Tag: girlfriend

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Features Live Action Movies

Hoard

Director – Luna Carmoon – 2023 – UK – Cert. – 126m

****

A young girl’s strange relationship with her rubbish-hoarding mother, cut short in childhood, leads to an equally bizarre bond in adult life – out in UK cinemas on Friday, May 17th, with previews from Friday, May 3rd and exclusively on MUBI from Friday, July 5th

When I first stumbled across the title of this film, and the image used to promote it of a young couple staring into what I took to be a circular hole, which, I realised after seeing the film, was in fact the outline of a communal bin of the type commonly found on an English housing estate, I guessed it was a thriller – two people stumble upon a hoard: a bag of money or otherwise valuable contents. A noun. However, after viewing, I now realise the title could equally well suggest an activity, a verb. To hoard. The act of hoarding. The state of being which is hoarding. The film isn’t really a thriller. To describe it as a drama might be closer to the mark, but that doesn’t prepare the viewer for how utterly strange and alien the experience of watching this is.… Read the rest

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The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest

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Nightwatch
(Nattevagten)

Director – Ole Bornedal – 1994 – Denmark – Cert. 18 – 107m

*****

Strange goings-on take place in a morgue after a law student takes on the nightwatchman’s job – out on Shudder UK from Friday, May 17th

Two male students Jens (Kim Bodnia) and Martin (Nikolaj Coster Waldau) make a pact: they are to challenge one another to a series of outrageous acts, and the first one who fails to follow though must marry his girlfriend. One evening, they and respective girlfriends Kalinka (Sofie Gråbøl) and Lotte (Lotte Andersen) are in a bar when two louts appear and hassle the two women as they return from the ladies room. Martin challenges Jens to stand up to them, which he does and gets assaulted for his pains. Jens later challenges Martin to go with 17-year-old prostitute Joyce (Rikke Louise Andersson), an encounter Jens facilitates in a restaurant, pinning his own name on Martin as a cover. Their swapping of names will later prove highly significant.

To save some money for his and Kalinka’s future, Martin takes on a job as a nightwatchman in a morgue, an easy enough job provided you don’t mind being the only living person on the premises along with a batch of corpses, which often includes murder victims since a murderer is currently at large in the area.… Read the rest

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Animation Features Live Action Movies

Eraserhead

Director – David Lynch – 1977 – US – Cert. 15 – 89 mins

*****

A look at where Eraserhead came from – and where its weirdness led. First published in 1996.

The current vogue for Special Editions and Director’s Cuts prompts David Lynch to rerelease Eraserhead with a Dolby Stereo sound remix.

The pre-existing gem of a soundtrack was textured by Lynch and collaborating sound designer Alan Splet to incorporate a host of industrial noises alongside such unforgettable effects as the hero’s girlfriend’s mother gargling during a dinner table fit. Eraserhead remains arguably the most original and innovative vision the last twenty years of American cinema have produced.

Not that film or director came from the mainstream. Abandoning painting as an art student, Lynch began making animation / live action films with the brief loop Six Men Getting Sick (1967) with the four minute The Alphabet (1969) and the half hour The Grandmother (1970) funded by American Film Institute grants. The AFI then funded Eraserhead, which mushroomed to feature length and required completion finance from elsewhere. Reactions to the result vary between boredom, revulsion, or admiration (this writer aligns with the latter).

Invited to his girlfriend Mary’s (Charlotte Stewart) for dinner, “Printer – on vacation” Henry (Lynch regular Jack Nance) learns she is pregnant.… Read the rest

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Let it Ghost
(Meng Gui 3 Bao,
猛鬼3寶)

Director – Wong Hoi – 2022 – Hong Kong – 100m

***

Three unlikely ghost stories from Hong Kong: an actor shoots a ghost scene with a real ghost, a young man’s girlfriend is possessed by a ‘horny ghost’, and a sweet romance develops as a cute little girl haunts a shopping mall – plays at the NFT on Friday, July 14th at 8.30pm as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

A ghost story shot anywhere else would probably set out to scare and unsettle, but in Hong Kong they have never hesitated to mix up their horror with other, seemingly incompatible genres. The first entry in this compendium of three ghost stories plays with notions of truth, reality and artifice through the time worn device of a film within the film, the second is a lightweight, gender-fluid, sex comedy while the third is a sentimental tale about a cute child and the passing of the era of the 1990s shopping mall.

In the first story, Scary Prison, a real ghost gets involved in the shooting of a TV series episode involving a ghost. The series is The Incarcerated Detective, set in a prison where the eponymous policeman investigates and apprehends evildoers among the inmates with his catchphrase, “Justice… always stands on the side of… Justice.”… Read the rest

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Features Live Action Movies

Jackie Chan’s
Police Story
Trilogy

Police Story (Ging Chaat Goo Si, 警察故事)

*****

Director – Jackie Chan – 1985 – Hong Kong – Cert. 15 – 100m

Police Story II (Ging Chaat Goo Si Juk Jaap, 警察故事續集)

***1/2

Director – Jackie Chan – 1988 – Hong Kong – Cert. 15 – 101m

Police Story 3 Supercop (Ging Chaat Goo Si III: Chiu Kup Ging Chaat, 警察故事３超級警察)

