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Dune Part Two

Director – Denis Villeneuve – 2024 – US – Cert. 12a – 166m

*****

Afallen dynastyfights back on a desert planet populated with giant sandworms– out in cinemas on Friday, March 1st

The second part of the adaptation of Frank Herbert’s sprawling novel Dune (1965) – the title Dune Part Two following the title Dune Part One on the print of the previous film – poses the filmmakers a greater adaptation challenge than the first in terms of the magnitude of, exactly what do you leave out to turn it into a strong, two and a half hours plus movie, and what do you keep in.

Villeneuve clearly doesn’t want to repeat himself, because he takes a very different approach adapting the second half of the book than he did for the first, which may or may not serve to make the two halves feel weirdly incongruent when viewed, as they surely will be, back to back. Indeed, it makes you wonder whether there exists a much longer cut of Dune Part Two or a much longer version of the screenplay – it all depends on whether the pruning took place at the scripting stage, the shooting stage, or the editing stage.… Read the rest

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Dune
(2021)

Director – Denis Villeneuve – 2021 – US – Cert. 12a – 155m

*****

A powerful family is exiled to a desert planet populated with giant sandworms as part of an interplanetary conspiracy to end their dynasty – back out in cinemas from Friday, February 8th 2024

Frank Herbert’s sprawling novel Dune (1965) was read in the late 1960s and 1970s by any teenage boy with the slightest interest in science fiction and fantasy. It had (a little) space travel but more significantly it had alien worlds, notably the desert planet Arrakis on which 95% of the action takes place, and so ticked the SF box.

Then it had a whole ecology involving the planet’s occupants the Fremen, a drug known as ‘the Spice’, and giant sandworms, so it also ticked the fantasy box.

On top of this, it pitted dynasties – ‘Houses’ – against each other in a tale of interplanetary political intrigue.

The plot was unbelievably convoluted, spawning a lengthy series of sequels. I gave up around the fifth or sixth book. And yet, the first book possessed an almost mythic quality that my diminishing interest in the later volumes was unable to dispel.

The sheer quantity of plot was always going to be a challenge for a standalone movie.… Read the rest

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Indiana Jones
And The
Dial Of Destiny

Director – James Mangold – 2022 – US / UK – Cert. 12a – 154m

*****

In the late 1960s, the newly-retired archaeologist is dragged by his goddaughter into a globetrotting adventure involving Nazis and ancient artefacts – out in UK cinemas on Wednesday, June 28th

In 1945 in Europe, at the close of the Second World War, whilst fighting Nazis led by archaeologist Dr. Voller (Mads Mikkelsen) both in a castle and on a train, archaeologists Henry Jones (Harrison Ford) and Basil Shaw (Toby Jones) gain possession of an ancient artefact, the Archimedes Dial aka the Antekythera mechanism.

Over two decades later in 1969 in New York, on the day of his retirement from academia, Jones is approached by his late colleague’s daughter – his goddaughter – Helena Shaw (Phoebe Waller-Bridge) who, following her research into her father’s obsession with the artefact, believes she knows the location of one half of the dial, broken into two separate pieces by its maker Archimedes to prevent it falling into unsuitable hands.

She’s wrong though: Jones has it, although possibly not for long as a cabal of Dr. Voller plus Nazis including the trigger-happy Klaber (Boyd Holbrook), the 7’2 Hauke (Olivier Richters) and a CIA agent Mason (Shaunette Renée Wilson) turn up to regain its possession.… Read the rest

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Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

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Documentary Features Live Action Movies

A Bunch Of Amateurs

Director – Kim Hopkins – 2022 – UK – Cert. 12a – 95m

***

The Bradford Movie Makers amateur filmmaking club struggles to survive in the modern world – out in UK cinemas on Friday, November 11th

Founded in 1932, the Bradford Movie Makers is a club for lovers of movies to make their own films. Such amateur groups were once common in parts of Britain, but now they’re dying out. As one BMM member comments, Leeds and Wakefield are gone. The BMM may be next: its accounts are in a bad shape, with various utility bills unpaid and several years’ worth of rent owing to a seemingly sympathetic landlord. The decrepit garage space at the side of the building needs clearing. It’s currently used as a local dumping ground for rubbish. And many of the members themselves are getting on in years; in the course of the two or three years covered by this documentary, some of the members’ spouses will die.

But this is Yorkshire, and life goes on. Retired carpenter Colin climbs the steps of his uphill garden to perch precariously by his fence to plant daffodil bulbs. Eventually at the club, his herculean feat of climbing the narrow stairs to the screening room is augmented by the installation of a stairlift.… Read the rest

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Tremors

Director – Ron Underwood – 1990 – US – Cert. 15 – 96m

*****

Review from TNT magazine, June 1990, republished here on the death of actor Fred Ward, May 2022

If Alien (Ridley Scott, 1979) was Jaws In Outer Space, Tremors is Jaws In The Nevada Desert. As such, the film represents a return to the production values of the desert bound sci-fi of fifties alien invasion staple It Came From Outer Space (Jack Arnold, 1953). In place of the shark from Jaws (Steven Spielberg, 1975) is a species of malevolent giant worm which burrows under the earth like something out of Frank Herbert’s Dune (most recent version: Denis Villeneuve, 2021).

