Tag: publishing

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Love Hotel
(Rabu Hoteru,
ラブホテル)

Director – Shinji Somai – 1985 – Japan – Cert. 18 – 88m

***1/2

After violently taking out the stress of yakuza business debts on a call-girl, a man finds her two years later and attempts to rekindle a relationship – roman porno is out on UK Blu-ray on, Monday, July 22nd

NSFW.

Tokyo. Muraki (Minori Terada) phones Milky Way from room 301, all dark suit and shades, obviously a gangster, to be is told a girl, Yumi, will be with him in 10 minutes. Only, a flashback reveals him as the owner of a publishing office, his stairwell to his small office premises blocked by a yakuza, another of whose number, he discovers on entering, is forcibly having sex with Muraki’s wife (Kiriko Shimizu) while two further fellow yakuza look on approvingly. Later, he considers throwing himself out of the third storey window of his unfurnished office with “for rent” signs, but swats a fly and thinks better of jumping.

When Yumi (Noriko Hayami) arrives at 301, her initial euphoria at Y100 000 for two hours is dispelled when Muraki unexpectedly slaps handcuffs on her, pulls a knife, slashes at the bedsheets and her clothing to undress her than violates her with a dildo, later cutting the skin between her breasts as she writhes orgasmically.… Read the rest

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Origin

Director – Ava DuVernay – 2023 – US – Cert. 12a – 135m

***

A US journalist researches a book reinterpreting US racist attitudes to black people through both the Nazi’s segregation of Jews and the Indian caste system’s treatment of Dalits – out in UK cinemas on Friday, March 8th

This is based on both the 2020 nonfiction book Caste: The Origin of Our Discontents and its author US journalist and Pulitzer Prize-winner Isabel Wilkerson’s journey in writing that book. Highly effective in putting the first of those elements on the screen, the screenplay, credited to both DuVernay and Wilkerson, proves much more uneven in its attempts to do so with the second.

Wilkerson’s thesis looks at the US’ historic racist treatment of black people through the lens of a caste system. The term caste system derives from the Western European analysis of Indian society, and to a lesser extent other South Asian societies, in which certain designated groups are elevated above others to produce and maintain a social hierarchy. As portrayed here in the film, the book looks firstly at the US in these terms – a caste system favouring white people over blacks – then Nazi Germany – a caste system favouring Germans over Jews, a radical use of caste as an historical analytical tool I have never come across before – and finally India – a caste system putting the Dalits, the untouchables who traditionally clean latrines, at the bottom of the pile below everyone else.… Read the rest

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American Fiction

Director – Cord Jefferson – 2023 – US – Cert. 15 – 117m

*****

A black, American college Literature professor, unexpectedly finds celebrity via an anonymous alter-ego when he writes a cliché-ridden book about ‘the black experience’ – out in UK cinemas on Friday, February 2nd

College professor Thelonius ‘Monk’ Ellison (Jeffrey Wright) is a black academic at a white university. He teaches literature. While he’s teaching a class on the literature of the American South, a young, white, female student objects to the “N-word”, walks out of the class, and – in due course – gets him put on an unpaid Sabbatical. He’s a published novelist who hasn’t had anything published for years, including a manuscript currently doing the rounds through his agent Arthur, whereas other, white, faculty members publish work he considers beneath him yet which also sell in volume in airports.

His Sabbatical ties in with the fact of his going to a Literature Festival in his home city of Boston, where he finds his seminar poorly attended because it’s up against one by rising publishing sensation Sintara Golden (Issa Rae), author of We’s Lives in Da Ghetto, which, when he investigates her session, turns out to be what he considers pandering to black stereotypes of living in poverty, crime and misery.… Read the rest

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Blank

Director – Natalie Kennedy – 2023 – UK – Cert. 15 – 94m

****

Struggling with writer’s block, a successful author checks in to an AI-controlled retreat facility only for a virus to wreak havoc on the software which runs it, turning her into a prisoner – out on UK digital download from Monday, January 8th

Successful writer of pulp horror fiction Claire Rivers (Rachel Shelley) has writer’s block. And a deadline. And is being hassled on the phone by her agent, Alice (voice: Tamsin Jeffrey). She has a month, and Alice can’t keep fobbing off her publisher. Claire needs to get round whatever the problem is. So Claire accepts that invitation to a writer’s retreat she’s been avoiding.

