Tag: football

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Features Live Action Movies Music

Bob Marley
One Love

Director – Reinaldo Marcus Green – 2023 – US – Cert. 12a – 104m

***1/2

From his childhood in poverty in Jamaica, Bob Marley rises to stardom and international fame as the bast known proponent of reggae music – out in UK cinemas on Friday, February 16th

All this movie has to do to succeed is give us lots of Bob Marley’s recordings and show us lots of images of him doing things in the process. That’s what the movie says on the tin and that’s what you find inside. It fundamentally delivers what its audience expects and will probably do very well. Although I wouldn’t describe myself as a particular fan, over the years Marley’s music has seeped inescapably into both the popular and my own consciousness: it’s good, positive stuff which genuinely hits a tangible musical groove. I watched the movie and had the good time I was expecting. And Kingsley Ben-Adir is watchable enough as Marley.

However.

Anyone who comes to this wanting to know more about Bob Marley will find this a frustrating experience. Director Green, who co-wrote the script, fails to introduce a number of characters properly. Among Marley’s entourage of musicians and friends, for instance, I couldn’t tell you which one in the film is Peter Tosh (Alex-A Game), who is something of a lesser legend in the world of reggae.… Read the rest

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Features Live Action Movies

Next Goal Wins
(2023)

Director – Taika Waititi – 2023 – US – Cert. 12a – 104m

*

Big budget, narrative remake / reimagining of the compelling 2014 documentary about the world’s worst national football team mostly falls flat – out in UK cinemas on Tuesday, December 26th

Film productions come in all shapes and sizes: there is a valid place for both small, microbudget, independent, art house films and another for big budget, Studio based, mega-budget, mass market films. Nine years ago, Next Goal Wins (Mike Brett, Steve Jamison, 2014), a tiny, independent documentary film shot with minimal resources, emerged from a production set-up which afforded the filmmakers considerable creative freedom without which it’s unlikely their ultimately remarkable, compelling and insightful film would ever have come together in the way it did. Nine years after the original film, it has been remade as a narrative feature with name actors and a director with a proven gift for comedy.

The documentary was about the world’s worst national football team. American Samoa suffered the worst ever defeat for a soccer team in a World Cup qualifier when they lost to Australia by a staggering 31 goals to nil. The filmmakers hit paydirt when the team hired professional football coach Thomas Rongen to turn their fortunes around: suddenly, they unexpectedly had a film pitting the chilled out, American Samoan way of life against the ruthless, competitive ethos of international team sports.… Read the rest

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Documentary Features Live Action Movies

Next Goal Wins
(2014)

Directors – Mike Brett, Steve Jamison – 2014 – UK – Cert. 15 – 97m

*****

DVD review for Third Way, 2014.

In 2001, American Samoa suffered the worst ever defeat for a soccer team in a World Cup qualifier when they lost to Australia by a staggering 31 goals to nil. Ten years later, FIFA still ranked the side at the bottom of its league table. Where most football teams dream of winning, American Samoa dreamed of not conceding a goal. Sensing herein the seed of a subject for a documentary film, Brit filmmakers Mike Brett & Steve Jamison headed for the tiny, English-speaking, Pacific island and spent months there hanging out with and filming the team in the training run up to the 2014 World Cup. What they captured on camera and edited into a feature film is both remarkable and compelling, whether or not you’re interested in football.

Rather than the expected group of losers, they find the team are steeped in the culture of American Samoa which is all about community, family and (Christian) religion, a very different cultural underpinning to Brett and Jamison’s. Western capitalism – and football within it – is all about competing, pushing yourself and your team as far as you / they can go and, ultimately, winning.… Read the rest

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Features Live Action Movies

Gran Turismo

Director – Neill Blomkamp – 2023 – US – Cert. 12a – 135m

*** ½

Facebook.com/GranTurismoFilm

#GranTurismoMovie

You can with a Nissan. A Welsh, gaming obsessive is recruited by a PR executive from Japanese car manufacturer Nissan to train as a professional Grand Prix driver – out in UK cinemas on Friday, August 11th

Cardiff rail worker’s son Jann Mardenborough (Archie Madekwe) is a gaming obsessive, specifically the Gran Turismo videogame – or as he likes to describe it, racing simulator. He spends a lot of money on getting his gaming set up just right, and a lot of time either tweaking his virtual car for performance or logging hours practising his driving on the virtual set up. So real is the virtual driving experience to Jann that as he sits at the wheel, a diagrammatic drawing of his car builds itself out of thin air around him as he drives.