*****

Director – Stanley Tong– 1992 – Hong Kong – Cert. 15 – 96m

The Police Story trilogy is a landmark of Hong Kong action cinema. As David West points out in his informative essay in the accompanying booklet to Eureka’s welcome 4K UHD release of the three films, the first one was the point in Jackie Chan’s career where he broke with period dramas to make a vehicle for himself that was totally modern, set in contemporary Hong Kong rather than an historic Chinese past or even the early twentieth century of his own Project A series of films. Action films set in the present started to emerge in Hong Kong in the early 1980s, with a couple of them directed by Chan’s fellow former Peking Opera schoolmate Sammo Hung, who managed to secure roles for Jackie some way down the cast list in Winners And Sinners (1983) and My Lucky Stars (1985).… Read the rest

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Bodies Bodies Bodies

Director – Halina Reijn – 2022 – US – Cert. 15 – 94m

*

A make-believe party game of murder turns into horrifying reality when pretend dead bodies turn out to be really dead and the genuine body count continues to mount – out in UK cinemas on Friday, September 9th

Five women, three couples, two exes, one single. Seven people. Six twentysomethings. They gather in the house of one of their number David (Peter Davidson), whose absent parents are rich and the house and grounds reflect that. Sophie (Amandla Stenberg) and Bee (Maria Bakalova) have been together maybe six weeks. David and Emma (Chase Sui Wonders) longer. Alice (Rachel Sennott) and fortysomething Greg (Lee Pace) a mere two weeks. Jordan (Myha’la Herrold) is not coupled.

This is a hurricane party – a party held following a hurricane warning where power outages are likely, so people gather together to pool their perishable resources e.g. food from switched off fridges and avoid the need to travel over several days. The script assumes the audience knows all this, but to people living outside the US this may be a completely new concept; the script here makes much use of power outages but completely fails to exploit the shared resources and lack of travel aspects of the phenomenon.… Read the rest

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Run

Tramps like us

Run
Directed by Scott Graham
Certificate 15, 77 minutes
Released 13 March 2020

Now on BBC iPlayer until early November 2022, also on BFI Player subscription and iTunes. Review first published in Reform, March 2020.

Finnie (Mark Stanley) hates his job in a fish factory in Fraserburgh, Aberdeenshire. He and his wife Katie (Amy Manson) have Springsteen’s legend ‘Born to Run’ tattooed on his chest and her ankle, but as he says to her: ‘We never did run very far, did we?’ This is a story about regret and longing, about not getting out, family and relationships.

Finnie’s older son Kid (Anders Hayward) has just got his girlfriend Kelly (Marli Siu) pregnant, isn’t talking to and has been dumped by her. Kid throws a wobbly at work, in the same plant as Finnie, and loses his job. When Katie gives Finnie the come on, he just wants to shower because he stinks of fish. Out of nowhere, he borrows Kid’s car keys and takes his son’s car out for a spot of illegal night time street racing, something he used to do when younger… Read the rest

Now on BBC iPlayer until early November 2022, also on BFI Player subscription and iTunes.… Read the rest

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Chilli Laugh Story
(He Jia La,
闔家辣)

Director – Coba Cheng – 2022 – Hong Kong – Cert. 12a – 94m

****

A young man successfully markets his mother’s chilli sauce in the pandemic lockdown until the lucrative business it unexpectedly generates is taken off him– out in cinemas in the UK on Friday, July 15th and in the US and Canada on Friday, July 22nd

This starts off with a very sweet – no, make that spicy – memory of 2002 when Coba Cheng (Edan Lui Cheuk-On) was a small boy of five and visited his mum’s village where he tried her chilli sauce for the first time. It burned his mouth, but was always a part of his life from then on.

Jump to mid-2020. Hong Kong, like everywhere else, is in the middle of the pandemic. Coba is now working his job from home, and he and his parents are struggling to live with each other in the same enforced space. His dad Alan (Ronald Cheng) is engaged in a no-way forward argument with a delivery man in a surgical mask who won’t tell him what the unknown package is until dad has paid the delivery fee, which dad won’t do until he knows what it is, which Mr.… Read the rest

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Breakout Brothers
(To Yuk Hing Dai,
逃獄兄弟)

Director – Mak Ho-pong – 2020 – Hong Kong – 12 (Camden Council) – 90m

****

Three prison inmates attempt to escape so that they can attend to various pressing, personal issues– online in the UK as part of Focus Hong Kong 2022 Making Waves from Friday, July 8th to Sunday, July 10th

The generic side of Hong Kong movies (kung fu, supernatural, swordplay, gangster, horror, comedy) has long been one of the strengths of that territory’s film production. This one has already spawned two sequels (Breakout Brothers 2, 2021 and Breakout Brothers 3, 2022, both Mak Ho-pong). In essence, it’s deceptively simple: three inmates in prison attempt to break out. This is hardly an original concept, however two elements makes it different.

One, it’s conceived and shot as a caper movie. It’s not really a comedy, but it most definitely has a lightweight feel. This is brilliantly established from the get-go with the introduction of the score by Pong Chow and Noel Li, which follows a long tradition of themes in caper movies and TV series typified by Mission: Impossible (composed by Lalo Schifrin, 1966) with its driving yet off-kilter bass-line. In Breakout Brothers, this is accompanied by a striking, graphic,opening title sequence as good as that for Collectors (Park Jung Bae, 2020), the difference here being that Breakout Brothers lives up to the promise of its superlative title sequence whereas Collectors doesn’t.… Read the rest