Jacob Tremblay Archives - Jeremy C. Processing

Director – Travis Knight – 2026 – US – Cert. 12a – 132m

*****

Portland, Oregon teenager Prue must rescue her little brother from Wildwood, a forest she’s forbidden to enter, following his abduction by a murder of crows – out in UK cinemas from Friday, October 23rd

Somewhere in a town within Wildwood, a teenage boy kills himself by throwing himself off the balcony of the family mansion immediately after revealing that his body, when he tears the flesh of his chest apart, is not flesh and blood but a mechanical construct of cog wheels and other metal parts.

His ‘mother’, the Dowager Governess Alexandra (voice: Carey Mulligan) built this robot boy as a substitute for her son, from whose tragic loss she has never recovered.

Outside Wildwood, in neighbouring Portland, Oregon, for years the parents of teenager Prue (voice: Peyton Elizabeth Lee) have regaled their daughter with stories about why she must never enter the Wildwood on the edge of Portland Oregon where the family live: father (voice: Jake Johnson), mother (voice: Maya Erskin), and her little toddler brother Mac (voice: Arthur Knight, the director’s son).

Rebellious as are all teenagers, on an afternoon where her parents are out and have left her babysitting Mac, on strict instructions that she not go out of the house with him, Prue bicycles out taking Mac with her in her trailer cart on a journey through Portland.… Read the rest

The Life of Chuck

Director – Mike Flanagan – 2024 – US – Cert. 15 – 110m

*****

From the End of the World to the life and essence of what defines one man – remarkable Stephen King adaptation is out in UK cinemas on Wednesday, August 20th

This is an adaptation of a Stephen King novella, originally one of the four stories comprising the volume If It Bleeds, published in 2020. King is known as a horror writer, but every so often he comes up with something that defies that mould, including stories that have been turned into such films as Stand by Me (Rob Reiner, 1986), The Shawshank Redemption (Frank Darabont, 1994) and Apt Pupil (Bryan Singer, 1998). His story The Life of Chuck is different again.

And, as is apparent from its outset, it employs a three act structure – a standard device in classic Hollywood screenwriting that makes the property the obvious basis for a film for any filmmaker savvy enough to spot that element – which the author unexpectedly flips on its head by reversing it. Inspired, in part, by that structure, Mike Flanagan’s film follows this template, starting off with a title card announcing Act 3 and then proceeding to tell its three related acts, all of which in one way of another concern defining moments in the life of a man named Charles Krantz (his dying in hospital, an episode one day in his adult life, an experience in his childhood).… Read the rest