Tag: fathers and daughters

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IF

Director – John Krasinski – 2024 – US – Cert. U – 104m

****

A 12-year-old staying with her grandma in New York meets many imaginary friends forgotten by the adults who befriended them as children – out in UK cinemas on Friday, May 17th

This follows the time-worn children’s story template of a child whose father in hospital and is worried that they might not ever come home. In this instance, the child’s fear is grounded in her previous experience of this happening to her mother, who went into hospital and never came out.

Thus, 12-year-old Bea (Cailey Fleming) is sent to stay with her grandmother (Fiona Shaw) in New York while her single-parent dad (John Krasinski) goes to the hospital for what he assures Bea will be a routine operation. Dad is an inveterate practical joker of a gentle sort, performing impromptu song and dance routines with his treatment drip on a stand or staging a tableau of his escape out of the window via a rope made of knotted bedsheets. As you can probably tell, director Krasinski is clearly having a lot of fun playing this role, and fortunately for us that fun translates onto the screen. As a bonus, likeable child actor Alan Kim (Minari, Lee Isaac Chung, 2020) plays the patient in a nearby ward.… Read the rest

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Features Live Action Movies

Nightwatch:
Demons Are Forever
(Nattevagten –
Dæmoner Går i Arv)

Director – Ole Bornedal – 2023 – Denmark – 110m

****1/2

A law student’s daughter takes on his old morgue nightwatchman’s job to find out about the killer who traumatised her parents – out on Shudder UK from Friday, May 17th

WARNING: don’t watch this sequel until you’ve seen the original Nightwatch (1994). That’s easy enough to do, since both films are currently on Shudder.

SPOILER ALERT: if you’ve not (yet) seen the original, watch that before reading this review.

Almost thirty years on, Bornedal’s sequel is almost a retread of his original film. Almost, but not quite. Martin (Nikolaj Coster Waldau) has never totally got over his wife Kalinka’s suicide, caused by the fear of arrested killer Peter Wörmer. Several times a week, in scenes described but never shown, Martin visits the summerhouse where she hanged herself and talks to her. Martin’s friend Jens has long since disappeared to Thailand, while his girlfriend Lotte (played by a different actress, Vibeke Hastrup) still works as a vicar. Martin hasn’t heard from either of them in years.

Mental patient Bent (Casper Kjær Jensen) is a likewise incarcerated killer, a copycat. Later on, both he and Wörmer will escape their hospitals.

Martin lives with his med student daughter Emma (Fanny Leander Bornedal, the director’s daughter who is terrific here) who wants to find out exactly what happened to her parents.… Read the rest

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Features Live Action Movies

Love Lies Bleeding
(2024)

Director – Rose Glass – 2024 – US – Cert. 15 – 104m

****

A small town member of staff at a gym falls hard for a bodybuilding drifter, both unaware that each has baggage which will cause the other considerable grief – out in UK cinemas on Friday, May 3rd

The 1980s. New Mexico. Night. Rising up from a crack in the Earth. Towards the stars. And looking out over the small town, over the Crater Gym. We follow a woman inside. (Who is she? We never find out.) Bodybuilders work out. As Lou (Kristen Stewart) works to unclog a lavatory blocked with something resembling small human body parts (!), she is hassled by Daisy (Anna Baryshnikov) who appears to have been sexually close to her at some time, and possibly still is now only Lou doesn’t care.

Elsewhere in the night, a couple are having sex in a car. He (Dave Franco) is definitely enjoying it; she (Katy O’Brian), it’s hard to tell. She wants to know if she’ll get that job now. He says he’ll sort it. He warns her to be careful where she sleeps; this is a dangerous town. She finds a place at the side of a bridge; in the morning, it’s hot and sunny, she gets up and does her exercises using the edge of the bridge for pull-ups.… Read the rest

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Features Live Action Movies

Eileen

Director – William Oldroyd – 2023 – US – Cert. 15 – 97 m

***** Most of the film

* The last five minutes

NSFW

In the 1960s, the life of a young woman working in a Boston boys’ correctional facility is turned on its head by the arrival of a radical, young woman prison psychologist from New York – out in UK cinemas on Friday, December 1st.

