Category: Music

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Animation Features Movies Music

The Island

Director – Anca Damian – 2021 – Romania, France, Belgium – 84m

*****

A reimagining of the Robinson Crusoe story with Robinson as a doctor on an island where Friday is the only survivor of a refugee ship – plays with the accompaniment of the Bălănescu Ensemble at BFI Southbank on Friday, September 6th 2024 – from the Annecy 2022 Animation Festival in the Official Competition section

The story of Robinson Crusoe, the man shipwrecked on a desert island befriended by a native he calls Friday, is here turned on its head by director Damian (Marona’s Fantastic Tale, 2019) bringing to life a clever script using an inventive mixture of 2D and CG animation techniques. Robinson (voiced by musician Alexander Bălănescu, who composed the music and songs with Ada Milea) is a Westerner, a well-off doctor who spends most of his time lounging around on an island with an i-Pad. He might be a shipwreck survivor, at least metaphorically. He sings about dreaming of shopping when hungry, and after a while we wonder if he’s simply disillusioned with the Western materialist way of life.

He finds himself in the company of Friday (Lucian Ionescu), sole survivor of a refugee boat who treats the doctor as his saviour.… Read the rest

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Documentary Features Live Action Movies Music

Ryuichi Sakamoto | Opus

Director – Neo Sora – 2023 – Japan – Cert. U – 103m

*****

Composer Ryuichi Sakamoto performs a final concert of his music in 2022, months before finally dying of cancer on March 28th, 2023 – out in UK cinemas on Friday, March 29th, 2024

Released in the UK within a day of the anniversary of his passing, Ryuichi Sakamoto’s final concert is an intimate affair, shot in a sound studio by his son Neo Sora in crisp, iconic black and white, the sound of his piano recorded with state-of-the-art equipment. Within months of this performance, cancer would have taken him from us. This is very different from concert films where the performer(s) is / are still alive. Much of Sakamoto’s music tends towards the melancholy, and watching this remarkable, musical testament, one is constantly reminded of the fact that he is no longer with us.

Caught by the camera, he is clearly aware that he doesn’t have that much time left. One of the pieces, he struggles to get right. “This is too hard”, he says, “I need a break.” Nevertheless, the camera and sound recording equipment proceed to capture him playing his 20 chosen compositions with all the considerable skill of the great player that he is / was.… Read the rest

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Documentary Features Live Action Movies Music

Getting It Back:
The Story of Cymande

Director – Tim MacKenzie-Smith – 2022 – UK – Cert. 12a – 90m

****

How a promising, innovative black 1970s band failed to crack the UK music business, only for their music to take on a life of its own through various later, popular musical movements – out in UK cinemas on Friday, February 16th and out on BFI Blu-ray, BFI Player Subscription, iTunes and Amazon Prime on Monday, 26 February

Film critics have their blind spots (there are films you’d assume I’ve seen which I never have) and so too do serious music listeners, among whom I number myself. Prior to this film, I had never heard of Cymande. That’s surprising to me, actually, because I started seriously listening to music in the 1970s and have never stopped (although, significantly, rap and hip-hop, which came later, never really did it for me). And Cymande, it turns out, were a band of the early 1970s. It’s not mentioned in this film, but they played a couple of sessions for legendary UK Radio One DJ John Peel where it’s likely I would have heard them, had I started listening regularly to his show earlier than 1974, after they recorded a session.

The narrative in MacKenzie-Smith’s documentary runs something like this: in the 1950s and 60s, Britain invited numerous Commonwealth citizens from Caribbean islands like Jamaica, St.… Read the rest

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Features Live Action Movies Music

Bob Marley
One Love

Director – Reinaldo Marcus Green – 2023 – US – Cert. 12a – 104m

***1/2

From his childhood in poverty in Jamaica, Bob Marley rises to stardom and international fame as the bast known proponent of reggae music – out in UK cinemas on Friday, February 16th

All this movie has to do to succeed is give us lots of Bob Marley’s recordings and show us lots of images of him doing things in the process. That’s what the movie says on the tin and that’s what you find inside. It fundamentally delivers what its audience expects and will probably do very well. Although I wouldn’t describe myself as a particular fan, over the years Marley’s music has seeped inescapably into both the popular and my own consciousness: it’s good, positive stuff which genuinely hits a tangible musical groove. I watched the movie and had the good time I was expecting. And Kingsley Ben-Adir is watchable enough as Marley.

However.

