Tag: lover

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The Critic

Director – Anand Tucker – 2023 – UK – Cert. 15 – 101m

The first four fifths of The Critic *****

The final fifth of The Critic *

In the 1930s, a London theatre critic, a flamboyant homosexual known for destroying careers with his acerbic prose, finds his job under threat from his newspaper’s new proprietor – out in UK cinemas on Friday, September 13th

This originally played in the Toronto Film Festival in a 95m version, only to be acquired for UK release on the proviso that an ‘unsatisfactory’ ending be changed by way of reshoots involving the director, the screenwriter (Patrick Marber), and key cast members. So this current cinema release is the version with the ending changed, and this writer found that new ending less than satisfactory. Which is a pity, because up to about the last twenty minutes, the film impresses.

Now, one could construct a review narrative which says that the original ending must have worked better, and the film has been ruined by its UK distributor. It’s possible that that is indeed the case. However, not having seen that first cut, it is equally possible that the original ending had severe problems which this new version has attempted to fix, even if that doesn’t seem to have entirely worked, and that this new version is an improvement.… Read the rest

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Firebrand

Director – Karim Ainouz – 2023 – UK – Cert. 15 – 121m

*****

Henry VIII’s sixth wife Katherine Parr must navigate the increasingly treacherous waters between her desire for religious tolerance and Henry’s more authoritarian take on Christianity – out in UK cinemas on Friday, September 6th

With her husband Henry VIII away fighting wars abroad, the Queen – Henry’s sixth wife Katherine Parr (Alicia Vikander) – has been declared Regent. Yet, for all the power, at least temporarily, entrusted to her, she cannot go anywhere outside the castle without male guards. On the pretext of visiting a religious shrine to which only women can be admitted, she (and her loyal ladies in waiting) slip off to a forest glade where her old friend Anne Askew (Erin Doherty) is preaching on the fact that the Bible has recently been translated into English and therefore made available to the common people in their own language for the present time. “Where will it all end?”, Anne asks her small, gathered audience.

Where indeed? Katherine may be a reformer at heart, but she is also staunchly royalist and believes in the King both as an institution and Henry himself specifically.

And then Henry (Jude Law) comes back from the wars, bringing her time as Regent to an end.… Read the rest

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Moebius
(Moebiuseu,
뫼비우스)

Director – Kim Ki-duk – 2013 – South Korea – Cert. 18 – 99m

*****

An extreme film even by Korean enfant terrible Kim Ki-duk’s own standards, Moebius is an oedipal cocktail of sex and violence shot without dialogue. Traversing (among other things) castration and gang rape, it’s a character study involving a family: an adulterous father, a jealous mother and (from early in the first reel) a castrated son with the father and son becoming involved with the former’s otherwise unattached lover. An essay employing psychological archetype to great effect, it holds the viewer in its vice-like grip from start to finish. A key work from a master, highly recommended, although definitely not for the faint-hearted.

Capsule review for Film Review Annual.

Trailer:

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Vortex

Director – Gaspar Noé – 2021 – France – Cert. 15 – 142m

*****

An elderly man struggles to care for his ailing wife who has dementia – out in cinemas on Friday, May 13th

Discounting the lengthy titles detailing among other things the various film clips and images used, this throws us a series of images in a pillarboxed 4:3 format with curved corners at the edges (suggesting a projected slide show or physical, analogue photographs mounted in an album) then the young Françoise Hardy singing “Mon Amie La Rose” loads irony into the proceedings: the rose is fresh and speaks to us of love, the singer young and yet to be ravaged by the passage of time. (It’s not mentioned here, but last year, Hardy announced she could no longer sing as a result of cancer treatments, which lends the video a certain poignancy today – even more so in the context of this film.)

