Tag: justice

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Yes, Madam!
(Huang Jia Shi Jie,
皇家师姐)

Director – Corey Yuen – 1985 – Hong Kong – Cert. 18 – 93m

***1/2

Michelle Yeoh and Cynthia Rothrock’s star debut, in which they play two plain-clothes, kickboxing Hong Kong cops – on Blu-ray from Monday, December 12th 2002 and now part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK from Monday, October 21st through November 2024

Michelle Yeoh, here credited as Michelle Kheng (in her early Hong Kong films she was often credited as Michelle Khan, and her birth nameis Yeoh Choo Kheng) plays Inspector Ng, a no-nonsense police officer who always gets her man (and, interestingly, all the criminals here are men), as illustrated in the opening scene when a flasher accosts her in a convenience store, and she promptly arrests him.

Her mentor Richard Nornen (Michael Harry, later seen in An Angel at my Table, Jane Campion, 1990) is visited in his hotel room by professional assassin Mr. Dik (Dick Wei) who shoots him point-blank through an apple in Nornen’s mouth in order to obtain a two-frame film clip of a legal contract for his gangster boss Tin Wai-keung (James Tien).… Read the rest

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The Goldman Case
(Le Procès Goldman)

Director – Cédric Kahn – 2023 – France – Cert. 12a – 115m

****

An acerbic, left-wing revolutionary in the dock protests his innocence on counts of murder he claims he did not commit – true life, courtroom drama is out in UK and Ireland cinemas on Friday, September 20th

Before this courtroom drama, which is based on an actual trial in 1975 concerning incidents in 1969 and 1970, gets fully under way, and after a brief title card explaining that left wing Jew Pierre Goldman (Arieh Worthalter from Girl, Lukas Dhont, 2018) was imprisoned on four counts of robbery, but insists that he’s not guilty of causing the two deaths in the pharmacy incident, and that a retrial is pending, two of his defence lawyers meet in an office to discuss his decision to drop one of them, M. Kiejman (Arthur Harari from Anatomy of a Fall, Justine Triet, 2023; Onoda: 10, 000 Nights in the Jungle, Arthur Harari, 2021), something neither of the defence lawyers want. Clearly, M. Goldman is a difficult client.

After people arrive in a courtroom thronging with photographers, Goldman is led into the dock, and is immediately met with shouts of “Goldman, innocent” from his supporters.… Read the rest

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The Count of Monte Cristo
(Le Comte de Monte-Cristo)
(2024)

Directors – Alexandre de La Patellière, Matthieu Delaporte – 2024 – France – Cert. 12a – 173m

*****

An innocent Frenchman framed and imprisoned as a Napoleonic partisan escapes to impose justice on his false accusers – new Dumas adaptation is out in UK cinemas on Friday, August 30th

There have been numerous adaptions of The Count of Monte Cristo for the screen, not to mention radio and other media, over the years; this latest one is directed by the screenwriters of The Three Musketeers: D’Artagnan and The Three Musketeers: Milady (both Martin Bourboulon, 2023), who clearly have a strong feel for Alexandre Dumas’ works.

Much of what’s here is familiar: shortly after the fall of Napoleon, on the day of his wedding to sweetheart Mercédès (Anaïs Demoustier from The New Girlfriend, François Ozon, 2014), ship’s crew member Edmond Dantès (Pierre Niney from Frantz, François Ozon, 2016) is arrested for Bonapartism, falsely accused by another crew member Danglars (Patrick Mille from the two 2023 Three Musketeers movies and Love Crime, Alain Corneau, 2010). Neither the crown prosecutor Villefort (Laurent Lafitte) nor Dantès’ friend Fernand de Morcef (Bastien Bouillon from Jumbo, Zoé Wittock, 2020) refute these allegations, although both know them to be untrue, since both have their own reasons for doing so: the prosecutor because Dantès could unwittingly ruin him, Fernand because he too is in love with and wishes to marry Mercédès.… Read the rest

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Next Sohee
(Da-eum So-hee,
다음 소희)

Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

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Documentary Features Live Action Movies

Disconnect Me

Director – Alex Lykos – 2023 – Australia – Cert. 12 – 87m

***1/2

A man attempts to live for 30 days without the use of his smartphone, tablet or computer – out on digital from Monday, April 1st

This documentary opens with an advisory to keep your phone handy during the screening, as you may be required to use it at some point. In the UK, it’s only available on digital platforms… but even so, that advisory marks it out as different from most films.

Lykos, who narrates his documentary, is old enough to have grown up without a smartphone or other digital devices, but kids today handle smartphones from a younger and younger age. What would happen, wonders Alex, if I disconnected myself for an entire month? His and his wife’s home contains their two smartphones, two tablets, and a TV. Learning that Alex wakes and checks his smartphone three or four times a night, Alex’s doctor wires him for a sleep test.

Like many of us, Alex finds himself spending an hour on social media and wondering, what just happened? He and others admit to feelings of envy when others post about good things in their lives. A near-tearful divorcee talks about it being hard seeing people having a good time with partner or family.… Read the rest

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Cape Fear
(1991)

Director – Martin Scorsese – 1991 – US – Cert. 18 – 128m

*****

A vicious ex-con seeks revenge on the family of the lawyer he sees responsible for his incarceration in prison – review from Strait – the Greenbelt Newspaper, March 1992.