Anyone who comes to this wanting to know more about Bob Marley will find this a frustrating experience. Director Green, who co-wrote the script, fails to introduce a number of characters properly. Among Marley’s entourage of musicians and friends, for instance, I couldn’t tell you which one in the film is Peter Tosh (Alex-A Game), who is something of a lesser legend in the world of reggae.… Read the rest

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Animation Features Movies Music

Blue Giant
(BLUE GIANT)

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st

Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie The First Slam Dunk, Takehiko Inoue, 2022) but on another is extraordinary. Blue Giant is about music, specifically jazz, even more specifically teenager Dai Miyamoto (voice: Yuki Yamada; musicianship: Tomoaki Baba) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji Tamada (voice: Amane Okayama; musicianship: Shun Ishikawa).

Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka Kinoshita), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.… Read the rest

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Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest

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Art Documentary Features Live Action Movies Music

Exhibition on Screen:
Klimt & the Kiss

Gustav Klimt

Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest

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Art Documentary Features Live Action Movies Music

Squaring The Circle:
(The Story Of
Hipgnosis)

Director – Anton Corbijn – 2022 – UK – Cert. – 101m

*****

The story of the visual creatives behind album sleeves, for Pink Floyd and others, who revolutionised the field from the late 1960s and through the 1970s – now out on Blu-ray/DVD combo and various streaming services plus BFI Player following its release in cinemas in the UK and Ireland on Friday, July 14th

Everyone who bought LP records from the late 1960s through to the very end of the 1970s knows the name Hipgnosis. As one interviewee points out, you would go in to the centre of your town to buy the latest album and mull over all the written information on the sleeve on the bus coming home to find out who played on it and who was responsible for the cover. Many of the most memorable sleeves were designed by Hipgnosis, the name coming from ‘hip’, meaning ‘cool’, and ‘gnosis’ meaning ‘secret wisdom’.

Director Corbijn made his name in black and white photography and album sleeves for such bands as U2 and Depeche Mode in the 1980s, so has a background in the album cover world in a later decade. He is therefore extremely well placed to tackle the subject and chooses to film many of his interviewees in trademark black and white.… Read the rest

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Documentary Features Live Action Movies Music

Ryuichi Sakamoto: Coda

Director – Stephen Nomura Schible – 2017 – Japan – Cert. PG – 100m

*****

Review originally published on All The Anime ahead of UK release on Friday, June 29th 2018; published here following Sakamoto’s death on Tuesday, 28th March 2023 – screening on MUBI as of Thursday, April 13th

Portrait of the artist at age 66. A new documentary Ryuichi Sakamoto: Coda finds musician Ryuichi Sakamoto working on a new album following a third degree throat cancer diagnosis and time off work for treatment. At the same time, it presents a select chronological appraisal of his career from Yellow Magic Orchestra and Merry Christmas Mr Lawrence up to the present day.

Like Sakamoto himself, Coda starts and ends with the piano. But not just any piano. Sakamoto had heard of one that survived the 2011 Fukushima tsunami and wanted to find out for himself what it sounded like. He is shown a tidemark on a curtain “up to which the piano floated” and another tidemark on the piano itself indicating its journey. He’s impressed with its sound…

[Read the rest at All The Anime…]

Trailer:

Categories
Animation Documentary Features Live Action Movies Music

R.I.P. Ryuichi Sakamoto

Written a few days after his death on Tuesday, 28th March 2023.

I’m actually quite shocked by this news. There’s a story here… It’s been a long time since I interviewed film people: these days it’s mostly reviews and a few features. Ryuichi Sakamoto was the very last person I interviewed face-to-face, in 1999 around the time of his BTTB and Cinemage albums. (I have since been privileged to write a piece about him again on the film Ryuichi Sakamoto: Coda, 2017).

Before the interview took place, there was one huge problem: his interview schedule was full. “But don’t worry”, said the publicist looking after him, “if you can get yourself over to the BBC Studios in Maida Vale for 4pm, Jools Holland is due to interview him – and Jools Holland is always an hour or so late. So if you’re prepared to do that, you’ve got him for an hour or so.”

On this occasion, I knew I had the interview placed in Manga Max magazine (sadly, long since gone) via its then editor Jonathan Clements, so I went for it. Sure enough, Jools Holland wasn’t on time and I had a fascinating interview with Ryuichi Sakamoto for about an hour covering various aspects of his career up to that point in time, including his film soundtrack work and, among other things, the multimedia opera Life he’d recently been working on.… Read the rest