I don’t usually start with the ending of the film – and I’m not about to deliver a spoiler – but the ending of Oldroyd’s otherwise enthralling drama (if that’s the right term – I’m not sure it is) takes everything that has gone before which appeared to be building up to something and unceremoniously dumps it, as if there were another twenty minutes that had been written but not shot and an unsatisfactory ending had been tacked on.

There’s always that feeling with a truly extraordinary movie when you watch it for the first time that you don’t want the filmmakers to screw up and let go of whatever it is that’s working. Well, this one is extraordinary right up to the last five minutes, when it completely loses it. Prior to that, it starts out as one thing, turns into something else then swerves and moves about all over the place, taking the viewer with it on a strange, unpredictable journey.… Read the rest

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Features Live Action Movies

Nobody Leaves Alive
(Ninguém Sai Vivo Daqui)

Director – André Ristum – 2023 – Brazil – Cert. none – 86m

****

After a woman is incarcerated in Brazil’s notorious Colonia psychiatric hospital simply because she is pregnant outside of marriage, her hold on reality starts to disintegrate – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

Lovingly shot in a stylish black and white that both makes the whole thing feel like a dream and detracts from any sense of reality, this opens with a young woman being bundled by two men into what looks like a cattle truck. Inside the truck are other people, and the group is clearly being sent somewhere specific.

Once off the train they are frogmarched down a country track, through some wrought metal gates of late 19th / early 20th Century design and into a hallway where they are separated into men and women and the women (since it is one woman’s story we are following here) are taken to a large, tiled room and hosed down by two women, the younger of whom is Laura.

Then the woman we are following is taken for interview with a man who denies he’s a doctor. Her name is Elisa, and she explains there’s been some sort of mix-up.… Read the rest

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Features Live Action Movies

A Normal Family
(Bo-tong-ui Ga-jog,
보통의 가족)

Director – Hur Jin-ho – 2023 – South Korea – Cert. – 116m

***

Lacking any moral sense of right and wrong, the teenage children of two brothers, a lawyer and a doctor, kick a homeless man to death – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

After a road rage incident in which an out of order, rich twentysomething wilfully runs down an irate baseball player who objects to his driving, and puts the baseball player’s young daughter in a coma, the twentysomething hires defence lawyer Jae-wan (Sol Kyung-gu from The Boys; Chung Ji-young, 2022; 1987: When That Day Comes, Jang Joon-Hwan, 2017; Memoir Of A Murderer, Won Shin-yeon, 2017; Peppermint Candy, Lee Chang-dong, 2000) who is motivated not by justice but by doing everything he can to get his client off scot-free. Jae-wan has a new, young wife Ji-su (Claudia Kim from Fantastic Beasts: The Crimes Of Grindelwald, David Yates, 2018; The Dark Tower, Nikolaj Arsel, 2017; Avengers: Age Of Ultron, Joss Whedon, 2015) with a small baby and a teenage daughter Hye-yoon (Hong Yi-ji) by his late first wife.… Read the rest

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Features Live Action Movies

“i know
where i’m going!”
(IKWIG)

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1945 – UK – Cert. PG – 92m

*****

A London banker’s daughter’s determined to marry her wealthy fiancé on an Hebridean island has reckoned without the weather and other local factors preventing her from doing so – engaging romantic drama is out in UK cinemas on Friday, October 20th while major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger opens Monday, October 16th at BFI Southbank and on BFI Player

