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Animation Features Live Action Movies

Hundreds
of Beavers

Director – Mike Cheslik – 2022 – US – Cert. 12 – 108m

***1/2

A ruined drinks purveyor reduced to hunting beavers (played by actors in onesies) attempts to kill the amount required to buy a trader’s daughter’s hand in marriage – visually astonishing slapstick comedy is out in UK and Ireland cinemas on Tuesday, July 9th and on Blu-ray from Monday, August 5th

Opening with what is essentially a music video extolling the bibulous virtues of the booming, farm home of Jean Kayak’s Acme Applejack, this shows a simplistic caricature of a prosperous nineteenth century business when the wooden supports of one of Kayak’s gigantic barrels of beverage is nibbled by a beaver causing it to roll down a hill on which it’s situated into his house at the bottom of the hill, causing it to burn down his hillside apple orchard.

Leaving aside such questions as, why store the huge barrel on top of a hill above your house? – the answer, so it can roll down a hill, catch fire and burn down your orchard to get the plot going, proving less than satisfactory – this leaves the ruined Jean Kayak (co-writer Ryland Brickson Cole Tews) homeless in midwinter and forced to survive by hunting animals.… Read the rest

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Features Live Action Movies

Love Hotel
(Rabu Hoteru,
ラブホテル)

Director – Shinji Somai – 1985 – Japan – Cert. 18 – 88m

***1/2

After violently taking out the stress of yakuza business debts on a call-girl, a man finds her two years later and attempts to rekindle a relationship – roman porno is out on UK Blu-ray on, Monday, July 22nd

NSFW.

Tokyo. Muraki (Minori Terada) phones Milky Way from room 301, all dark suit and shades, obviously a gangster, to be is told a girl, Yumi, will be with him in 10 minutes. Only, a flashback reveals him as the owner of a publishing office, his stairwell to his small office premises blocked by a yakuza, another of whose number, he discovers on entering, is forcibly having sex with Muraki’s wife (Kiriko Shimizu) while two further fellow yakuza look on approvingly. Later, he considers throwing himself out of the third storey window of his unfurnished office with “for rent” signs, but swats a fly and thinks better of jumping.

When Yumi (Noriko Hayami) arrives at 301, her initial euphoria at Y100 000 for two hours is dispelled when Muraki unexpectedly slaps handcuffs on her, pulls a knife, slashes at the bedsheets and her clothing to undress her than violates her with a dildo, later cutting the skin between her breasts as she writhes orgasmically.… Read the rest

Categories
Features Live Action Movies

The Beast
(La Bête)
(2023)

Director – Bertrand Bonello – 2023 – France – Cert. 15 – 146m

*****

Required to expunge her emotions by the ruling AI of 2044, a woman with a sense of dread revisits her past lives in 1910 and 2014 and their incarnations of the love of her life – curious mix of art house movie and science fiction is out on MUBI from on Friday, July 12th

An actress (Léa Seydoux) against green screen rehearses a scene in a house – the director’s voice tells her where the stairs and other features are in relation to her position and marks on the floor. With these minimal visuals but with the addition of music and full sound effects, she works through the scene up to the point where she sees the terrifying shadow of the Beast on a wall and screams. Consciously or unconsciously, this echoes the screen test on the boat of Ann Darrow (Fay Wray) in King Kong (Merian C. Cooper, Ernest B. Schoedsack, 1933) as she is required to scream at an unseen, gargantuan monster for the camera.

As in Kong, this scene anticipates one that will play out later in the film. However, Bonello plays it as a curious introduction to the whole, rather than part of the story proper.… Read the rest

Categories
Features Live Action Movies

Meet the Feebles

Director – Peter Jackson – 1989 – New Zealand – Cert. 18 – 97m

**

Offbeat special effects puppet movie proves a let-down despite inventive filmmaking – review originally published in What’s On in London, March 1992.

Walrus producer Bletch (voice: Peter Vere Jones) wants to take his crummy stage show Meet the Feebles onto syndicated television. Unfortunately, he’s switched amorous attentions from leading lady Heidi the Hippo (Danny Mulheron; voice: Mark Hadlow) to Samantha the Siamese Cat (voice: Donna Akersten) – only Heidi hasn’t got the message yet.

Robert the Hedgehog (voice: Mark Hadlow) arrives from method acting school eager to sample this glamorous backstage world; through rose-tinted vision, he falls in love with chorus girl Lucille the dog (voice: Mark Wright). Bletch’s P.A. Trevor the Rat (voice: Brian Sergent) shoots porno movies in the basement and has other plans for her. [His leading lady Daisy the Cow (voice: Stuart Devenie) is on her last udders.]

By now, you’re probably starting to get the idea. The effect is not dissimilar to watching The Muppets reconceived in terms of excessive sex and violence.

The brains (if that’s the right word) behind this dubious enterprise is New Zealand’s amazingly talented Peter Jackson, whose Bad Taste deservedly achieved cult status.… Read the rest

Categories
Features Live Action Movies

Maria Full of Grace

Director – Joshua Marston – 2004 – US, Colombia – Cert. 15 – 101m

Reviewed for Third Way magazine to coincide with UK release date 25/03/2004.