Then the man we’ll call the father (Dario Argento, director of such Italian gialli as Suspiria, 1977; Tenebrae, 1982) waves through windows across a courtyard at the woman we’ll call the mother (Françoise Lebrun from The Mother And The Whore, Jean Eustache, 1973) and they meet up for a glass of wine on their balcony.… Read the rest

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Deep Water
(2022)

Director – Adrian Lyne – 2022 – US – Cert. US-R – 115m

****

A man is jealous of the lovers of his beautiful but promiscuous wife who start mysteriously dying one by one – out on Prime Video in the UK on Friday, March 18th

Vic (Ben Affleck) is devoted to his wife Melinda (Ana de Armas from No Time To Die, 2021, Cary Joji Fukunaga) for whom he would do anything, including give her her freedom. Since she doesn’t like being tied down to just one man, this means the freedom to sleep with any man she wants. She drinks a lot too and often stays out all night, refusing to tell Vic where she’s been in the morning. The trouble is, some time ago she slept with a man named MacRae and he vanished. Disappeared. No-one knows what happened to him.

Then one night, at a party he’s hosting, Vic scares Melinda’s current lover Joel (Brendan C. Miller) by confessing to the crime, by way of a joke. Or is it? Joel is inclined to think Vic the murderer. After a job offer causes Joel to leave the area, Melinda starts meeting a piano teacher Charles (Jacob Elordi).… Read the rest

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A Good Lawyer’s Wife
(Baramnan Gajok,
바람난 가족)

Director – Im Sang-soo – 2003 – South Korea – Cert. – 105m

***

Unsatisfactory family life in which fathers and mothers cheat on their wives and partners in search of a more fulfilling existence – screened with a director Q&A as part of a strand of films celebrating actress Youn Yuh-jung at LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 4th to Friday, November 19th

Joo Ho-jeong (Moon So-ri) bemoans the fact that once you’re married, you get less sex than you did as a single woman. Judging by the opening sex scene, in which her husband comes prematurely leaving her to satisfy herself, she would probably be better off single. Still, she has a small son Soo-in (Jang Joon-yeong) to mother and a local dance classes to teach.

The relationship is not working for her husband Yeong-jak (Hwang Jung-min) either, given his full workload and the fact that he’s sleeping with his P.A. Kim Yeon (Baek Jong-rim). His mother Byung-han (Youn Yoh-jung), meanwhile, is watching her alcoholic husband die and enjoying a new lease of life with a new lover following a decade and a half with no sex.… Read the rest

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The Servant

Director – Joseph Losey – 1963 – UK – Cert. 12 – 115m

*****

A highly capable working class manservant slowly takes control of his foppish, upper class master’s life – out in cinemas on Friday, September 10th

Barrett (Dirk Bogarde) enters the curiously unlocked Chelsea house of Tony (James Fox) to interview for the position of manservant. He finds the unkempt Tony asleep in a chair. He seems to fit Tony’s bill and gets the job. Tony got the house very cheap, although it’s in need of repair and decoration. Barrett has any number of useful suggestions, but Tony overrides one or two of them. A servant should know their place, after all.

At a club Tony tells his date Susan (Wendy Craig) that he’s involved in clearing jungle to build three cities. When he brings her back to the house, she finds her attempts at both romantic intimacy and imposing her ideas on his home consistently thwarted by Barrett’s intrusions.

Barrett secures a job for his “sister” Vera (Sarah Miles) as a maid. She is actually his lover. And she sets about seducing Tony. All of this will come to a head, with Tony throwing the pair of them out.… Read the rest

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A Day Off
(Hyuil,
휴일)

Director – Lee Man-hee – 1968 – South Korea – Cert. 18 – 110m

*****

A man passes the boredom of Sunday in Seoul by spending time in the park with his lover, robbing an old schoolmate then going out drinking and womanising in bars – watch for free at the Korean Film Archive’s YouTube channel (link at bottom of page)

Shot in stark black and white, this opens with a voice-over which immediately makes you think you’re watching a film noir. However, A Day Off is something else entirely – there are no cops or gangsters in sight, the narrative concerning instead a couple of doomed lovers and the opening voice-over bemoaning the hero’s meeting with his lover Ji-Yeon every Sunday. That said, it’s all about poor people struggling to survive on Seoul’s mean streets and the main character is constantly cheating his fellow citizens or stealing money from them, so its subject matter is not entirely noir unrelated.

Heo-uk (Shin Seong-il, a huge star who also has a bit part in the earlier Bloodline a.k.a. Kinship, Kim Soo-yong, 1963) asks a consults a bird fortune-teller as to what the day will bring: her trained bird picks out a card warning him to Stay Away From Women.… Read the rest