You wouldn’t expect a film which is essentially a romantic comedy to open with its leading lady at age one, but that’s exactly what The Archers do here. Joan crawls, going (as the male voice over would have it) neither right nor left but straight on. By age five the male voice has her asking Santa for silk stockings (real, not artificial, a request that will have chimed with austerity-pressed, British audiences in 1945 after six years of war), by 12 she’s the one schoolgirl getting a lift home in the milk van. She’s accustomed to getting her own way and by her mid-twenties Joan (Wendy Hiller) is surprising her banker father, who she has wrapped around her little finger, with the news that she is going to marry the lucrative Consolidated Chemical Industries, specifically their ageing owner Sir Robert Bellinger.… Read the rest

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Features Live Action Movies

My Big Fat Greek Wedding 3

Director – Nia Vardalos – 2022 – US – Cert. 12a – 91m

***

The Greek-American family from Chicago visit their late patriarch’s small village in Greece to honour his final wish – out in UK cinemas on Friday, September 8th

Once again written by and starring Vardalos as Toula, the daughter of the rumbunctious, Greek-American Portokalos family from Chicago, this third outing for the franchise is predictably another celebration of all things Greek, or, at least, Greek-American. The previous two films owed much to the character of Toula’s father Gus (Michael Constantine), the family patriarch insistent on all family members (a) getting married as soon as they come of age and (b) marrying Greek-Americans.

In the first film My Big Fat Greek Wedding (Joel Zwick, 2002), Toula had to bring him round to the idea of her marrying the non-Greek Ian (John Corbett). In the second film My Big Fat Greek Wedding 2 (Kirk Jones, 2016), Toula had become an interfering mother to teenage daughter Paris (Elena Campouris) while Gus and his wife Maria (Lainie Kazan) have another wedding celebration following the discovery that their marriage of 50 years was technically invalid.

The third instalment was to have been about Gus and the family visiting Greece to rediscover his roots.… Read the rest

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Features Live Action Movies

The Dive

Director – Maximilian Erlenwein – 2022 – Germany – Cert. 15 – 91m

***1/2

Two women go diving near a remote stretch of coastline and find themselves in trouble – out in UK cinemas on Friday, August 25th following its UK Premiere at Frightfest on Thursday, August 24th

Opening with an image of light shining through the waves on the surface of the sea – reminiscent of nothing quite so much as light similarly shining through the title lettering at the start of sci-fi horror shocker The Thing (John Carpenter, 1982) – this promises something dark, foreboding and threatening from the get go. The talkative Drew (Sophie Lowe) plans diving trips for herself and her more taciturn sister May (Louisa Krause).

On this occasion, the pair head toward a remote stretch of coastline in a rental car listening to the radio playing Only You by The Platters, a song which clearly means a lot to both of them judging by the enthusiastic way they sing along. (It would be nice to think that the radio station plays other tunes as well, but this is all we hear, presumably because the production could only afford the movie rights to the one song.… Read the rest

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Features Live Action Movies

Ride On
(Longma Jingshen,
龙马精神)

Director – Larry Yang – 2023 – China – Cert. PG – 126m

****

Ageing stuntman Jackie Chan must fight to retain ownership of the horse he has befriended and trained since rescuing it at birth – out on Blu-ray, DVD & Digital in the UK on Monday, July 24th following its release in UK, Irish, Chinese and US cinemas on Friday, April 7th

Why does one go to see a Jackie Chan movie? The usual reasons are the incredible stunts coupled with the likeable, knockabout comedy which is his trademark. Perhaps the star’s winsome personality also plays a part. His best films over the years have probably contained a mixture of all three. While these elements, notably Jackie’s personality, are all present to some degree here, they aren’t really its strengths – which are (1) the depiction of a career, reviewed by a person who is old, past their prime, and forced to confront the fact and (2) the relationship of a man with a horse which he has known from the time of its birth.

The day Ride On was released in both the UK and China was also Jackie Chan’s 69th birthday. While I don’t doubt he keeps himself in good condition, he is clearly no longer the young man he once was.… Read the rest