Life’s options are limited for 17-year-old Maria Alvarez (Catalina Sandino Moreno). She would rather climb old ruined buildings in the open air than succumb to her parochially-minded boyfriend’s constant demands for sex, but that doesn’t stop him getting her pregnant. When he offers to marry her for no other reason than because that’s what you’re supposed to do; she dumps him. She hasn’t told anyone else about this yet. Warned she can’t use the lavatory on work time by the foreman at the rose-stripping factory where both she and her best friend Blanca (Yenny Paola Vega) works, she quits. She’s also fed up with being asked to contribute money to support her sister’s baby. What’s a good Catholic, Columbian girl to do? She visits the church to pray about it.

Travelling to Bogotá ostensibly in pursuit of a possible lead on work as a maid, Maria runs into carefree, leather-jacketed Franklin (Jhon Alex Toro) and the word “mule”. Suckered in by his confidence and the promise of $5 000, she agrees to bodily transport Heroin pellets to the US despite the terrible stories she’s heard of people being arrested for the offence.… Read the rest

Categories
Features Live Action Movies

The Dead Don’t Hurt

Director – Viggo Mortensen – 2023 – US – Cert. 15 – 129m

***1/2

An independently-minded woman whose partner is away fighting a war struggles to survive in the Old West – out in UK and Ireland cinemas on Friday, June 7th

While there is much to admire in this Western, it suffers from unclear flashbacks and parallel editing. Both the trailer (below) and the UK press handouts circumvent this problem by describing a straightforward, chronological narrative (and a fascinating narrative at that). For anyone who doesn’t try to follow plot, this may not be a problem. For those who do, it most definitely is.

Two things happen at the start. One is a shoot out in which Weston Jeffries (Solly McLeod), a nasty bit of work with scant disregard for either decency or law and order, rides away into the evening after shooting various people inside and outside the town’s saloon, including the deputy sheriff. The town is apparently called Elk Flats, Nevada – something I gleaned not from the film (where, if that information is there, it’s easy to miss, and I missed it) but from the production notes.

This is indicative of a problem with the film overall: there are certain key bits of information it needs to tell the audience, which it fails to deliver in a clear, comprehensible way.… Read the rest

Categories
Features Live Action Movies

The Beast
(La Bête)
(2023)

A Fatal Belief

The Beast
Directed by Bertrand Bonello
Certificate 15, 146 minutes
Released 31 May

As satisfying as it is infuriating, this French genre-bender is part science fiction, part period costume drama and part literary adaptation. It’s based on Henry James’ 1903 novella The Beast in the Jungle, in which a man refuses to marry the woman he loves to spare her from the attack he believes will be perpetrated upon him at some point by a horrible beast.

About a third is, as you might expect, a period costume drama, sumptuously shot on film. However, the co-writer and director Bonello introduces two more separate timelines set in 2014 and 2044 and shot on harsher digital technology for a more modern feel.

He also switches the gender roles round, so that… [Read the full review in Reform]

[Read my longer review on this site]

Trailer:

Categories
Features Live Action Movies

Luminous Woman
(Hikaru Onna,
光る女)

Director – Shinji Somai – 1987 – Japan – Cert. 15 – 118m

*****

A Hokkaido farmer comes to Tokyo in search of his vanished fiancée but finds a world he has not expected – on Blu-ray from Monday, Monday, May 20th

At a rubbish tip on the outskirts of Tokyo, a barefoot man (Takeiji Muto) in cheap trousers and top encounters a suave-looking sophisticate (Kei Suma) and a woman opera singer (Michiru Akiyoshi), the latter performing gracefully atop the rubbish heap. The woman is dependent on the sophisticate. The barefoot man has travelled from Hokkaido to find his fiancée Kuriko Sakura, who was supposed to return after studying accounting to help him run a farm.

The sophisticate knows someone of that name, and drives the barefoot man into the city. In his nightclub, he offers the outsider a deal – if he’ll fight the club’s pro-wrestler for ¥100 000, the other will tell him where to find Kuriko. However, she may not be the person he seeks. Out of her boss’ earshot, the woman warns the outsider that the wrestling may be to the death.

In the club she plays the piano while another woman sings opera and, on the circular dias bordered by a water pool, a challenger fights the incumbent wrestler and loses.… Read the rest

Categories
Animation Features Movies

Spy x Family
Code: White
(SPY x FAMILY
CODE: White)

Directors – Kazuhiro Fusuhashu, Takashi Karagiri – 2023 – Japan – Cert. 12A – 111m

*****

A spy and an assassin are married to each other, each unaware of the other’s secret career, while neither of them are aware their adopted daughter is a telepath who therefore knows everything they don’t – bonkers anime deploying cookery to prevent Armageddon (!) is out in UK cinemas on Friday, April 26th

An opulent art deco ball. Couples dance. A man connives to be alone with a drunken woman so he can…photograph a file in an office desk. A woman driving a car rips off her face (in the manner of the characters in Mission: Impossible II, John Woo, 2000) to reveal… a man, the spy Loid (voice: Takuya Eguchi). Another woman, Yor (voice: Saori Hayama), is revealed as an assassin when she kills a man who sold industrial secrets. The spy and the assassin are married to one another in a pretend marriage which is a cover for their undercover operations, although neither knows the other is in the spy / assassination game. Their daughter Anya (voice: Atsumi Tanezaki) – adopted to make the bogus marriage look real – is a telepathic orphan who can read minds, so knows about the two secret identities of her ‘parents’.… Read the rest

Categories
Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest