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Jumbo

Director – Zoé Wittock – 2020 – France – Cert. 15 – 93m

*****

A young woman working at a fairground falls in love with one of the rides, a machine named Move It, which she renames Jumbo – out in cinemas and virtually via Modern Films Virtual Player on Friday, July 9th and streaming on Arrow from Wednesday, September 1st

When her single parent mother Margarette (Emmanuelle Bercot) drops Jeanne Tantois (Noémie Merlant) off for her first day of employment at the local amusement part Jeanne has known all her life, her mother makes a passing remark about Jeanne’s father: “if only he could have been my vibrator”. While that comment is never (ahem) touched on again, the idea is central to the film.

Whatever she says, it isn’t an idea that Margarette can live by. An outgoing bartender, shortly into the narrative she strikes up a relationship with Hubert (Sam Louwick), moving him pretty swiftly into the family home. Jeanne doesn’t seem to like or dislike him much either way as a step-dad… She’s not really interested.

Margarette would like her daughter to bed a nice boy. Someone like her young manager at the fairground Marc (Bastien Bouillon) who both encourages her to enter for the Employee Of The Year contest and is drawn to her physically.… Read the rest

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Features Live Action Movies

Voice Of Silence
(Sorido Eopsi,
소리도 없이)

Director – Hong Eui-jung – 2020 – South Korea – Cert. 15 – 99m

****

Things go from bad to worse for a mute forced to look after an 11-year-old girl for her kidnapper when the latter disappears in this ostensible crime drama – screened as a teaser screening for the London Korean Film Festival

From its opening this appears a crime film, but somewhere along the line, while remaining a crime film about two men involved in executing a kidnap who are increasingly out of their depth, it turns into…well, it’s hard to say. A drama? A comedy? One of those films like The House Of Us (Yoon Ge-eun, 2019) where the children seem far more important than the adults?

Chang-bok (Yoo Jae-myung) and Tae-in (Yoo Ah-in from Burning, Lee Chang-dong, 2018; Default, Choi Kook-Hee, 2018) drive their lorry into town to sell their eggs to anyone who’ll buy. Then the pair dress for their other job. In cagoules. To project their clothing from the blood. They work as a clean-up crew for gangsters – putting protective sheeting on the floor, cleaning up the mess afterwards. Not, however, the actual dirty work of killing, of which they keep well clear.… Read the rest

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Features Live Action Movies

Black Widow

Director – Cate Shortland – 2021 – US, UK – Cert. 12a – 133m

****

Marvel’s latest is less about mysterious former spy Black Widow than the relationship between her and her younger sister – out in cinemas on Wednesday, July 7th

The nuclear family of a father, mother and two young daughters growing up in Ohio in the mid-1990s turns out not to be a nuclear family at all but a man, a woman and two unsuspecting children planted there to look like one by mysterious Russian organisation the Red Room. Natasha (Ever Anderson) is both highly competitive with and protective of her little sister Yelena (Violet McGraw). When someone gets hurt, their mother Melina (Rachel Weisz) is always there for comfort and support.

“You remember how we said one day we’d have an adventure?” says dad Alexei (David Harbour). “Well, that day has come.” He has the only remaining copy of computer files on a disc. There’s an hour to pack before first police cars then S.H.I.E.L.D. SUVs turn up looking for them. By the time the SUVs find them, the family are busy taking off in a private plane from a hidden airfield. When they reach Cuba, the mother is dying from a bullet wound while the father is revealed as a mercenary, happy to see the two children who aren’t actually their daughters at all sedated and taken away after the older Natasha has pulled a gun on her ‘dad’.… Read the rest

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Documentary Features Live Action Movies

The Reason I Jump

Director – Jerry Rothwell – 2020 – UK – Cert. 12a – 82m

*****

The inner world of the autistic, explored through the writings and lives of autistic people and innovative cinematography and sound design – in cinemas from Friday, June 18th (Autistic Pride Day)

Originally this was a remarkable book in which autistic teenager Naoki Higashida communicated to the rest of the world in prose what it’s like to be autistic. It had already been widely read in Japan when author David Mitchell and his wife Keiko Yoshida, whose son is autistic, were so taken with it that they undertook an English translation. International acclaim followed. For Mitchell, the book provided the opportunity to understand his son’s interior world like nothing before it.

A film is a very different media from a book. That begs the question, if you wanted to make the book into a film, how would you go about it? Seasoned documentary filmmaker Jerry Rothwell (Deep Water, co-directed with Louise Osmond, 2006; How To Change The World, 2015) had some innovative ideas. One was to use Higashida’s writings as a through line for the film, augmenting it with the experiences of several other autistic people.… Read the rest

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Animation Documentary Live Action Movies Music Shorts

Blondie:
Vivir En La Habana

Director – Rob Roth – 2021 – US – 18m

*****

Watch an incredible collision of cultures as new wave band Blondie tours Havana – from Sheffield DocFest 2021

Shot in several aspect ratios by multimedia artist and Blondie collaborator Roth (Doom Or Destiny music video, cert. 18, 2017; creative director on lead singer Debbie Harry’s memoir Face It, 2019), this is a vibrant, visual account of the band’s March 2019 tour of Havana. There are clips from songs recorded at several gigs here (with Harry sporting a variety of striking outfits) that make you wish you’d been there. For some songs, the band’s sound is augmented by Cuban musicians giving the likes of The Tide Is High a completely new lease of life.

Rather than going the obvious route and simply producing a film of the concerts – which I’m sure would be well-received by the band’s admirers, among whom I number myself – Roth has mashed the digitally produced concert footage up with Super 8 and 16mm footage of both Havana itself and members of the band.

