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Animation Features Movies

Dragonkeeper
(Gardiana de Dragones)

Director – Li Jianping, Salvador Simó – 2023 – Spain, China – Cert. PG – 98m

****

Faced by powerful forces of empire and a ruthless traitor, a girl must accompany an old dragon to ensure the survival of its egg – out in UK cinemas on Friday, September 27th

Ancient China. As revealed in a voice-over and an ancient, panoramic, wall-hanging scroll, the empire of the humans united with the dragons to successfully defeat necromancy. But then, the Emperor turned on the dragons, hunting them.

A long time after these events have occurred, a hard-nosed trader Master Lan (voice in the English language version: Tony Jayawardena) and his wallas are receiving some goods at a trading post when they stumble upon an abandoned baby girl. One of the wallas notices strange, blue-lit rocks floating near the baby. The group take the girl back across mountain ranges and vast plains to their small town.

Around eight years later, Ping (voice: Mayalinee Griffith) is living in that town, in the care of an old lady Lao Ma (voice: Sarah Lam), and feeding her pet rat Hua Hua (non-dialogue voice: Jonathan David Mellors) who lives in a hole in a storehouse and often goes with her in her jacket or any container or bag she might be carrying.… Read the rest

Categories
Animation Features Live Action Movies

Diplodocus
(Smok Diplodok)

Director – Wojtek Wawszczyk – 20234 – Poland – 84m

****

A young diplodocus must save the comic book in which he lives from being erased by the artist who created – from the 2024 Annecy International Animation Festival in the Annecy Presents section

Animation. A bookworm (English voice: Wayne Greyson; Polish voice: Tadeusz Baranowski) appears, a “respected devourer of picture stories”. His function is not exactly that of a Greek chorus, more like a comic interlude who occasionally wanders into the narrative as light relief, to leaven the whole. Not that this likeable romp, is any need of leavening, but it’s a nice touch which nicely sets the tone for the whole piece. It’s about characters in a comic book whose very existence is threatened by the originating artist’s run-in with his commercially driven but artistically clueless lady publisher.

Beyond a vast, bubbling, primeval swamp in a crater, an inventive and adventurous, male diplodocus child (English voice: Julian Wanderer; Polish voice: Mikołaj Wachowski), Diplodocus as the credits calls him, nicks snails off a frog to use as climbing suckers. A butterfly flies past. Diplodocus gets sent to his room by his essentially conservative parents (English voices: Alyson Leigh Rosenfeld, Marc Thompson; Polish voices: Monica Pikuła, Grzegorz Pawlak) for wanting a life of adventure.… Read the rest

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Features Live Action Movies

Io Capitano
(Io Capitano)

Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest

Categories
Animation Features Live Action Movies

The Lyricist Wannabe
(Tin4 Ci4 L,
填詞L,
lit. Lyrics Nerd / Dickhead)

Director – Norris Wong – 2023 – Hong Kong – Cert. 12a – 112m

****

A girl pursues her dream of becoming a Cantopop lyricist – out in UK cinemas on Friday, March 15th

The movies are full of rags-to-riches stories in which someone dreams of becoming a star, works hard to achieve that, and it ultimately all comes true. While that can happen, because in real life there are clearly stars out there, in most cases it doesn’t. This film follows a similar path: a girl gives her all to achieve her chosen dream but ultimately doesn’t make it, which is probably a far more common occurrence than the one in which the aspirant succeeds.

Law Wing Sze (Chung Suet-Ying) is a student at a church school run by nuns. She doesn’t read music, but is obsessed by Cantopop and wants to write lyrics, spending much time rewriting lyrics of old Cantopop songs such as Infernal Affairs which she rewrites as Student Affairs. For this endeavour she is summoned to Sister Che’s office where the nun / teacher helpfully gives her a crit session and suggests she change certain words to more accurately express what she’s trying to say without unintended double entendres.… Read the rest

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Features Live Action Movies

Driving Mum
(Á Ferð Með Mömmu)

Director – Hilda Oddsson – 2023 – Iceland, Estonia – Cert. 12a – 112m

****1/2

After his mum dies, a man must honour her last wish by driving her to her final resting place… On the way, she talks to him… – out in UK cinemas on Friday, March 1st

The 1980s. Jón (Þröstur Leó Gunnarsson) lives with his mother (Kristbjörg Kjeld) and his faithful dog Brezhnev in a remote part of rural Iceland. Days are spent sitting in the house knitting sweaters and listening to the radio – actually audio cassette recordings of the radio which run out in mid-sentence. These are periodically received in batches in boxes from a visiting trader in a boat in exchange for Jon and his mum’s home-knitted sweaters. Mum regrets never having been to Gullfoss, and Jon points out it’s unlikely to happen now. He is also a keen amateur photographer who operates his own darkroom. Rightly or wrongly, his mum worries about how he will survive after she’s gone.

One morning, he wakes to discover she has died in her sleep. He makes her corpse up as best he can, which leaves much to be desired, since her resultant look is somewhere between a clown and a zombie.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Pelikan Blue
(Kék Pelikan)

Pelikan Blue (Kék Pelikan)

Director – László Csáki – 2023 – Hungary – Cert. none – 79m

****

How three friends wanting to travel to the West after Hungary opened up in 1985 stumbled onto a lucrative scam forging rail tickets – innovative documentary employing animation premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

This talks about Hungary opening its borders and allowing its citizens to travel beyond the iron curtain for the first time in 1985. The problem was that for most school students and ordinary working people, travel was too expensive. 1987-90 was the best time, says one man. Owing to peculiarities in the exchange rate system, it was possible to change East German marks into West German marks and triple the value of your money.

One man was in a queue at a counter with a man named Atos who had enough to clear out that particular counter, but he took pity on the other punters behind him and only took half what he could have had. Petya and another grateful friend of his in that queue later found themselves on a plane to Berlin, then sharing a hotel room with Atos.… Read the rest

Categories
Features Live Action Movies

Bolan’s Shoes

Director – Ian Puleston-Davies – 2022 – UK – Cert. 15 – 97m

****

Two traumatised siblings reconnect as adults years after a childhood coach crash coming back from a Liverpudlian orphanage trip to a T.Rex gig in the 1970s – out in UK cinemas on Friday, September 15th

*** SPOILER ALERT ***

Picture black. A radio DJ dedication to Bob and Sally. T.Rex’s Calling All Destroyers blasts out on the soundtrack against a sudden image of a coach travelling through the English countryside. On board: excited orphanage kids with the trip organiser Simon (Louis Emerick) plus their local vicar (Andrew Lancel) and his daughter Penny (Eden Beach). Sadie (Amelia Rose Smith) nuts Tommo (Alfie Donnahey) for, as she swearily and excitedly explains to Penny, picking on her older brother Jimmy (Isaac Lancel-Watkinson). There is blood. To the consternation of Simon, who isn’t going to let the incident get in the way of the day’s enjoyment. “You’ll thank me in later years,” he says. “You’ll be able to say, I was there.”

After the gig, Simon has fixed up a trip backstage for the kids to meet founding T.Rex member Marc Bolan, getting them past other fans waiting outside for a glimpse of their hero.… Read the rest

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Features Live Action Movies

My Big Fat Greek Wedding 3

Director – Nia Vardalos – 2022 – US – Cert. 12a – 91m

***

The Greek-American family from Chicago visit their late patriarch’s small village in Greece to honour his final wish out in UK cinemas on Friday, September 8th

Once again written by and starring Vardalos as Toula, the daughter of the rumbunctious, Greek-American Portokalos family from Chicago, this third outing for the franchise is predictably another celebration of all things Greek, or, at least, Greek-American. The previous two films owed much to the character of Toula’s father Gus (Michael Constantine), the family patriarch insistent on all family members (a) getting married as soon as they come of age and (b) marrying Greek-Americans.

In the first film My Big Fat Greek Wedding (Joel Zwick, 2002), Toula had to bring him round to the idea of her marrying the non-Greek Ian (John Corbett). In the second film My Big Fat Greek Wedding 2 (Kirk Jones, 2016), Toula had become an interfering mother to teenage daughter Paris (Elena Campouris) while Gus and his wife Maria (Lainie Kazan) have another wedding celebration following the discovery that their marriage of 50 years was technically invalid.

The third instalment was to have been about Gus and the family visiting Greece to rediscover his roots.… Read the rest

Categories
Features Live Action Movies

Come Come Come
Upward
(Aje Aje Bara Aje,
아제 아제 바라 아제)

Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m

***1/2

As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationshipspart of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.

As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest

Categories
Features Live Action Movies

Living

Director – Oliver Hermanus – 2022 – UK – Cert. 12a – 102m

*****

Diagnosed with stomach cancer and given only months to live, a bureaucrat searches for something – anything – to give purpose to his hitherto meaningless life in this remake of Akira Kurosawa’s Ikiruout in UK cinemas on Friday, November 4th following its screenings in the BFI London Film Festival 2022, while Ikiru is on BFI Player subscription

For anyone who has had the privilege of seeing Ikiru (Akira Kurosawa, 1952) it is a very strange thing to watch this remake of it. On the one hand, it is exactly the same film. It has the same plot. On the other, it is completely different. Both are set in the 1950s, the original in Japan and the new one in London.

At this point, I have to say that this remake sounded to me (until I’d seen it) like a very bad idea. Cinema is littered with great films that have been remade as shadows of their former selves. Generally speaking, most ideas like this are better left well alone. To make matters worse, this is a case of an established novelist writing a screenplay: producers love this because they see a bestselling author as having a reliable track record but, in fact, the skills required for writing a novel and a movie are very different indeed.… Read the rest