It’s never explained where these monsters have come from, but then you tend not to worry about such things when one of them is about to knock down your home. Hapless victims disappear into sudden holes formed in the sand like a rerun of Blood Beach (Jeffrey Bloom, 1980); then muppet-like snakes grab people, bite them, and tug them under the ground, finally the full-grown beasties get to attack.

Producer-writers Brent Maddock and S.S. Wilson plunder numerous other sources too, but the emerging whole is infinitely better than the sum of its parts.… Read the rest

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Detention
(Fanxiao,
返校)

Director – John Hsu – 2019 – Taiwan – 12A – 103m

****

Two Taiwanese students find themselves trapped in their school overnight under that country’s White Terror regime in 1962 – on Shudder (US, Canada) from Monday, February 21st

This is a real oddity: an adaptation of a video game set in a specific historic period of political turmoil. That period is Taiwan’s White Terror (1949-87) under which, among other things, numerous books were banned by the ruling Kuomintang party on the grounds of promoting left-wing or Communist ideas. Merely reading some of these books could provide grounds for execution.

Like the video game, the film is set in the Greenwood High School. It’s 1962 and boy and girl students Fang Ray-shin (Gingle Wang) and Wei Chong-ting (Tseng Jing-Hua) find themselves trapped overnight in the school building after flood waters destroy the access road to the school. What follows isn’t particularly linear in terms of its narrative as school corridors, walkways, rooms and halls are visited by various supernatural beings and become scenes of terror, torture and execution.

The elliptical and sometimes repetitive nature of the storytelling and its component images mean that the film isn’t always that easy to follow, at least not to Western audiences familiar with mainstream Hollywood narrative.… Read the rest

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Ring
(Ringu,
リング )
(Collection)

Ring

Director – Hideo Nakata – 1998 – Japan – Cert. 15 – 96m

*****

Spiral (Rasen)

Director – Joji Iida – 1998 – Japan – Cert. 15 – 97m

** 1/2

Ring 2

Director – Hideo Nakata – 1999 – Japan – Cert. 12 – 95m

*****

Ring 0

Director – Norio Tsuruta – 2000 – Japan – Cert. 15 – 99m

***1/2

Ring plays in the BFI Japan 2021 season October / November at BFI Southbank, also currently streaming on BFI Player as part of the BFI Japan 2021 programme. Ring and Ring 2 are on Shudder.

You watch a short, scary video on the VCR. Then your phone rings… you have a week to show it to someone else – or die! Ring (1998) took the world by storm.

A single parent, TV journalist investigates a cursed videotape…

I review Arrow’s Ring Collection for All The Anime.

Ring plays in the BFI Japan 2021 season October / November at BFI Southbank, also currently streaming on BFI Player as part of the BFI Japan 2021 programme. Ring and Ring 2 are on Shudder.

Trailer:

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Occupation: Rainfall

Director – Luke Sparke – 2020 – Australia – Cert. 15 – 128m

*

Australian alien invasion epic with lots of seasoned actors and heaps of special effects. What could possibly go wrong? out in cinemas on Friday, July 9th

A sequel to Australian alien invasion outing Occupation (2018) by the same director, this big effects movie spends much time and effort on spectacular alien spaceships and dogfights, prosthetics alien costumes and the occasional creature that couldn’t possibly be portrayed by a human actor in a suit. These visual effects do the job but aren’t particularly engaging. The piece overall lacks original ideas and panache. 

The sketchy plot has the world (i.e. Australia) invaded by aliens called ‘Greys’ because of their skin colour while a military force under Wing Commander Hayes (Daniel Gillies from Spider Man 2, Sam Raimi, 2004) is fighting back. Hayes believes force is the only way to deal with the invaders and has consequently sidelined peace negotiator Amelia The Human (Jet Trantor from Thor: Ragnorok, Taika Waititi, 2017) who has made the effort to learn to speak the alien language. Greys unsympathetic to the invasion live amongst the humans. 

A wise elder named Abe (David Roberts from The Matrix Reloaded and The Matrix Revolutions, Lana & Lilly Wachowski, 2003) despatches a two-man recon mission to find and discover the exact nature of the eponymous Project Rainfall.… Read the rest

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Black Widow

Director – Cate Shortland – 2021 – US, UK – Cert. 12a – 133m

****

Marvel’s latest is less about mysterious former spy Black Widow than the relationship between her and her younger sister – out in cinemas on Wednesday, July 7th

The nuclear family of a father, mother and two young daughters growing up in Ohio in the mid-1990s turns out not to be a nuclear family at all but a man, a woman and two unsuspecting children planted there to look like one by mysterious Russian organisation the Red Room. Natasha (Ever Anderson) is both highly competitive with and protective of her little sister Yelena (Violet McGraw). When someone gets hurt, their mother Melina (Rachel Weisz) is always there for comfort and support.

“You remember how we said one day we’d have an adventure?” says dad Alexei (David Harbour). “Well, that day has come.” He has the only remaining copy of computer files on a disc. There’s an hour to pack before first police cars then S.H.I.E.L.D. SUVs turn up looking for them. By the time the SUVs find them, the family are busy taking off in a private plane from a hidden airfield. When they reach Cuba, the mother is dying from a bullet wound while the father is revealed as a mercenary, happy to see the two children who aren’t actually their daughters at all sedated and taken away after the older Natasha has pulled a gun on her ‘dad’.… Read the rest