Category: Features

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Animation Features Movies

Lupin III
The First
(Rupan Sansei
Za Fasuto,
ルパン三世
THE FIRST)

Director – Takashi Yamazaki – 2019 – Japan – Cert. 12a – 93m

****

Master thief Lupin III sets out to steal a diary protected by a lock with a fiendishly complex mechanism and becomes embroiled in an occult, Nazi plot to take over the world – screening in Scotland Loves Anime, Edinburgh on Monday, October 11th at 18.00 and Online (ten titles for only £4!!!) October 1st – November 1st

A character with a long history in Japan in anime, manga artist Monkey Punch’s celebrated gentleman thief Arsène Lupin III is a descendant of Frenchman Maurice LeBlanc‘s Arsène Lupin character. LeBlanc’s bona fide character recently featured in the French live action Netflix series Lupin (creator: George Kay, 2021). 

For this Japanese reboot, Lupin III and his fellow franchise characters are back on the big screen, now lovingly animated in state of the art 3D animation which has never looked quite like this. The nimble movements of Lupin as he typically evades the grasp of Interpol’s Inspector Zenigata by firing a climbing line at a ceiling, outwits an ingénue girl thief on Paris rooftops and finally has his stolen object taken off his hands by the shapely Fujiko Mine as she dangles from a helicopter rope ladder would look good in drawn animation – for similar antics look no further than earlier Lupin III outing The Castle Of Cagliostro (Hayao Miyazaki, 1980) – but they look considerably better rendered in full 3D CG here. … Read the rest

Categories
Features Live Action Movies

Money Has Four Legs

Director – Maung Sun – 2020 – Burma – 98m

***

The progress of a first time film director from whose production money seems to flee like a four-legged animal – in cinemas as part of the BFI London Film Festival 2021 from Wednesday, October 6th

An hilarious opening confronts film director Wai Bhone (Okkar (Dat Khe)) with the man from the Burmese censorship office, a bureaucrat with little sense of storytelling beyond the prohibitive. Lots of people are smoking. Could he tone down that word to furthermucker? Cut down the drinking scenes. We cannot let criminals escape. What is the point of this film? Then there are street scenes bursting into colour. All of this makes it into the attractive trailer.

On the set of his film, Wai is confronted by an actress who hasn’t learned her lines properly, so she’s reading them off her hand. Then there’s a location where a guard hasn’t turned up with the key to admit him and his crew. So he climbs over the wall with the camera only to get shut down by another guard. And his overly careless brother-in-law Zaw Wyint (Ko Thu) talks him into letting him appear in the film only to damage the camera when Zaw gets overenthusiastic about shooting a stunt.… Read the rest

Categories
Features Live Action Movies

Deerskin
(Le Daim)

Director – Quentin Dupieux – 2019 – France – Cert. 15 – 77m

****

A man buys a deerskin jacket then decides he should be the only person who can wear a jacket which leads to disastrous consequences – on BFI Player and Curzon Home Cinema rental from Monday, October 4th

Georges (Jean Dujardin from The Wolf Of Wall Street, Martin Scorsese, 2013; The Artist, Michel Hazanavicius, 2011; OSS 117: Cairo Nest Of Spies, Michel Hazanavicius, 2006) is driving. Some considerable distance across France. And very full of himself, too. After a couple of days, he arrives at the seller’s house. 100% deerskin! The Jacket is everything he dreamed, and he willingly pays the asking price in cash. The seller is stunned at his good fortune; he’s never seen so much money. He throws in a digital video camera.

