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Top Ten Movies
(and more)
2021

Work in progress – subject to change. Because I am still watching movies released in 2021, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add.

All films received either a theatrical or an online release in the UK between 01/01/21 and 31/12/21. Prior to 2020, I’d never included online releases (well, maybe the odd one or two as a special case) but that year saw the film distribution business turned upside down by COVID-19. How 2022 and beyond will look is anyone’s guess.

This version excludes re-releases (Psycho, Paris, Texas and Pickpocket, not to mention the first six Bond movies, would top everything here). A link to that longer list will be added here in due course.

In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2021. A link to that even longer list will be added here in due course.

Finally, last year’s list is here.

Top Ten (UK theatrical + online movie releases 2021)

Please click on titles to see reviews. (Some links yet to be added.)

1. Getting Away With Murder(s) (UK)

2.… Read the rest

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No Time To Die

Director – Cary Joji Fukunaga – 2021 – UK – Cert. 12a – 163m

*****

We have all the time in the world. The new Bond movie gives Daniel Craig’s James Bond unexpected space to deal with human relationships and mortality – out on Blu-ray and DVD in the UK on Monday, December 20th and the US on Tuesday, December 21st

With its release delayed for over a year because of the global COVID-19 pandemic, Daniel Craig’s final screen outing as James Bond 007 finally arrives in UK cinemas, a week ahead of US release. Which is as it should be: Bond is British after all.

And yet, the plot sees Bond, now retired and living (like his late creator Ian Fleming towards the end of his life) in Jamaica, help out not MI6 but the CIA in the form of Felix Leiter (Jeffrey Wright in his third outing in the role opposite Craig’s Bond.).

The snowbound opening shows a little girl’s mother killed by a man wearing a Noh mask over a disfigured face; in the space of an edit, the little girl grows up to become Madeleine Swann (Léa Seydoux), previously Bond’s love interest in Spectre (Sam Mendes, 2015) and still together with him here.… Read the rest

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Cry Macho

Director – Clint Eastwood – 2021 – US – Cert. 12 – 104m

***1/2

A rodeo star and horse trainer well past his prime is sent to bring his boss’ son back to Texas from his “abusive” mother in Mexico – out to rent on Premium Video on Demand from Monday, December 13th

1979. Mike Milo (Clint Eastwood) is late for work. Again. His boss Howard Polk (Dwight Yoakam) ticks him off. Milo verbally lays into him. Gets fired. Newsreel footage from back in the day shows Mike’s rodeo accident, when a horse threw him and he landed on his back. He’s never been the same since.

They go back a long way, though, and that isn’t the end of their relationship. Howard phones Mike for a favour. Howard hasn’t seen his son since the boy was six. He’s now 13 and living with his mother, Howard’s estranged ex, down in Mexico. Howard has heard is son is being abused, although he doesn’t clarify. He wants Mike to go down to Mexico and bring the boy back.

Mike is unsure but agrees. His attempt to complete this task will form the body of the movie. He finds the mother’s house easily enough.… Read the rest

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West Side Story
(2021)

Director – Steven Spielberg – 2021 – US – Cert. 12a – 156m

*****

This reimagining of the landmark 1961 musical feels fresh and completely different, yet strangely familiar at the same time – out in cinemas on Friday, December 10th

The original adaptation of Broadway show West Side Story (Jerome Robbins, Robert Wise, 1961) is widely reckoned one of the great movie musicals. It’s basically Romeo And Juliet reworked with rival houses replaced by rival ethnic gangs, the Jets and the Sharks. From the moment a former member of one gang falls for a young girl from the other ethnic group, their romance is doomed.

As well as remarkable songs (music: Leonard Bernstein, lyrics: Stephen Sondheim), the thing people remember is the incredible, almost otherworldly choreography. If this had not been a musical but a straightforward teenage youth drama, the gangs would have walked or run through the streets in packs. Here, though, they dance and glide as a synchronised group, and the never less than magical result proves highly effective.

So if you’re going to remake West Side Story, you’d better have some pretty good ideas because a carbon copy would be pointless. Enter Steven Spielberg. Like many people, he’s grown up with the 1961 movie and knows it intimately.… Read the rest

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The Shop
Around The Corner

Director – Ernst Lubitsch – 1940 – US – Cert. PG – 99m

*****

Two store employees argue constantly, unaware they are perfect for one another – out in cinemas on Friday, December 3rd

It’s quite a shock to see an old Hollywood classic for the first time and realise that you’re seeing one of the greats of which you’ve somehow never heard, but that’s exactly what happened to me watching this extraordinarily charming film which is likely to appeal to anyone who loves the much more familiar It’s A Wonderful Life (Frank Capra, 1946). Both have stories that culminate at Christmas, both star American everyman James Stewart, and both give off what you might call a generosity of spirit. But in other ways, they’re two very different films.