Alas, his father Steve (Djimon Hounsou), so supportive of Jann’s footballing brother Coby (Daniel Puig), thinks Jann needs to take stock and think about his future rather than pursuing his impossible dream of becoming a professional racer. However, his mother (Geri Halliwell Horner, former spice girl Ginger Spice and today the real life wife of Red Bull Formula One team principal Christian Horner) is far more supportive.… Read the rest

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Features Live Action Movies

Lakelands

Director – Robert Higgins, Patrick McGivney – 2022 – Ireland – Cert. 15 – 100m

****

The health of an amateur player of Irish football suffers after he gets badly beaten up one night, forcing him to withdraw from playing – out in UK cinemas on Friday, May 5th

Football. Violence. This is a film that soft-soaps neither, yet it has no interest whatever in any justice / revenge plot resolution, opting instead for a very different approach.

It’s actually quite a gentle, downplayed affair focusing on the after effects of violence on a person’s life. It’s a rare foray into the landscape of masculine sensibilities, in a far more thoughtful and considered way than is usual in the cinema. For a start, it’s framed by farming, with protagonist Cian (Éanna Hardwicke) working on his dad’s farm caring for livestock, mucking out cowsheds, driving in fence posts and so forth, a slow, seasonal pace of life. And then his involvement in football (in this case, Irish football, which isn’t something this reviewer has seen much of on the screen, or, indeed, anywhere) is presented as a driving passion in marked contrast to the farming; you get the impression of a full, worthwhile existence, punctuated by nights out drinking with fellow players in the local town’s pubs and clubs.… Read the rest

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Features Live Action Movies

Lakelands

A time for reflection

Lakelands

Directed by Robert Higgins, Patrick McGivney

Certificate 15, 100 minutes

Released 05 May

We plan our lives, or not, and they proceed, and everything’s hunky dory. Or sometimes things come out of nowhere and throw us for six. And then, no matter how seemingly impossible, we have to deal with those things. As part of the whole deal of being human.

A small, Irish town. Cian (Éanna Hardwicke) is a young man in his early twenties who works on his dad’s farm. He also plays Irish football, which like many team sports demands a level of dedication, and often goes out with mates to pubs and clubs. One night, at a club, he gets into an argument with a stranger over a girl. It’s not really anything of significance; boys, as they say, will be boys.

What happens next is a whole other deal, though… [Read the rest at Reform magazine.]

Read my alternative, less religious review on this site.

Trailer:

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Features Live Action Movies

EO
(IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventures – on BFI Player as a Subscription Exclusive along with three other Skolimowski titles on Monday, April 3rd, following its release in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest

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Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest

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Features Live Action Movies

The Innocents
(De Uskyldige)

Director – Eskil Vogt – 2021 – Norway – Cert. 15 – 117m

***

A small group of pre-teen children begin to explore their supernatural powers with devastating results – out in cinemas on Friday, May 20th

Two children live with their parents on a very ordinary housing estate near woodlands leading to a footbridge over a nearby motorway. Ida (Rakel Lenora Fløttum) enjoys going outside to play with other kids of her own age, seven or eight. Often, though, her mum will ask her to take her autistic, older sister Anna (Alva Brynsmo Ramstad), 11, with her, which Ida doesn’t really like having to do.

Anna is autistic and lives largely in her own internal world. When Ida goes outside to play, knowing Anna will likely sit happily in the same place for several hours if left to her own devices, Ida will leave Anna on her own while Ida plays with other kids her own age – Ben (Sam Ashraf) or Aisha (Mina Yasmin Bremseth Asheim). Ida assumes that Anna will still be there when she comes back.

Ben is troubled by a strange ability he possesses which he doesn’t understand. He can control people. Alone in the woods with Ida, he explains this to her.… Read the rest

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Features Live Action Movies

Belfast

Director – Kenneth Branagh – 2021 – UK – Cert. 12a – 98m

*****

1969, Belfast, Northern Ireland. The life of a young boy and his family is impacted by The Troubles as Christian sectarianism explodes into violence on their street – out in cinemas on Friday, January 21st

Bookended by colour images of contemporary Belfast, Northern Ireland, this swiftly traverses a colour montage to pan up a wall to the black and white photographed 1969 beyond. The closing moments also feature the genuinely touching legend, “For the ones who stayed, For the ones who left, And for the ones who were lost.”

Elsewhere, apart from family trips to the cinema to see the likes of Chitty Chitty Bang Bang (Ken Hughes, 1968), where the clips from the movie and light reflected from it onto the black and white audience are in colour, everything else (including other aspects of the family cinema-going experience) is entirely in black and white.

The first ten minutes are a particularly tough watch, as images of kids playing footy, hopscotch or knights in armour (wooden swords and dustbin lids) in the streets give way to nine-year-old Buddy (ten-year-old Jude Hill) returning home to find men with clubs breaking windows on his street, hurling Molotov cocktails and shouting, “get these fockers off your street.”… Read the rest