Georges’ credit card is blocked, so on checking in to the local hotel he leaves his gold wedding ring with the receptionist as a deposit. Drinking at a local bar, he explains to the barmaid Denise (Adèle Haenel from Portrait Of A Lady On Fire, Céline Sciamma, 2019; 120 BPM (Beats Per Minute), Robin Campillo, 2017) that he’s a filmmaker and currently shooting.… Read the rest

Categories
Features Live Action Movies

The Mauritanian

Director – Kevin Macdonald – 2021 – UK – Cert. 15 – 129m

****

A pro bono lawyer defends a post-9/11 terrorist suspect in Guantánamo Bay against his US Army prosecutor – plays Curzon Home Cinema rental from Monday, October 4th

Based on a true story, this kicks off in Mauritania, North West Africa in November 2001 – as a title tells us, two months after 9/11. Mohamedou Ould Slahi (Tahar Rahim) walks on a beach then attends a Muslim wedding in Mauritania, to which he’s returned after living in abroad in Germany. During the celebrations, two local cops turn up and want him to come for questioning about his brother, whose current whereabouts he reminds them he doesn’t know. “The Americans are going crazy since the attacks two months ago,” they tell him. Momentarily alone, changing out of celebratory robes into something more casual, he erases his mobile phone contacts before agreeing to go with them.

Three years later, New Mexico law firm partner Nancy Hollander (Jodie Foster) learns of his disappearance and that the story has just broken in Der Spiegel that Slahi is currently allegedly being detained in Guantánamo Bay as “one of the organisers of 9/11”. The US government has recently stated that inmates have the right of ‘habeas corpus’ – if the evidence against them isn’t deemed sufficient to hold them in detention, they should be released.… Read the rest

Categories
Features Live Action Movies

Another Round
(Druk)

Director – Thomas Vinterberg – 2020 – Denmark – Cert. 12a – 115m

****1/2

Four teachers decide to test the theory that human beings function better with a little alcohol permanently in their blood – out on rental on various platforms including BFI Player and Curzon Home Cinema in the UK from Monday, September 27th

Racing round the lake carrying a crate of beer. Drink a bottle at every stop. Penalty points if you puke, less points if you all puke together as a team. 

That’s a typical weekend activity for their students, but four teachers are an older generation, some of them married with kids and dealing with more mature relationship issues. 

One of them has been reading an academic theory that humans have an alcohol deficiency of about 0.5% and convinces the other three to help him conduct an experiment. They will all consume the amount of alcohol required to bring them up to the theory’s optimum level. 

The experiment is initially successful, but then wreaks havoc within each of their lives as they up the quantity of alcohol to the next level. 

Using intertitles to indicate the increasing percentage of alcohol in the blood as the four drink collectively or individually, this drama charts what happens to the four as they pursue their idea to its logical conclusion and beyond.… Read the rest

Categories
Features Live Action Movies

The Courier

Director – Dominic Cooke – 2020 – UK – Cert. 12a – 112m

*****

The real life story of businessman Greville Wynne who smuggled secrets out of Moscow and helped avert the Cuban missile crisis – out on premium digital Monday, September 27th

The early 1960s. The cold war. High up Kremlin bureaucrat Oleg Penkovsky (Merab Ninidze) is convinced Kruschev wants to start a nuclear war. He has information about this he wants to leak to the West, for which the Soviet state is likely to punish him should they find out, possibly with death. However he has no easy route through which to send the information. He accosts American tourists and tells them to take packages straight to their embassy and then leave the country immediately.

Impressed with the calibre of his leaks, MI6 and the CIA, represented respectively by London operatives Dickie Franks (Angus Wright) and Emily Donovan (Rachel Brosnahan), set about finding the perfect person to to bring his packages back to the West. They meet businessman Greville Wynne (Benedict Cumberbatch) under the aliases James Dobbin from the Board of Trade and his associate Helen Talbot.

Greville does business by talking to (and drinking with) clients to find out what their businesses need and putting them in touch with other businesses who might be able to work with them, the classic networker.… Read the rest

Categories
Documentary Features Live Action Movies

Getting Away
With Murder(s)

State-sanctioned killing

Getting Away With Murder(s)
Directed by David Nicholas Wilkinson
Certificate 15, 175 minutes
Released 1 October

The industrial extermination of the Holocaust included most infamously some six million Jews but also smaller numbers of other groups including Poles, gay men, the disabled and political dissidents, some 11 million people in all. It remains a stark reminder of the evil of which human beings at their worst are capable.

