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Animation Documentary Features Live Action Movies

Free Chol Soo Lee

Directors – Julia Ha, Eugene Yi – 2022 – US – Cert. 12a – 83m

****

Imprisoned for a murder he did not commit, Korean American Chol Soo Lee became a figurehead for a protest movement, something he felt unable to live up to – out in UK cinemas on Friday, August 19th

In San Francisco’s Chinatown in 1973, Korean loner Chol Soo Lee was arrested and subsequently convicted for a gang murder. While it’s true he had foolishly borrowed a gun off a work colleague a few days previously and accidentally discharged it into his apartment wall giving himself a police record, he was not the murderer. He was identified on the flimsiest of premises by unreliable witnesses, possibly not helped by white cops who wanted to convict a felon for the crime and consign the case to history.

On what was to be his last journey through the outside world before many years in prison, he heard the Tower of Power song “You’re still a young man” on a car radio crossing the Golden Gate Bridge. It resonated. As the years passed in prison, his mother abandoned him. He had fallen for a Japanese American girl he’d met Jean Ranko who subsequently told him in a letter that she had no romantic interest in him.… Read the rest

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Animation Features Live Action Movies

Where Is Anne Frank

Hiding from deportation

Where Is Anne Frank
Directed by Ari Folman
Certificate PG, 99 minutes
Released 12 August

Amsterdam, about a year from now. Inside the Anne Frank House, Anne’s imaginary pen-friend Kitty (voiced by Ruby Stokes) materialises out of the ink from the pages of Anne’s diary. The perplexed Kitty wants to know what happened to Anne, and starts reading her diary to find out, taking it with her when she leaves the premises where she is invisible. Outside the house, she becomes visible.

Asking police ‘Where is Anne Frank?’ she is shown the bridge, hospital, school and theatre bearing Anne Frank’s name and is told, Anne Frank is all around you. [Read the rest at Reform magazine…]

[Read my longer review…]

Trailer:

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Features Live Action Movies

The Feast
(Gwledd)

Director – Lee Haven Jones – 2021 – UK (Wales) – Cert. 18 – 93m

**

The well-heeled wife of a local MP hires a maid to serve a meal for guests, but then things go horribly wrong – shot in the Welsh language and out in cinemas on Friday, August 19th

It’s unusual to see a film executed completely in the Welsh language, and for pulling that off, the makers of The Feast are to be congratulated. Unfortunately, apart from that element and its striking visual palette, this fails to engage.

In rural Wales, well-heeled Glenda (Nia Roberts) is preparing to have guests over for the evening. Unfortunately, the girl she usually hires from the pub is unavailable, so she’s taken a replacement, Cadi (Annes Elwy), another girl who works there and comes highly recommended. However, Cadi is an unknown quantity and the woman doesn’t really trust her – and won’t do so unless Cadi can do something to earn that trust.

The woman and her family don’t feel like the sort of people you’d want to have anything to do with if you could avoid them. From Cadi’s point of view, she is most definitely not trusted by the woman who hired her, and feels most definitely an outsider.… Read the rest

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Never Look Away
(Werk Ohne Autor)

Director – Florian Henckel von Donnersmarck – 2018 – Germany – Cert. 15 – 189m

*****

A German boy wishes to become an artist, but his desire is affected by the events of WW2 and its aftermath, in possibly the best narrative piece you will see this year – twice Oscar-nominated film is now available on VoD

What is art? Why do artists make art? These questions lie behind Florian Henckel von Donnersmarck’s latest film, like his earlier The Lives Of Others (2006) a German story exploring that country’s history and identity. It clocks in at over three hours, but don’t let that put you off because it needs that time to cover the considerable ground it does. Never Look Away spans the bombing of Dresden by the Allies in WW2, the liquidation of people considered by the Nazis inferior and therefore unfit to live and the very different worlds of post-war art schools in first East and later West Germany. This means it also spans two generations: those who were adults during the war, and those who were children at that time and became adults in post-war Germany… [Read the rest at DMovies.org…]

Never Look Away is out in UK cinemas on Friday, July 5th 2019.… Read the rest

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Features Live Action Movies

Paris, Texas

Director – Wim Wenders – 1984 – US – Cert. 15 – 145m

*****

A constantly inventive movie in which a man returns after four years’ absence to bond with his seven-year-old son and seek out his disappeared wife – back out in cinemas on Friday, July 29th

Travis (Harry Dean Stanton) stumbles out of the desert in Southern Texas having disappeared to Mexico for four years following the collapse of his marriage. During this time, the estranged couple’s seven-year-old son Hunter (Hunter Carson) has been living with Travis’ brother Walt (Dean Stockwell) and wife Anne (Aurore Clement) who he understandably thinks of as his parents. Walt coaxes Travis into re-establishing his paternal relationship with the boy. When Travis decides to track down disappeared wife Jane (Nastassja Kinski), who has been sending Walt and Anne money for the child from a bank in Houston, the child talks him into letting him tag along.

Although it starts with Travis walking, and much of the early part of the film takes place in and around Walt and Anne’s home, it’s very much a road movie with a great deal of the narrative taking place in cars and pickup trucks.

