Category: Live Action

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Escape
(Talju,
탈주)

Director – Lee Jong-Pil – 2024 – South Korea – LEAFF Cert. 18 – 94m

*****

An army sergeant is caught attempting to escape from North to South Korea, but then a second chance presents itself – played as the Opening Gala at the 2024 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 23rd to Sunday, November 3rd

North Korea. Sgt. Lim Kyu-nam (Lee Je-hoon) is stationed at the edge of the Korean Demilitarized Zone (DMZ) separating North from South Korea, a smart but frustrated soldier who knows he’s never going to rise up the chain of command riddled as it is with nepotism and privilege. Nights, when the rest of his unit is asleep, and inspired by his treasured book of the explorer Edmund Amundsen, he sneaks out of the barracks to map a section of the minefield in the DMZ.

His plan is to escape through that minefield and reach South Korea to defect before the monsoon arrives in four days time and the water moves all the mines around, making his map useless. Then he learns that the bad weather is coming two days earlier than expected. So he must move the date of his escape forward.… Read the rest

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Yes, Madam!
(Huang Jia Shi Jie,
皇家师姐)

Director – Corey Yuen – 1985 – Hong Kong – Cert. 18 – 93m

***1/2

Michelle Yeoh and Cynthia Rothrock’s star debut, in which they play two plain-clothes, kickboxing Hong Kong cops – on Blu-ray from Monday, December 12th 2002 and now part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK from Monday, October 21st through November 2024

Michelle Yeoh, here credited as Michelle Kheng (in her early Hong Kong films she was often credited as Michelle Khan, and her birth nameis Yeoh Choo Kheng) plays Inspector Ng, a no-nonsense police officer who always gets her man (and, interestingly, all the criminals here are men), as illustrated in the opening scene when a flasher accosts her in a convenience store, and she promptly arrests him.

Her mentor Richard Nornen (Michael Harry, later seen in An Angel at my Table, Jane Campion, 1990) is visited in his hotel room by professional assassin Mr. Dik (Dick Wei) who shoots him point-blank through an apple in Nornen’s mouth in order to obtain a two-frame film clip of a legal contract for his gangster boss Tin Wai-keung (James Tien).… Read the rest

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Seven Samurai
(Shichinin
no Samurai,
七人の侍)

Director – Akira Kurosawa – 1954 – Japan – Cert. PG – 207m 207m + 5m intermission – Oscar nominated

Seven samurai must defend a poor village of farmers from bandits in one of the greatest action movies ever made – – both released in cinemas in a brand-new, 70th anniversary, 4k restoration from Thursday, September 26th; and currently streaming on BFI Player alongside other Kurosawa films together with a much wider selection of Japanese movies; the film is also part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK from Monday, October 21st through November 2024

Seven Samurai opens with a group of horsemen on a horizon. Notwithstanding the Japanese titles on the screen, you could be watching a Hollywood Western. Although what follows is a tale of samurai, bandits and farmers, it’s so close to ideas in a Western that Hollywood replaced sword with guns and retooled it as the hugely successful The Magnificent Seven (1960).

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The plot concerns a small farming village threatened by bandits, who attack at harvest time and take all the crops. The farmers find a group of samurai prepared to defend them against the bandits in return for food and lodging.… Read the rest

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Starve Acre

Director – Daniel Kokotajlo – 2023 – UK – Cert. 15 – 98m

***

As a couple become mired in grief following the death of their son, their behaviour turns increasingly obsessive, erratic and violent – terrifying and unsettling folk horror is out in UK cinemas on Friday, September 6th and on Blu-ray, DVD and BFI Player from Monday, October 21st

Thinking the fresh air of the countryside will benefit their son’s health, the family of Richard (Matt Smith), Juliette (Morfydd Clark), and their young son Owen (Arthur Shaw) move from their urban home to the wilds of the Yorkshire countryside and the house, named Starve Acre, in which Richard grew up. Owen doesn’t respond too well to the new environment. An unfortunate incident occurs offscreen at a village event, in which an animal gets stabbed in the eye and Owen’s clothing is stained with blood.

His understandably concerned parents take him to Dr. Monk (Roger Barclay) for advice. It isn’t immediately obvious as to what exactly is wrong, and the situation is set to worsen for the couple.

In Richard’s opinion, it doesn’t help that their hardened, elderly neighbour Gordon (Sean Gilder) visits quite often to fill the boy’s head with tales of a mysterious Jack Grey.… Read the rest

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The Crime is Mine
(Mon Crime)

Director – François Ozon – 2023 – France – Cert. 12a – 102m

*****

Two young women, an actress and a lawyer, take advantage of casting couch sex abuse of the former to boost both of their fledgeling careers – sharp period comedy with more to it underneath the surface is out in UK and Ireland cinemas on Friday, October 25th

A swimming pool. A lavish, art deco mansion. Out of a door staggers a clearly distressed, young blonde woman. Leaving the estate, she walks down the street, bumping into people. The setting and her clothes indicate the 1930s.

Meanwhile, a middle-aged M. Pistole (Franck de Lapersonne) calls on young brunette tenant Pauline (Rebecca Marder) to demand 3 000 Fr for five months’ back rent. A qualified lawyer, she manages to negotiate 48 hours’ respite on the grounds that a hotshot producer wants to put her flatmate Madeleine in his new play, and money will follow once the contract is signed. However, once Madeleine (Nadia Tereszkiewicz from Only The Animals, Dominik Moll, 2019) comes in to spill her tale of woe – in a manner closer to screwball comedy than rape or crime drama – it rapidly becomes obvious that the situation has changed.… Read the rest

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A Sudden Glimpse
to Deeper Things

Director – Mark Cousins – 2024 – UK – Cert. PG – 88m

*****

A look at Scots artist and painter Wilhelmina Barns-Graham, who had synaesthesia – out in UK cinemas on Friday, October 18th

I am someone who frequents art galleries, yet I have to confess that before seeing this film, I had never heard of Wilhelmina Barns-Graham. Cousins starts his film off assuming we know nothing about her.

He starts with images. Who is this old woman on a verandah with palm trees in the background? Or peering down at rocky ground wearing an all-weather coat?

In later years, she frequently wore a necklace she had made resembling, in Cousins’ words, Concorde with droplets.

Wilhelmina Barns-Graham, a woman to whom all men were attracted (“she’d have flirted with you”, a woman who knew her tells Marc) was fascinated by order and disorder. Her arresting 1967 abstract painting Pilgrimage consists of Vermillion squares on brown, jostling as if in a procession across the picture surface.

Her father (and here Cousins cuts in the moving image of Joseph Cotten giving his “if you rip the sides off houses you’ll find swine” speech from Shadow of a Doubt, Alfred Hitchcock, 1943) never wanted her to be an artist.… Read the rest

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Alien
Romulus

Director – Fede Alvarez – 2024 – US – Cert. 15 – 119m

*****

A group of young people escape from a planet housing a repressive, corporate mining colony in search of something better … only to find something worse… – latest SF horror franchise entry is out on digital on Friday, October 18th following its release in UK cinemas on Friday, August 16th

The Alien franchise, after quite literally bursting onto cinema screens with Alien (Ridley Scott, 1979), then having lost its way somewhat on Alien3 (David Fincher, 1992), picked up again somewhat on Prometheus (Ridley Scott, 1979), and now settled title-wise into the sensible enough format of Alien: Ship’s Name, delivers a new entry made by a writer-director, Fede Alvarez, who understands the franchise enough to both put in everything required of it and throw in some innovative ideas without compromising its essence.

The first 20 or so minutes, arguably the best thing here, could equally easily have opened a science fiction epic unrelated to the franchise. A young woman Rain (the terrific Cailee Spaeny from Civil War, Alex Garland, 2024) is trapped on a planet where the sun is permanently hidden owing to pollution caused by the corporation’s mining operation.… Read the rest

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Timestalker

Director – Alice Lowe – 2024 – UK – Cert. 15 – 90m

*****

A reincarnated woman falls for the same man in different, historical time periods – hilarious romantic comedy of errors is out in UK cinemas on Friday, October 11th

Agnes (Alice Lowe) is a woman falling madly in love. Sadly, the object of her affection Alex (Aneurin Barnard from Dunkirk, Christopher Nolan, 2017) isn’t really interested. And her attempts at forming relationships seem to always end badly. Although not in the way you might expect – for instance, with her head being lopped off. Yet all is not lost: in the world of the Karmic cycle: you die one day only to be reborn in another time the next. However, Agnes seems destined to make the same mistakes over and over again, consistently falling for Alex the wrong man in each of her different lives at different times in history.

The whole thing plays out like a series of repeated cycles by the same characters in different generations. In that sense, it’s not entirely unlike The Beast (Bertrand Bonello, 2023), a serious art house science fiction costume drama mashup. Timestalker isn’t necessarily in the same league as that film, but then again, The Beast isn’t a comedy and Timestalker is really, really funny.… Read the rest

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Blitz
(2024)

Director – Steve McQueen – 2024 – UK, US – Cert. 12a – 120m

*****

As the Germans bomb London in WW2’s Blitz, a boy evacuated by his mother as per government instructions refuses to stay on the train and finds his way back to London – from the BFI London Film Festival 2024 which runs from Wednesday, October 9th to Sunday, October 20th in cinemas and on BFI Player and then out in UK cinemas on Friday, November 1st

(This review is a piece of writing currently in progress. Please bookmark and return to this page to see the whole review in due course.)

A five-star review (and I’m unrepentant) for a film that’s less than perfect. It gets the five stars because of the incredible things it gets right.

Blitz promises two things: one, an immersive experience of the London Blitz, and two, the mother and son story of a woman sending her son out of London in the mass child evacuation and the child’s refusal to follow the plan, complicated with the racial tension of the child’s having a black father (who is absent) and a white mother.

Writing these lines, the film’s potential problem is evident; the immersive experience is probably a movie in itself, and this side of things is brilliantly realised without the need for narrative coherence.… Read the rest

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Air America

Director – Roger Spottiswoode – 1990 – US – Cert. 15 – 113m

*

Reviewed in What’s On in London, January 1991.

Released on 4K UHD, Blu-ray and DVD in the UK on Monday, 7th October, 2024.

One of the most accurate ways to judge whether or not a movie is worth seeing is to look at the credits. Air America‘s director is Roger Spottiswoode, whose career has spanned such diverse movies as the gripping political thriller Under Fire (1983) and the tedious Tom Hanks and dog cop buddy movie for children Turner & Hooch (1989).

Spottiswoode has Mel Gibson heading his cast, but it isn’t a great help with a script as dire as this. Worse, Gibson these days is getting more comedy roles, and he simply isn’t as good in these as he was in more serious parts earlier in his career. Here, he plays a pilot of Air America, the secret, CIA-owned airline network which flies covert missions and goods around the Far East.

This might well have been another Under Fire, but as it stands, I’m afraid, the resemblance to Turner & Hooch is more evident. Like that film, this bores rather than entertains, lumbering along without any overall sense of structure or direction.… Read the rest