Getting Away With Murder(s) is a consistently compelling documentary which approaches this atrocity from an angle we’ve not really seen before: why were 99% of the perpetrators never held to account for their crimes?

The filmmaker David Wilkinson takes his camera to the sites of specific events, from the Auschwitz death camps… [read more]

Full review published in October 2021 issue of Reform.

See also my alternative review on this site.

Trailer:

Categories
Features Live Action Movies

The Green Knight

Director – David Lowery – 2021 – UK – Cert. 15 – 130m

***1/2

A retelling of the story of Sir Gawain and the Green Knight from Arthurian mythology – out in cinemas on Friday, September 24th

This immediately sets out its stall with a woman leading a horse out of a courtyard and Gawain (Dev Patel) being awoken by a bucket of water on Christmas Day thrown by his lover Essel (Alicia Vikander) in a building which may or may not be a brothel. He attends mass with her, then goes back to his mother (Sarita Choudhury) who is going to pass attending the King’s court this Christmas Day.

The colour blind casting here has the good sense to cast Gawain and his mother in a similar ethnicity, which is certainly consistent and avoids the problems it produced in The Personal History Of David Copperfield (Armando Ianucci, 2019).

Whatever expectations of straightforward narrative the unwary moviegoer might have had from watching the trailer have been dashed. Much of the rest of the film is similarly oblique. While there is a basic underlying structure of a quest, what happens in the course of that quest comprises serial events and incidents en route that seemingly bear scant relation to the quest itself.… Read the rest

Categories
Features Live Action Movies

Limbo

Director – Ben Sharrock – 2020 – UK – Cert. N/C 15+ – 103m

****1/2

Immigrants are holed up in a rundown house on a bleak Scottish island as they await letters granting their requests for asylum in the UK – on MUBI from Thursday, September 23rd

A smiley chalked on a blackboard. A woman’s austere face suggesting exactly the opposite. Instructors Helga (Sidse Babett Knudsen) and Boris (Kenneth Collard) are demonstrating how a man should behave towards a woman dancing to pop music. Helga’s top looks far too proper and her skirt both far too formal and long for a good night out, as if she were dressed for work in an office. Boris is admonished for first resting his head on Helga’s clothed breast then putting his hands on her bottom. “Now, can anyone tell me what Boris did wrong,” she asks the group of stunned men watching, seated.

Behind her on the blackboard are the words, “Cultural Awareness 101. Sex. Is a smile an invitation?”

Welcome (or maybe not) to the world of an asylum seeker from Syria placed on a remote Scots island. Welcome (or maybe not) to the UK’s Hostile Environment.

A rudimentary training centre.… Read the rest

Categories
Documentary Features Live Action Movies

The Story Of Looking

Director – Mark Cousins – 2021 – UK – Cert. 15 – 87m

****

A highly personal film essay on the importance and significance of our visual senses – out in cinemas and on rental on BFI Player and Curzon Home Cinema from Friday, September 17th

This opens with archive interview footage of musician Ray Charles, blind since losing his sight in childhood, asked about whether he’d like to have sight back. He says no – he’s already seen the things he needs to see and can picture them – the stars, his mother. And when he hears the news, there are a lot of things he frankly is glad he can’t see, and feels sorry for all the people who can. Pushed as to whether he’d like to be able to see for just one day, he’d less sure, responding with a guarded “maybe”.

This footage appears to be a touchstone for film-maker Cousins, who constantly refers back to it in this film essay. Another pertinent, recurring image is a man standing on a row of chimney pots. If we could see through his eyes, what would we see?

Cousins has spent a life looking at things, firstly as a human being with a visual leaning, then later on professionally as a film maker.… Read the rest