The film caused a sensation when it came out in the UK over 35 years ago.… Read the rest

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Features Live Action Movies

Hit The Road
(Jaddeh Khaki,
جاده خاکی)

Director – Panah Panahi – 2021 – Iran – Cert. 12a – 93m

****

Four in a car. An Iranian family drive across Iran towards the Turkish border, for reasons that will only later become clear – out in cinemas on Friday, July 29th

A family of four – dad (Hassan Madjooni), mum (Pantea Panahiha), elder son (Amin Simiar), younger son (Rayan Sarlak) plus family dog Jessy – are driving across Iran towards the Turkish border. Actually, when we first meet them, they’ve stopped at a lay-by. That opening, combined with the title, doesn’t leave you in much doubt that this is going to be a road movie. We take an instant shining to the younger son, an irrepressible six-year-old who plays air piano on the keyboard drawn on the plaster cast around his sleeping father’s leg.

A bit of a rogue, this one: mum and dad have left their mobile phones at home as instructed, but six has brought his with him (he denies it, but the ringtone is a giveaway: it turns out he’s hidden it in his underwear and we should probably be thankful the director didn’t make this film in Odorama). Mum takes the phone away and buries it, but later on in the journey, he’s trying to buy another one.… Read the rest

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Features Live Action Movies

Where
The Crawdads
Sing

Director – Olivia Newman – 2022 – US – Cert. 15 – 125m

***1/2

A young woman who grew up alone in the North Carolina Marshlands is the prime suspect for a murder she may or may not have committed – out in cinemas on Friday, July 22nd

The body of Chase Andrews (Harris Dickinson) is discovered having fallen to his death from an old, 63’ high viewing platform. But did he fall or was he pushed? The reclusive, local outcast and so-called ‘Marsh Girl’ Kya Clarke (Daisy Edgar-Jones) swiftly becomes the prime suspect after sheriffs find a red, woolly hat at her house, a fibre from which matches one found on Chase’s corpse.

As the investigation proceeds in the generic form of a whodunit by way of a courtroom drama, with the kindly Tom Milton (David Strathairn) as her self-appointed defence attorney against the state prosecutor in her jury trial, the narrative spilts into two separate strands, with the story of Kya’s personal history from childhood to the then present day of 1969 running in parallel until… well, refusing to divulge spoilers forbids me from saying, except that the final reel and the ending are arguably the most satisfying part of this engrossing movie.… Read the rest

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Features Live Action Movies

Run

Tramps like us

Run
Directed by Scott Graham
Certificate 15, 77 minutes
Released 13 March
2020

Now on BBC iPlayer until early November 2022, also on BFI Player subscription and iTunes. Review first published in Reform, March 2020.

Finnie (Mark Stanley) hates his job in a fish factory in Fraserburgh, Aberdeenshire. He and his wife Katie (Amy Manson) have Springsteen’s legend ‘Born to Run’ tattooed on his chest and her ankle, but as he says to her: ‘We never did run very far, did we?’ This is a story about regret and longing, about not getting out, family and relationships.

Finnie’s older son Kid (Anders Hayward) has just got his girlfriend Kelly (Marli Siu) pregnant, isn’t talking to and has been dumped by her. Kid throws a wobbly at work, in the same plant as Finnie, and loses his job. When Katie gives Finnie the come on, he just wants to shower because he stinks of fish. Out of nowhere, he borrows Kid’s car keys and takes his son’s car out for a spot of illegal night time street racing, something he used to do when younger… Read the rest

Now on BBC iPlayer until early November 2022, also on BFI Player subscription and iTunes.… Read the rest

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Chilli Laugh Story
(He Jia La,
闔家辣)

Director – Coba Cheng – 2022 – Hong Kong – Cert. 12a – 94m

****

A young man successfully markets his mother’s chilli sauce in the pandemic lockdown until the lucrative business it unexpectedly generates is taken off him– out in cinemas in the UK on Friday, July 15th and in the US and Canada on Friday, July 22nd

This starts off with a very sweet – no, make that spicy – memory of 2002 when Coba Cheng (Edan Lui Cheuk-On) was a small boy of five and visited his mum’s village where he tried her chilli sauce for the first time. It burned his mouth, but was always a part of his life from then on.

Jump to mid-2020. Hong Kong, like everywhere else, is in the middle of the pandemic. Coba is now working his job from home, and he and his parents are struggling to live with each other in the same enforced space. His dad Alan (Ronald Cheng) is engaged in a no-way forward argument with a delivery man in a surgical mask who won’t tell him what the unknown package is until dad has paid the delivery fee, which dad won’t do until he knows what it is, which Mr.… Read the rest

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The Good Boss
(El Buen Patrón)

Director – Fernando León de Aranoa – 2021 – Spain – Cert. 15 – 116m

***1/2

With a prestigious business competition coming up, a factory boss must keep the judges from stumbling upon his personal and corporate dirty laundry – out in cinemas on Curzon Home Cinema on Friday, July 15th

Any day now, the local committee will descend upon the Blanco Scales factory to see if the business should receive the prize money for an upcoming good business award. No-one knows exactly when they are likely to turn up, though, least of all Blanco (Javier Bardem) himself. So, clearly everything needs to be in good order to impress the judges when they turn up. Which should be fine, because Blanco prides himself in looking out for his work force and the company is one big, benevolent, happy family.

Except that it isn’t, because although Blanco sees it that way, the reality is that he only cares for his workforce insofar as doing so will enhance their productivity. He fires dissatisfied employee Jose (Óscar de la Fuente) who promptly sets up camp outside the factory gates – on land Blanco doesn’t own so he can’t evict him – and proceeds to chant anti-Blanco slogans on a daily basis.… Read the rest