decisions in five reverse chronology episodes of a New Jersey, Korean migrant family’s life suggest terrible consequences – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

Chi-hoon (Seo Young-joo from The Age Of Shadows, Kim Ji-Woon, 2016; Moebius, Kim Ki-duk, 2013) drives over to the house of his sister and brother-in-law Moon-suk (Lee Soon-won). Moon-suk is alone, and invites him in, digging out a bottle of whiskey and the best food that can be eaten with it, kimchi. In the ensuing conversation, as the pair get more and more inebriated, various unpleasant family truths emerge. Their mother has severe health issues, the couple are in financial trouble, and Moon-suk casts doubt on his wife’s character, suggesting that she’s not the good person her brother believes her to be and accusing her of wanting to murder their mum.

However, Chi-hoon has a different agenda: he wants to know why Moon-suk has been regularly hitting his sister. At one point, Moon-suk goes into the bedroom, retrieves a revolver and hides it on his person.… Read the rest

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Features Live Action Movies

Paris Memories
(Revoir Paris)

Director – Alice Winocour – 2022 – France – Cert. 15 – 105m

****

A woman tries to recall her memories of a Paris terrorist attack – out in UK cinemas on Friday, Aug 4th

Were it not for a singularly unconvincing sex scene (as in, why are these two characters having sex?) about ten minutes before the end, this might have been one of my films of the year. That knocks it down from ***** to ****. That gaffe aside – and it’s a monumentally huge one – this is, otherwise, most impressive.

It starts off with Mia (Virginie Efira) in her Paris flat, feeding the cat, dropping and clearing up a glass, and talking with her partner Vincent (Grégoire Colin), a surgeon who heads up a hospital department. She rides her motorbike to her radio station workplace, where she has a gig as a Russian-French translator. Afterwards, in the evening, she meets Vincent in a restaurant for a meal, but he gets a call from the hospital and has to go back in. After a bit, she heads for home, but it’s raining heavily, so she stops off at another restaurant to have a drink and wait out the rain.… Read the rest

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Animation Documentary Features Live Action Movies

Free Chol Soo Lee

Directors – Julia Ha, Eugene Yi – 2022 – US – Cert. 12a – 83m

****

Imprisoned for a murder he did not commit, Korean American Chol Soo Lee became a figurehead for a protest movement, something he felt unable to live up to – out in UK cinemas on Friday, August 19th

In San Francisco’s Chinatown in 1973, Korean loner Chol Soo Lee was arrested and subsequently convicted for a gang murder. While it’s true he had foolishly borrowed a gun off a work colleague a few days previously and accidentally discharged it into his apartment wall giving himself a police record, he was not the murderer. He was identified on the flimsiest of premises by unreliable witnesses, possibly not helped by white cops who wanted to convict a felon for the crime and consign the case to history.

On what was to be his last journey through the outside world before many years in prison, he heard the Tower of Power song “You’re still a young man” on a car radio crossing the Golden Gate Bridge. It resonated. As the years passed in prison, his mother abandoned him. He had fallen for a Japanese American girl he’d met Jean Ranko who subsequently told him in a letter that she had no romantic interest in him.… Read the rest

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Animation Dance Movies Shorts

Boxballet
(Boxbalet,
БоксБалет)

Director – Anton Dyakov – 2020 – Russia – 15m 15s

*****

A pencil-thin ballerina becomes involved with a rough, stocky boxer. Some things seem destined not to be… And yet… – nominated for Best Animated Short in the 2021/22 (94th) Oscars

Olya and Evgeny live near each other’s flats. When running to catch the subway train, tall, thin ballerina Olya’s movements are grace personified, the epitome of precision timing. The world of shorter, stocky boxer Evgeny, whose face is a patchwork of scars from his career in the ring, couldn’t be more different. Should she object to the hands of her choreographer on her leg when he’s showing her the position she needs to achieve? Is he being a little overly fresh? She’s unaware of Evgeny buying booze from the local shop and drinking it at home.

Then one day, he sees her in distress and rescues her cat from a tree. She invites him in for a cup of tea, but his embarrassment there causes him to know a cup off the table, breaking it. She takes him to an art gallery, a shooting gallery, roller skating. He retrieves her bag after she’s robbed in broad daylight. He goes to watch her at the ballet, but sees her drive off with her choreographer.… Read the rest

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Animation Features Movies

The Crossing
(La Traversée)

Director – Florence Miailhe – 2021 – France, Germany, Czechia – 84m

*****

Two children undergo a series of adventures as they flee an ethnic cleansing pogrom in this animated feature made with oil paint on glass – from the BFI London Film Festival 2021 which runs from Wednesday, October 6th to Sunday, October 17th in cinemas and on BFI Player

Kyona and Adriel live with their mother, father and younger siblings in their village. One day, soldiers and dark, hooded shadow men arrive to massacre the locals Yelzid people. Somehow the family escape and board a train, but it’s stopped by soldiers for Control and their parents and younger siblings are detained on the platform. Kyona and Adriel must continue on alone and cross the border to safety.