Now, this is now ordinary retreat – it’s run by AI. Once there, her hand is scanned to open the door. She’s met by a charming man (Wayne Brady) – or rather, a holographic projection of a charming man, who informs her that her personal concierge is being set up as he speaks. So Claire meets Rita (Heida Reid), an android who unpacks her things for her. And who almost – but not quite – interacts with her. There’s some something quite odd about Rita.… Read the rest

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Sensei,
Would You
Sit Beside Me?
(Sensei,
Watashi
No Tonari
Ni Suwatte
Itadakemasenka?,
先生、
私
の隣に座って
いただけませんか？)

Director – Takahiro Horie – 2021 – Japan – 119m

****1/2

Believing her manga artist husband is having an affair with their publisher, a manga artist wifedraws a new manga in which she embarks on an affair with her driving instructor – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

When another story assignment for their editor Chika (Nao aka Nao Honda) comes to an end for wife and husband manga artists Sawako (Haru Kuroki) and Toshio Hayakawa (Tasuku Emoto), Sawako lets Toshio drive Chika to the station, listening to them talk after shutting the door behind them because she’s convinced (correctly) that the pair are having an affair. Shortly afterwards, she gets a phone call telling her that her mother (Jun Fubuki) is ill, and the urban couple drive to her home in the countryside to be there for her as she recuperates. She is walking around on a single crutch but seems in good shape.

That is, however, more than can be said for this married couple’s relationship. To keep up appearances, they share a bedroom at her mother’s place, something they haven’t done at home for years.… Read the rest

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The Lost City

Directors – Aaron Nee, Adam Nee – 2021 – US – Cert. 12a – 112m

***

A jaded woman’s romantic adventure novelist and her cover model find themselves in a real life jungle straight out of one of her books – out in cinemas on Wednesday, April 13th

Ever since her archaeologist husband died five years ago, novelist of trashy, erotic women’s adventure fiction Loretta Sage (Sandra Bullock) has had writer’s block. Her publishers love her books because they sell in huge volume, but she’s really an archaeology nerd who hates the novels she’s written. A friendly nudge from her editor Beth (Da’vine Joy Randolph), however, helps her complete another one, so it’s on to the promotional tour, something else Loretta hates.

She’s told exactly what to do by Beth and new social media manager Allison (Patti Harrison) This time round Loretta is required to wear a one-piece, cleavage-revealing, purple sequinned outfit that she (understandably) really doesn’t like as she is interviewed once again before fan audiences by male model Alan (Channing Tatum), whose appearance alongside her on the front cover of her books has helped propel her (and him) to stardom, effectively casting them as her heroine Angela and sidekick Dash.… Read the rest

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KIBA:
The Fangs Of Fiction
(Damashie
No Kiba,
騙し絵の牙)

Director – Daihachi Yoshida – 2020 – Japan – 112m

*****

Forward thinkers take on the conservative old guard within a Japanese publishing corporation – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

Megumi Takano (Mayu Matsuoka from One Night, Kazuya Shirashi, 2019; Shoplifters, Hirokazu Kore-eda, 2018; A Silent Voice, Naoko Yamada, 2016; Lesson Of Evil, Takashi Miike, 2012; Love Exposure, Sion Sono, 2008), daughter of local bookstore owner Takano (Shinya Tsukamoto), is as dedicated an editor as you’ll find anywhere in publishing. Alas, she lacks the political savvy needed to survive in its ruthless, corporate, dog-eat-dog world. When the owner of the publishing company Kunpu which employs her dies unexpectedly, she finds herself caught up in the machinations of a large organisation where some employees resist change while others plan to completely reinvent the business model to ensure the company’s survival, possibly at the expense of some of its employees.

Thus it is that new CEO Tamatsu (Koichi Sato from Fukushima 50, Setsuro Wakamatsu, 2020; Sukiaki Western Django, Takashi Miike, 2007; Where The Last Sword Is Drawn, Yojiro Takita, 2002) comes in with plans to restructure the company.… Read the rest

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37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

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One Night
(Hitoyo,
ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest

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Mrs. Noisy
(ミセス・
ノイズィ)

Director – Chihiro Amano – 2019 – Japan – Cert. 12a – 106m

****

A writer and young mother struggling with an elusive second novel finds herself dealing with a noisy, futon-beating neighbour in a rapidly escalating row exacerbated by viral internet videos – plays online in the Japan Foundation Touring Film Programme 2021 in the UK

Two women neighbours get involved in a petty feud which escalates out of all proportion, fuelled by videos on the internet. While parts of the feud are riotously funny to watch, this is less a comedy and more a warning as to how badly things can go wrong between ordinary people isolated in their separate domestic units in our ever-evolving technological age of phone cameras and social media. The housing block in urban Japan could just as easily be in any city in the UK. It looks all too horribly familiar.

Having published one hugely successful novel, Maki (Yukiko Shinohara) gives birth to a daughter and resolves to use the experience to feed into the next novel. She keeps writing, but her publishers tell her that nothing she’s written is up to par. Six years on Maki, her husband Yuichi (Takuma Nagao) and their small daughter Nako (Chise Niitsu) move into a new flat in a new block hoping that the change of scene will be just what Maki needs to get the writing back up to standard.… Read the rest