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Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

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Animation Features Live Action Movies

Zu Warriors
From The
Magic Mountain
(Shu Shan
– Xin Shu Shan Jian Ke,
新蜀山劍俠)

Director – Tsui Hark – 1983 – Hong Kong – Cert. 12 – 98m

*****

One of the greatest special effects action movies ever made, this groundbreaking epic delivers non-stop, near unbelievable, visually entrancing vistas of Chinese mythology – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th and available on Blu-ray

There are films which seem almost single-handedly to define cultures. There are plenty of elements in Zu Warriors From The Magic Mountain that can be found elsewhere in Hong Kong cinema – martial arts stunts, flying wire work, period costumes, stock figures, airborne drapery – and yet the precise way this mixes these elements up then adds in others and adds in lots of 2D effects animation makes it a unique work, even by Tsui’s extraordinary standards.

With the ancient world in which he lives in a state of chaos due to constantly warring human factions, a man gets swiftly out of his depth when he sidesteps all that to follow a hero in the hope of becoming his disciple as the hero battles the forces of evil. If this sounds very highbrow… well, perhaps it is. Or perhaps it’s just an excuse to put together a series of truly extraordinary special effects action set-pieces that transport the viewer to mythological otherworlds the exact like of which have never been seen onscreen before or since.… Read the rest

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Features Live Action Movies

The Empty Hands
(Hung Sau Dou,
空手道)


Director – Chapman To – 2017 – Hong Kong – Cert. N/C 15+ – 97m

Film *****

Subtitle legibility *

A Hong Kong Chinese-Japanese must come to peace with her late, estranged karate-obsessed father – online in the UK as part of Hong Kong Focus 2021 from Tuesday, February 9th to Monday, February 15th

To get the subtitle issue out of the way first, the subs here are what subs often used to be forty years ago – white with no black edge around the lettering. So as soon as the lettering appears over a white area of the image, it’s rendered invisible and illegible. These days, that system is rarely used so it’s rarely a problem. But there are several scenes here when it’s an issue. Nothing that will fundamentally spoil the film, but it’s a pity that someone cut a corner and didn’t get this quite right. If it ever turns up on home video, I hope someone redoes the subs properly to make them legible. The translation seems fine, which makes the poor legibility far more irritating. Now then, the film…

This follows the time-worn, martial arts movie template of a hero with something to prove so they train for a big competition fight in which they somehow find themselves.… Read the rest

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Live Action Movies Shorts

Jellyfish

Director – Che Chun Hei – 2018 – Hong Kong – Cert. N/C 12+ – 30m

****1/2

A gangland sniper’s shooting of his designated target leads to a friendship with a dog and further unauthorised killings – online and Free To View in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

Gangland boss Shing (Lau Kong) sets up a sniper (Bowie Chan Wai Wing) in an apartment in a block overlooking a patch of waste ground. Every day, a man walks his dog over this patch. The man is the sniper’s designated target. So the sniper sets up his gun, passes the time, tries to get a decent signal on the TV, smokes, relaxes on the sofa, anything but look through his viewfinder and watch the man and dog pass.

Finally, the order “today” comes though his pager from Shing. One shot and the guy is dead. The dog just sits there, remaining where his master fell. A black van rolls up. Two guys. One has a revolver and thinks of shooting the dog, but doesn’t do it.

The sniper feels for the dog. He takes it food.… Read the rest

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Features Live Action Movies

Vanguard

Director – Stanley Tong – 2020 – China – Cert. tbc – 107m

**

Jackie Chan actioner trades on his former glory from decades ago but relies too much on CG trickery and fails to ignite the screen – on VoD from Friday, January 8th

Vanguard is an organisation which… well, it’s never clear exactly what it does, but Jackie Chan is fairly high up in it and it has a lot of field operatives and high tech equipment, surveillance, weaponry and similar. This film moves around various high profile international locations – including London, the African bush and Dubai. When a man is kidnapped by criminals who want to access his vast wealth for their own nefarious ends, it’s up to Vanguard to rescue him.

One could be charitable and say that no-one goes to a Jackie Chan movie for the script, but the script here is so sketchy as to be almost non-existent. It plays out rather as a series of set pieces, and I’d love to be able to tell you that these are incredible – in some Jackie Chan movies that’s true – but sadly, in this one, for the most part, they really aren’t.

