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Occupation: Rainfall

Director – Luke Sparke – 2020 – Australia – Cert. 15 – 128m

*

Australian alien invasion epic with lots of seasoned actors and heaps of special effects. What could possibly go wrong? out in cinemas on Friday, July 9th

A sequel to Australian alien invasion outing Occupation (2018) by the same director, this big effects movie spends much time and effort on spectacular alien spaceships and dogfights, prosthetics alien costumes and the occasional creature that couldn’t possibly be portrayed by a human actor in a suit. These visual effects do the job but aren’t particularly engaging. The piece overall lacks original ideas and panache. 

The sketchy plot has the world (i.e. Australia) invaded by aliens called ‘Greys’ because of their skin colour while a military force under Wing Commander Hayes (Daniel Gillies from Spider Man 2, Sam Raimi, 2004) is fighting back. Hayes believes force is the only way to deal with the invaders and has consequently sidelined peace negotiator Amelia The Human (Jet Trantor from Thor: Ragnorok, Taika Waititi, 2017) who has made the effort to learn to speak the alien language. Greys unsympathetic to the invasion live amongst the humans. 

A wise elder named Abe (David Roberts from The Matrix Reloaded and The Matrix Revolutions, Lana & Lilly Wachowski, 2003) despatches a two-man recon mission to find and discover the exact nature of the eponymous Project Rainfall.… Read the rest

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Features Live Action Movies

Relic

Director – Natalie Erica James – 2019 – Australia – Cert. 15 – 89m

****1/2

A daughter and her mother must look after their ageing grandmother in her house which seems to possess a dark character – in cinemas and platforms including BFI Player from Friday, October 30th and now Shudder UK from Tuesday, 11th May 2021

Driving from Melbourne to visit her grandmother Edna in her house in the country, grown-up daughter Sam (Bella Heathcote) and her mother Kay (Emily Mortimer) get a phone call from the local policeman informing them the old lady has gone missing. When they get to the house and enter via the large cat flap, sure enough grandma is nowhere to be found. It feels lived in though, even though there are rooms filled with boxes of junk she’s never managed to sort out or get rid of. They try and tidy up, but it’s a huge task and they barely make a dent in what needs to be done.

They go out with police combing the local woods, to no avail. Sam runs into friendly next door neighbour with learning difficulties Jamie (Chris Bunton), 18, who lives at home with his father. James has no idea where Edna is either.… Read the rest

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Animation Documentary Features Live Action Movies Top Ten

Top Ten Movies
(and more)
2020

Work in progress – subject to change.

Top Ten (UK theatrical + online movie releases 2020)

All films received either a theatrical or an online release in the UK between 01/01/20 and 31/12/20. I’ve never previously included online releases (well, maybe the odd one or two as a special case) but this year the film distribution business has been turned upside down by COVID-19. How 2021 and beyond will look is anyone’s guess.

Please click on titles to see reviews. (Some links yet to be added.)

1. Parasite (S.Korea) reviews one and two

2. Coup 53 (UK)

3. A Hidden Life (US/Austria/Germany)

4. Akira (1988, IMAX reissue) (Japan)

5. The Eight Hundred (China)

6. Possessor (Canada) reviews one and introductory link to two

7. Misbehaviour (UK)

8. Dick Johnson Is Dead (US)

9. Away (Latvia, no dialogue!)

10. Snowpiercer
(2013, Eng lang, S.Korea, UK theatrical release in 2020 – finally!)

11. Run (UK)

12. Sócrates (Brazil)

13. County Lines (UK)

14. First Love (Japan)

15. Parasite (Black & White) (S.Korea)

16. The Vast Of Night (US)

17. I’m Thinking Of Ending Things (US)

18. Over The Moon (US/China)

19. WolfWalkers (Ireland) reviews one and two

20. Sheep Without A Shepherd (China)

21.… Read the rest

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Features Live Action Movies

Babyteeth

Director – Shannon Murphy – 2019 – Australia – Cert. 15 – 118m

*****

In cinemas from Friday, August 14th and on BFI Player from Monday, December 7th

Uniformed schoolgirl Milla (Eliza Scanlen) stands on a platform ill at ease with her classmates. The train comes in. Before she can move to get on it, someone has knocked into her rushing past to stand close to the passing train. It’s Moses (Toby Wallace), unkempt in shorts and tee shirt. He asks her for money. He points out she has a nosebleed, cradles her on the ground, puts his tee over her mouth and jaw… to catch the blood.

Milla’s psychiatrist father Henry (Ben Mendelson) has a home session with a patient that turns into sex on a desk. This is his wife Anna (Essie Davis) who is on medication and has mental problems. They have another problem as a family: their daughter has cancer.

When Milla brings Moses into her parents’ comfortable suburban family home, they take an immediate dislike to him. This reaction is compounded by his habit of stealing medications from their home to sell later on the street. Nevertheless, he will be around the home more and more and by the end will be to all intents and purposes living there with Henry and Anna’s consent.… Read the rest

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Features Live Action Movies

The Cheaters

Director – Paulette McDonagh – 1930 – Australia – 95m
***1/2

A criminal gang leader’s lifelong vow for revenge threatens the future happiness of his daughter in this beautifully restored and presented Australian silent -– free to watch on BFI Player as part of the BFI London Film Festival 2020 from 13.00 hrs Sunday, October 11th to 13.00 hrs Wednesday, October 14th

The first thing to say about this film is that it looks in remarkably good nick by any standards. Judging by the restoration trailer, this is an amazing testimony to today’s technology. Much of the footage before had deteriorated to near unwatchable. After the process, it looks fantastic.

As for the silent side of things, the current presentation on BFI Player shows the film windowboxed as you’d expect but then also the keyboard accompanist in locked off shot, keyboards and hands only, also windowboxed in a comparatively tiny image at the bottom left. This proves extremely effective and provides an excellent model for both future online screenings of silents and presentation on home video media such as Blu-ray or DVD.

The film medium has come a long way since 1929, so this film begs the question, is it any good?… Read the rest