This stakes its place in cinema history as the first feature to be realised using the time-worn animation technique of oil paint of glass. This technique makes the film analogous to watching a moving oil painting, but director Miailhe marshalls her serial images with a strong sense of narrative and additional filmic technique which hold the whole together.

Kyona loves to draw. Her sketchbook, which accompanies her everywhere, opens and closes the film, providing a perfect jumping off point to enter the oil on glass produced narrative.… Read the rest

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Documentary Features Live Action Movies

Sound Of Nomad:
Koryo Arirang

Director – Kim So-young (as Kim Jeong) – 2017 – South Korea – 87m

****

How an indigenous theatre company kept the culture of the Koryo people alive after they were deported by the Soviet authorities from Far East Russia to Kazakhstan in 1937 – in the documentary season: Korean Film Nights: In Transit presented by LKFF, the London Korean Film Festival

The Beijing Treaty (of 1860 although the date isn’t mentioned) ceded to Russia the so-called Maritime Province – an area of land stretching down to Vladivostock. The territory bordered on the Northwestern tip of Choson (Joseon), today’s Korea, and Chosons stated migrating into the Maritime Province, calling themselves the Koryo people. In late 1937, the Soviet authorities decided that the Koryos could potentially be Japanese spies and deported them in boarded up trains to Ushtobei, Kazakhstan, Central Asia.

The journey took two days and many children died, their corpses thrown unceremoniously out of the train at night. After the journey, the deportees faced a harsh winter, the eventual death toll rising to 40 000.

This story has been documented in Korea, but little else about the Koryos has. The first Kazakhstan Koryo settlement in Ushtobei is today marked by a memorial.… Read the rest

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Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

UK PAL laserdisc review.

Originally published in London Calling Internet. See also my reviews in Film And Video – The Magazine and What’s On In London.

Distributor Pioneer LDCE

Cat No: PFLEB 30781

£9.99

BBFC Certificate 18

Running Time 85 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

New York, 1953. Bug exterminator Bill Lee (Peter Weller) runs out of roach powder whilst treating an infested apartment. His initial accusations against his employers’ theft of the substance are revealed as groundless when he discovers wife Joan (Judy Davis) is using the brown powder as a drug. She persuades him to take up the habit. In a downtown interview, two narcotics detectives introduce Bill to his “Case Officer” – a typewriter sized bug with a talking orifice in its back who instructs him to kill Joan, as she is an Interzone agent.

After shooting his wife, Bill seeks counselling from Dr.Benway (Roy Scheider) who gives him a counter narcotic. A Mugwump gives Bill two air tickets to the Interzone where he meets (among others) Swiss expatriate Yves Cloquet (Julian Sands) and writers Tom and Joan Frost (Ian Holm and Judy Davis).… Read the rest

Categories
Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

Originally published in What’s On In London. See also my reviews in Film And Video – The Magazine and London Calling Internet.

INSECT POLITICS

Watching David Cronenberg’s film of William Burroughs’ novel The Naked Lunch, it becomes clear that the two men share a bizarre sensibility for what the protagonist of the director’s earlier remake of The Fly (1985) described as “insect politics”.

To film Burroughs’ “unfilmable” work, Cronenberg adopts the strategy of incorporating biographical details from the writer’s life into an overall fabric also comprising elements from a number of Burroughs’ books. Hence, the “accidental” shooting of his wife at a party (Burroughs was high at the time) jostles with insect typewriters turning into sex blobs (here pink, dog sized insects with prominent flattened buttocks) and animatronic Mugwumps working for the Interzone network.

Once again, Cronenberg is shown as a master not only at directing both actors and special effects but also in his sheer command of filmic vocabulary. The sequence where Joan Lee (Judy Davis) is startled by husband Bill’s “William Tell Routine” going wrong and getting her shot (he takes out his gun after she’s balanced a glass on her head) is as unforgettable as it is unsettling.… Read the rest

Categories
Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

Originally published in Film And Video – The Magazine. See also my reviews in What’s On In London and London Calling Internet.

PLOT

New York, 1953. Bug exterminator Bill Lee (Peter Weller) runs out of roach powder whilst treating an infested apartment. His initial accusations against his employers’ theft of the substance are revealed as groundless when he discovers wife Joan (Judy Davis) is using the brown powder as a drug. She persuades him to take up the habit. In a downtown interview, two narcotics detectives introduce Bill to his “Case Officer” – a typewriter sized bug with a talking orifice in its back who instructs him to kill Joan, as she is an Interzone agent.

After shooting his wife, Bill seeks counselling from Dr.Benway (Roy Scheider) who gives him a counter narcotic. A Mugwump gives Bill two air tickets to the Interzone where he meets (among others) Swiss expatriate Yves Cloquet (Sands) and writers Tom and Joan Frost (Ian Holm and Judy Davis). Throughout his adventures, friends Hank (Nicholas Campbell) and Martin (Michael Zelikner) encourage Bill to write his book Naked Lunch.

OPINION

Attempts have previously been made to turn William Burroughs’ seminal book Naked Lunch into a movie, but David Cronenberg’s version (produced by Jeremy Thomas of The Last Emperor fame) is the only one to reach fruition.… Read the rest