He’s also had a lot of fun augmenting numerous live action shots with 2D animation drawn directly onto the moving images adding another layer to the already complex imagery.… Read the rest

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Features Live Action Movies

One Cut Of The Dead
In Hollywood
(Kamera
Wo Tomeruna!,
supin-ofu:
Hariuddo Daisakusen,
カメラ
を止めるな!
スピンオフ
ハリウッド大作戦)

Director – Yuya Nakaizumi – 2019 – Japan – Cert. 15 – 57m

The first 16 minutes **1/2; the rest ***1/2

A zombie film being shot in one long, single take and set in a restaurant in Hollywood is attacked by zombies… or is it? – out as an extra on a One Cut Of The Dead Hollywood Edition Blu-ray on Monday, May 31st

Spoiler alert. The film is basically a copy of the first film, slightly tweaked but not really adding anything much to it. Similarly, this review is basically a copy of the review of the first film.

With a title that translates literally as “Don’t Stop The Camera! Spin-off: a great strategy for Hollywood!”, this is another loving homage to both the movie shot in one take and to the zombie movie. Or so it appears for its first 16 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 16 minutes. “6 Months after the tragedy, Chinatsu is a waitress in Hollywood. Struck dumb, she died her hair blond (sic) and renamed herself Holly.” Thus reads the opening title as waitress Holly / Chinatsu (Yuzuki Akiyama) ignores customer comments about her inability to speak.… Read the rest

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Features Live Action Movies

The Killing
Of Two Lovers

Director – Robert Machoain – 2020 – UK – Cert. 15 – 84m

****1/2

A family man separated from his wife who has agreed they can each see other people is consumed with hate for the other man she is now seeing – in cinemas and on Curzon Home Cinema from Friday, June 4th

Morning. She sleeps soundly, a man beside her in bed. A second man stands at the the foot of the bed pointing a revolver at her. The first two are unaware of this. Someone can be heard using the bathroom. The second man leaves through the bedroom window.

Small town America. Welcome to David’s world. He (Clayne Crawford) and wife Nikki (Sepideh Moafi) are experiencing marital problems. They have four kids, a teenage girl and three younger boys. As agreed, David has moved out to live with his infirm, widower dad a hundred yards down the road. The couple have agreed that, while they try and work things out between them, it’s okay for either of them to see other people.

However while David assents to this on an intellectual level, he doesn’t accept it at all on an emotional one. He has discovered his wife is seeing a man named Derek (Chris Coy) and is furious about it.… Read the rest

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Features Live Action Movies

The Invisible Man
Appears
(Tomei Ningen
Arawaru,
透明人間現る)

Director – Nobuo Adachi – 1949 – Japan – Cert. PG – 82m

****

With a title that seems to proclaim, “look at me, I’ve arrived”, Daiei’s The Invisible Man Appears (1949) is a Japanese manifesto, a statement that they can match American movies. Eiji Tsuburaya‘s effects are as good as anything in Universal’s The Invisible Man (1933) and were almost certainly produced at a fraction of the cost.

Although the concept originates with H.G.Wells’ 1897 novel, images from the Universal version starring Claude Rains are lodged in the popular consciousness. Thinking of The Invisible Man, I immediately recall a hat being removed then bandages being unwrapped from covering a man’s head to reveal… nothing… a shirt collar with no neck inside. The Invisible Man Appears recreates such effects convincingly… [read more]

On a Blu-ray double bill with The Invisible Man Vs The Human Fly (1957). Full review at All The Anime.

Trailer:

Trailer (double bill):

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Features Live Action Movies

The Invisible Man
Vs
The Human Fly
(Tomei Ningen
To Hae Otoko,
透明人間と蝿男)

Director – Mitsuo Murayama – 1957 – Japan – Cert. 12 – 96m

**1/2

The lesser of Daiei’s two Invisible Man movies. Mitsuo Murayama, working from a script by Hajime Takaiwa, delivers not so much a sequel but, much like the different entries in Universal’s Invisible Man series, a different story with a different set of characters built around the concept. Without Eiji Tsuburaya’s guiding hand, the invisibility effects are less memorable but do what they need to. A striking theramin score by Tokujiro Okubo adds an unearthly atmosphere.

This time, the Invisible Man is not a criminal but on the side of the law. It’s a murder mystery with a bizarre twist… [read more]

On a Blu-ray double bill with The Invisible Man Appears (1949). Full review at All The Anime.

Trailer (double bill):

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Features Live Action Movies Music

Sound Of Metal

Director – Darius Marder – 2019 – US – Cert. 15 – 120m

****1/2

A drummer must come to terms with a sudden loss of hearing which threatens everything he has worked to achieve – already out on Amazon Prime, in cinemas from Monday, May 17th

This is a triptych about the onset of hearing loss in the context of rock and roll, a redemptive rehabilitation to the world of deafness in an isolated rural community run by and for deaf people and an attempt after recovering one’s hearing to some extent via surgical implants to come to terms with the fact that life following hearing loss can never be quite the same again. The two hour film splits roughly into three very different sections along these three lines.

Ruben (Riz Ahmed) and Lou (Olivia Cooke) are touring the States in their RV as a two person metal band, she on guitar and vocals, he on drums. Performances on stage are loud and energetic to enthusiastic crowds. In complete contrast to those moments of adrenaline rush, Ruben’s days are comparatively quiet. His morning routine consists of getting up early while Lou is asleep, doing some push-ups, putting on the coffee, dusting the mixing console while listening to 1930s jazz, making two smoothies.… Read the rest