Directed by Martin Scorsese with characteristic and frenetic energy, Cape Fear is his best movie in years. It ranks not so much alongside The Last Temptation of Christ (1988, file under embarrassing personal projects along with Until the End of the World, Wim Wenders, 1991) but rather as a companion piece to early collaborations with actor Robert De Niro like Mean Streets (1973), Taxi Driver (1976) and Raging Bull (1980).

Here, the actor is first glimpsed from behind as a muscled torso tattooed with the Scales of Justice and numerous biblical verses. It’s a foretaste of things to come.

While the original Cape Fear (J. Lee Thompson, 1962) had Robert Mitchum as ex-con Max Cady who terrorises the lawyer (and his wife and daughter) responsible for his prosecution, Scorsese’s remake borrows religious elements from another Mitchum-as-villain vehicle, Night of the Hunter (Charles Laughton, 1955), in which his character justifies his actions in fundamentalist Christian terminology.

De Niro’s Cady is specifically a self-designated vessel of judgement upon the lawyer and his kin.… Read the rest

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Documentary Features Live Action Movies

Bobi Wine:
The People’s President

Directors – Moses Bwayo, Christopher Sharp – 2022 – UK – Cert. 12a – 121m

*****

Aided by his wife Barbie, Uganda’s opposition leader, the musician Bobi Wine, takes on the country’s corrupt dictator of 35 years President Museveni, in the run up to the 2021 election – out in UK cinemas on Friday, September 1st

At the start of this remarkable documentary about Uganda, a small group of people engage in impromptu Christian prayer in a car before going about their business. While few more outward religious trappings are shown, the subject is a man possessed by a desire for justice for ordinary citizens, especially the underprivileged and voiceless, facing a corrupt regime determined to stay in power by any means possible, with the army and police under their control.

Successful pop singer and musician Bobi Wine… [Read the rest at Reform magazine]

Bobi Wine: The People’s President is out in cinemas in the UK on Friday, September 1st.

Trailer:

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Let it Ghost
(Meng Gui 3 Bao,
猛鬼3寶)

Director – Wong Hoi – 2022 – Hong Kong – 100m

***

Three unlikely ghost stories from Hong Kong: an actor shoots a ghost scene with a real ghost, a young man’s girlfriend is possessed by a ‘horny ghost’, and a sweet romance develops as a cute little girl haunts a shopping mall – plays at the NFT on Friday, July 14th at 8.30pm as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

A ghost story shot anywhere else would probably set out to scare and unsettle, but in Hong Kong they have never hesitated to mix up their horror with other, seemingly incompatible genres. The first entry in this compendium of three ghost stories plays with notions of truth, reality and artifice through the time worn device of a film within the film, the second is a lightweight, gender-fluid, sex comedy while the third is a sentimental tale about a cute child and the passing of the era of the 1990s shopping mall.

In the first story, Scary Prison, a real ghost gets involved in the shooting of a TV series episode involving a ghost. The series is The Incarcerated Detective, set in a prison where the eponymous policeman investigates and apprehends evildoers among the inmates with his catchphrase, “Justice… always stands on the side of… Justice.”… Read the rest

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Piggy
(Cerdita)

Director – Carlota Pereda – 2022 – Spain – Cert. 18 – 99m

*****

Director – Carlota Pereda – 2018 – Spain – 13m

*****

Fat-shaming, bullying, overbearing mothers, growing up as the local butcher’s daughter, and more – feature based on short is out in UK cinemas on Friday, January 6th

Sara (Laura Galán) is attempting to navigate the difficult waters of adolescence. It isn’t much fun if you’re different and cliques of your contemporaries gang up on you. In Sara’s case, she isn’t just fat, she’s also introverted and shuns people, which compounds the amount she gets teased. She often works in her father’s butchers shop, so bullies can easily put together insults based on fat and flesh and pork and meat. A clique of three, thinner girls – Roci (Camille Aguilar) and Maca (Claudia Salas) and their unwilling hanger-on Claudia aka Clau (Irene Ferreiro) – call her Piggy.

It’s Summer, and everyone is going down to the Madrigal (Waterfall) festivities at the pool on the river, where a mysterious out-of-towner is lounging about, but Sara sneaks down there later for a swim when she hopes nobody is around. She’s just getting into the water when the stranger (Richard Holmes) surfaces innocently, startling her.… Read the rest

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Get Carter
(1971)

Director – Mike Hodges – 1971 – UK – Cert. 18 – 111m

*****

A London gangster takes the train to Newcastle to find out who killed his brother… and why… in a defining film for both Michael Caine and British cinema – back out in cinemas on Friday, May 27th

Fifty years old, Hodges’ first feature has aged well in the main. Viewed today, this gangster film has a lot going for it. It reduces London to seedy, windowless rooms where men watch pornographic slide shows or their unfaithful wives service their lovers’ sexual fantasies over long distance phone calls. After the opening London to Newcastle train journey to the strains of Roy Budd’s memorable score, It quickly settles into its Newcastle milieu of pub interiors, terraced houses, rented rooms, back to back streets, pedestrians, cars, harbours and ferries. It has a memorable finale in which one man pursues another across a beach to a coal heap.

There’s a background about prostitution which turns out to be highly significant to the plot, with histories of men luring girls into pornographic movies. Few of the women (Britt Ekland, Rosemary Dunham, Petra Markham) seem happy – they are sex objects to service the men, or prostitutes, or victims of male trickery.… Read the rest