Tag: music

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Features Live Action Movies Music

Bob Marley
One Love

Director – Reinaldo Marcus Green – 2023 – US – Cert. 12a – 104m

***1/2

From his childhood in poverty in Jamaica, Bob Marley rises to stardom and international fame as the bast known proponent of reggae music – out in UK cinemas on Friday, February 16th

All this movie has to do to succeed is give us lots of Bob Marley’s recordings and show us lots of images of him doing things in the process. That’s what the movie says on the tin and that’s what you find inside. It fundamentally delivers what its audience expects and will probably do very well. Although I wouldn’t describe myself as a particular fan, over the years Marley’s music has seeped inescapably into both the popular and my own consciousness: it’s good, positive stuff which genuinely hits a tangible musical groove. I watched the movie and had the good time I was expecting. And Kingsley Ben-Adir is watchable enough as Marley.

However.

Anyone who comes to this wanting to know more about Bob Marley will find this a frustrating experience. Director Green, who co-wrote the script, fails to introduce a number of characters properly. Among Marley’s entourage of musicians and friends, for instance, I couldn’t tell you which one in the film is Peter Tosh (Alex-A Game), who is something of a lesser legend in the world of reggae.… Read the rest

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Animation Features Movies Music

Blue Giant
(BLUE GIANT)

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st

Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie The First Slam Dunk, Takehiko Inoue, 2022) but on another is extraordinary. Blue Giant is about music, specifically jazz, even more specifically teenager Dai Miyamoto (voice: Yuki Yamada; musicianship: Tomoaki Baba) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji Tamada (voice: Amane Okayama; musicianship: Shun Ishikawa).

Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka Kinoshita), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.… Read the rest

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Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest

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Documentary Features Live Action Movies

Bobi Wine:
The People’s President

Directors – Moses Bwayo, Christopher Sharp – 2022 – UK – Cert. 12a – 121m

*****

Aided by his wife Barbie, Uganda’s opposition leader, the musician Bobi Wine, takes on the country’s corrupt dictator of 35 years President Museveni, in the run up to the 2021 election – out in UK cinemas on Friday, September 1st

At the start of this remarkable documentary about Uganda, a small group of people engage in impromptu Christian prayer in a car before going about their business. While few more outward religious trappings are shown, the subject is a man possessed by a desire for justice for ordinary citizens, especially the underprivileged and voiceless, facing a corrupt regime determined to stay in power by any means possible, with the army and police under their control.

Successful pop singer and musician Bobi Wine… [Read the rest at Reform magazine]

Bobi Wine: The People’s President is out in cinemas in the UK on Friday, September 1st.

Trailer:

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Animation Features Live Action Movies

Mavka
The Forest Song
(Mavka.
Lisova Pisnya,
Мавка.
Лісова пісня)

Directors – Oleh Malamuzh, Oleksandra Ruban – 2022 – Ukraine – Cert. PG – 99m

Ukrainian language dubbed version with English subtitles ****1/2

English language dubbed version ****

#Mavka

Can the love of a brave and essentially honest youth for Mavka the forest spirit succeed in the face of the enmity between humans and nature? – Ukrainian animation is out in UK cinemas on Friday, July 28th

Long ago, events flared into a terrible winter war between the Guardian (voice in Ukrainian: Nazar Zadniprovskyi; in English: Marc Thompson) of the forest beyond the Dark Mountain and a sawmill owner who initially wanted to obtain one drop of the Source of Life to heal his sick daughter but then became greedy and brought an army to seize the rest of the Source of Life for himself. Seeing the terrible devastation wrought upon the forest in the conflict, the Guardian decreed that no human should ever again set foot in the forest.

Many years later, as young forest spirit Mavka (voice in Ukrainian: Natalka Denysenko; in English: Laurie Hymes) awakens from her winter sleep to spread the new life of Spring, in the nearby village where flautist Lucas (voice in Ukrainian: Artem Pyvovarov; in English: Eddy Lee) is performing with fellow musicians, the late sawmill owner’s daughter Kilina (voice in Ukrainian: Olena Kravets; in English: Sarah Natochenny) returns promising well paid work.… Read the rest

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Features Live Action Movies

Return to Seoul
(Retour à Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – on MUBI from Friday, July 7th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too, pretty well, but no Korean. (In South Korea, English appears to function as the go-to language for communicating with foreigners.) She feels French. The film takes place in South Korea, and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

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Documentary Features Live Action Movies Music

In The Court
Of The
Crimson King:
King Crimson
At 50

Director – Toby Amies – 2022 – UK – Cert. 15 – 86m

****1/2

Life behind the scenes members of the latest iteration of the band King Crimson, the revolving door institution helmed for half a century by musician Robert Fripp, as they rehearse and perform a tour – out in UK cinemas from Friday 7th April

Rather like the band King Crimson, what you see here is at once what you get and something entirely different.

The phrase “Toby’s camera” (which I’ll use later) seems apt. One doesn’t usually speak so personally of a director, and it’s not the case that I personally know Toby Amies or anything like that. Yet there’s a beguiling intimacy about this documentary. From the evidence here, King Crimson founder, guitarist and keyboard player Robert Fripp is a perfectionist liable to be thrown if something isn’t quite right: he describes all previous iterations of the band, something of a revolving door in which he’s been the sole constant member over the years, as painful and tells us that the current version of the band (together since 2013) is the one with which his experience has been happiest.

At one point, Toby mentions that he feels like he’s interviewing for the job of making the film as he’s shooting it.… Read the rest

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Features Live Action Movies

Rimini
(Rimini)

Director – Ulrich Siedl – 2022 – Austria, France, Germany – Cert. 18 – 114m

*****

A singer of romantic songs performs to elderly female fans (in more ways than one) in an off-season seaside town as his past catches up with him – in cinemas from Friday, December 9th following its screening in the BFI London Film Festival 2022

An old man (Hans-Michael Rehberg, who died in 2016 and whose last lensed appearance on film this performance, split between this film and Siedl’s Sparta, 2022, represents) is lost in a care home where he’s a patient. None of the doors will open. His son (Michael Thomas) arrives and takes him to the man’s wife’s funeral.

His son travels to the off-season, Italian seaside resort of Rimini for bookings as Richie Bravo (presumably his stage rather than his real name, although this is never clarified) at hotels to sing romantic songs to his admiring, elderly, female fan base. The dull, monolithic hotel buildings have exotic names like Soleil and 007 belying their inherent blandness.

In between those performances and traipsing around through heavy rain and snow, he engages in sexual congress in hotel rooms with a small number of his most devoted fans including the single Anna (Claudia Martini) and the married Emmi (Inge Maux).… Read the rest

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Animation Features Movies

One Piece Film: Red
(One Piece Film: Red)

Director – Goro Taniguchi – 2022 – Japan – Cert. 12a – 115m

***1/2

A girl who wants to sing to the world and usher in an era of happiness has been possessed by a dark power which has other plans – out in UK cinemas on Friday, November 4th (IMAX, subbed), Saturday, November 5th (dubbed)

A female voice promises “a great genesis of happiness for all”. There is great anticipation at the prospect of the beloved singer Uta performing live for the first time. Like her “genesis of happiness” sound bite, this teenager’s songs are full of phrases that sound superficially attractive but, for anyone pausing for a moment to think about them, are pure, contentless fluff. As she belts out phrases like, “you can’t stop magic” to adoring multitudes that revere all this like some utopian manifesto (which perhaps is already implied by the name Uta) and the rather more cynical pirate section of the audience (for this is a world in which pirates operate) plan to kidnap her and make a pile of money, a teenager throws an organic looking rope-like extension which attaches itself to a spot near her as if it were as grappling hook and allows it to pull within a few feet of her, to the annoyance of the pirates whose plan it disrupts.… Read the rest

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Features Live Action Movies Music

Elvis

Director – Baz Luhrmann – 2022 – US, Australia – Cert. 12a – 159m

***

Elvis Presley’s career from the mid-1950s through to his death in 1977, and his complex business relationship with his manager Colonel Tom Parker – out in cinemas on Friday, June 24th

Colonel Tom Parker (Tom Hanks), having a heart attack, reminisces to himself about his career. Many considered him the abuser and exploiter of the singer Elvis Presley, but that wasn’t the way it was. In the early 1950s, when Parker was managing the touring show of country singer Hank Snow (David Wenham), he heard Presley’s first recording on Sun Records though Hank’s son Jimmie Rodgers Snow (Kodi Smit-Mcphee), a singer in his own right who Parker didn’t think was anything like as good as his father.

Parker, an old time carnival showman, is always on the lookout for that one act that’s a little bit different, affects audiences and might well clean up at the box office. When he first sees Elvis (Austin Butler) perform, and notices young girls and older women going wild at the singer’s dance moves, he is convinced there’s money to be made and determines to sign him before someone else does.… Read the rest