Chan in his heyday picked up the baton passed on by some of the great stunt / gag players of Hollywood’s silent era (Buster Keaton, Harold Lloyd), combined what they were doing with Chinese martial arts and appeared in some truly spectacular films such As the Project A and Police Story films.… Read the rest

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Live Action Movies Shorts

Beautiful New
Bay Area Project

Director – Kiyoshi Kurosawa – 2013 – Japan – 29m

****

A company director steals a woman worker’s name tag and she fights and kickboxes him and his people to get it back – currently on MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa

A young man (Emoto Tasuku) is president of the company he has inherited from his father. His right hand man encourages him to pitch on a development project on the side of the river. He hangs out on a construction site and watches the workers go about their jobs. He is particularly taken with woman worker Takako (Mita Moa).

So much so that he tries to strike up a conversation with her, but she ignores him. Indeed, she goes out of her way to vanish from his sight to where he can’t find her. So he later in her full view steals her name tag from a board and hides it in his office. He instructs his security that if the woman appears in his building, she is to be thrown out.

That sets up the final ten plus minutes of the short in which to access his office and her purloined name tag she must physically kickbox her way past several guards to fight him for the tag.… Read the rest

Categories
Animation Features Live Action Movies

The Fabulous
Baron Munchausen
(Baron Prášil)

Director – Karel Zeman – 1961 – Czechoslovakia – Cert. U – 85m

*****

Available on Blu-ray/DVD and now on BFI Player too.

This capsule review originally appeared in Reform in 2017 as part of a wider Watch And Talk review roundup.

Using not only live action but also every form of animation you can imagine, the 1961 Czech fantasy The Fabulous Baron Munchausen (BD/DVD, cert U, 85 mins) puts the infamous teller of tall tales in the company of a rational astronaut he meets on the moon for a series of improbable adventures. It’s a charming and delightful piece of escapism and a visual marvel from start to finish.

Director Karel Zeman has probably come closer than anyone to filming the equivalent of a moving woodcut and the whole thing is highly inventive throughout, challenging the very idea of what a film might look and feel like. Children and adults alike will be entranced. For good measure, the disc includes a documentary in which students try to recreate some of the film’s spectacular special effects.

Trailer here:

This capsule review originally appeared in Reform in 2017 as part of a wider Watch And Talk review roundup.

Categories
Features Live Action Movies

The Lord
Of The Rings:
The Fellowship
Of The Ring
(Extended Edition)

The Lord Of The Rings: The Fellowship Of The Ring (Extended Edition)

Director – Peter Jackson – 2002 (2001) – New Zealand – Cert. PG – 229m

*****

(NB Extended Edition, in cinemas from Monday, July 24th 2020, 227m in cinemas due to extended frame rate = 218m version released on DVD 2004. Original theatrical cut: 178m)

It’s a very different thing writing about a new movie which you’re watching for the first time and an old movie with which you’re familiar. Even stranger when the movie concerned is an adaptation of a book with which you’re equally familiar. Odder still when the property exists in its original form (which was actually a side project of something else, Professor J.R.R.Tolkien’s Middle-earth project) but also in a highly regarded 13 x 1 hour BBC radio adaptation skilfully adapted by Brian Sibley.

Although it’s Tolkien’s material, for me it’s as if The Lord Of The Rings existed somewhere out there and Tolkien wrote it down in book form (Where does artistic creativity come from? Discuss) after which Sibley successfully wrote it down in radio drama form and Jackson and his two screenwriting collaborators Fran Walsh and Philippa Boyens turned it into a movie trilogy.… Read the rest

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Features Live Action Movies

Wrath Of Silence
(Bao Lie Wu Sheng,
暴裂无声)

Director – Xin Yukun – 2017 – China – 120m

***

Fist of parental fury: mute villager fights hard to find his missing son in rural China, in a film teeming with extraordinary social commentary and… fighting!!! From the BFI London Film Festival 2017

The young boy Zhang Liu tends sheep on a hillside in Northern China not far from a mine where lorries come and go. One day he doesn’t come home. His mother, already in debt for various medical treatments for her swollen legs, is at her wits’ end. The boy’s mute father, the miner Zhang Baomin (Song Yang), has a way of solving problems. Fisticuffs. He beats up people in the local mine. In the village restaurant he plunges a broken meat bone into the eye of the local organiser of signatures to sign away the village mining rights for which he’s holding out but everyone else in the village has signed. He goes around showing a picture of the missing Liu in the hope that someone has seen the boy.

This takes him to a local mining site where he’s inside eating with the foreman when thugs turn up in vans and jeeps to tell the miners a new company has bought out the mine and their service are no longer required.… Read the rest

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Features Live Action Movies

Hard Boiled
(Lat Sau San Taam,
辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).

Hard Boiled opens with a spectacular tea house shoot out where Insp. ‘Tequila’ Yuen (Chow) accidentally shoots his partner (just as Leung, who turns out to be an undercover cop, mistakenly shoots a fellow officer during the later hospital shoot out).… Read the rest