For a start, this is not set anywhere in the US but rather in Europe, specifically the Hungarian capital Budapest. And then, its subject is not so much a town and the people who live there as a department store and the people who work there. There are no rich people dubiously making money by exploiting the poor: certainly there are bosses and workers, but the former treats the latter well and might reasonably be described as benevolent.… Read the rest

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House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest

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Annette

Director – Leos Carax – 2021 – France, US – Cert. 15 – 141m

****1/2

Musical conceived and composed by Sparks plays out as a very dark opera ending in tragedy – on MUBI from Friday, November 26th

Although billed as a musical, this may actually be closer to opera given that even though it starts as a story about two people deeply in love, it veers into very dark territory.

And yet framing all that, and underscoring it throughout, is the sheer pleasure of writing / composing songs… and, for that matter, performing them. The opening song is So May We Start while the closer, as the credits roll, is It’s The End. (For added enjoyment, watch 90% of the audience leave before the last song starts. Or in my case, 10% of my fellow critics.)

The former starts with the band, the brothers Mael (singer Russell and keyboard player / composer Ron, profiled in recent documentary The Sparks Brothers, Edgar Wright, 2021) and a backing band in a recording studio in an invitation for the proceedings to get going, swiftly joined by the film’s two leads, while the latter ends with seemingly the entire movie cast and crew walking through the countryside hoping we’ve enjoyed the show and asking us to tell our friends if we did so.… Read the rest

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The Battle
At Lake Changjin
(Zhang Jin Hu,
长津湖)

Directors – Chen Kaige, Dante Lam, Tsui Hark – 2021 – China – Cert. 15 – 176m

*****

Chinese war movie which has barnstormed the global box office does exactly what it says on the tin – out in cinemas on Friday, November 19th

There is a history of war films with a cast of thousands being directed by several (usually three) directors in an attempt to portray campaigns with huge military logistics on the screen. Probably the best known are The Longest Day (Ken Annakin, Andrew Marton, Bernard Wicki, 1962) about the World War Two Allied invasion of Normandy and Tora! Tora! Tora! (Richard Fleischer, Toshio Matsuda, Kinji Fukasaku, 1970) about the Japanese attack on Pearl Harbour. Both of those Western (and, as it happens, Twentieth Century Fox) movies presented both sides of the conflict by hiring directors from the different countries concerned.

The big difference between them and Chinese global box office phenomenon The Battle At Lake Changjin is that although the latter film deals with a conflict in which the Chinese are pitted against the Americans, all three directors are Chinese. Tsui (Zu Warriors, 1983; Once Upon A Time In China, 1991) at least has some working knowledge of America, having studied film in Texas.… Read the rest

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The Card Counter

Director – Paul Schrader – 2021 – US – Cert. 15 – 112m

**1/2

Tormented by internal demons relating to his activities in Abu Ghraib, for which he’s served a prison sentence, a card player bides his time on the professional gambling circuit – out in cinemas on Friday, November 5th

I’m an enormous admirer of Paul Schrader as critic, screenwriter and director. I could go through the component parts of this film and extol the virtues of most of them. And yet, somehow, adding all these elements together the end result here is less than satisfying. I left the preview theatre in shock trying to understand what had gone wrong. Was it the film or was it me?

You could have guessed it was Schrader directing one of his own screenplays from the opening shots. In American Gigolo (1980), it’s various angles on the gigolo’s car. In First Reformed (2017) , it’s various angles on the pastor’s church building. Here, it’s various angles on the card counter’s cards spread out on the green beige surface of a playing table.

Self-styled William Tell (Oscar Isaac) is travelling round the US making money from card games having taught himself to read cards whilst in military prison (the USDB in Fort Leavenworth, Kansas – it’s namechecked but not explained in the film and I had to look it up).… Read the rest

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Invasion
Of The Body
Snatchers

Director – Don Siegel – 1956 – US – Cert. PG – 80m

*****

The classic, paranoid SF outing about the residents of a small, American town being replaced by conformist, emotionless duplicates – on BFI Blu-ray from Monday, October 25th

This is an incomplete review, currently in progress…

Made in the middle of Hollywood’s 1950s B-movie Sci-Fi boom, this movie was made by Don Siegel who previously made hard-boiled crime thrillers after cutting his teeth as an editor of montage sequences in, among other things, Now, Voyager (Irving Rapper, 1942) with a striking script and a strong cast headed by Kevin McCarthy and, in her first starring role, Dana Wynter, which also includes Carolyn Jones who would later achieve fame playing Morticia Addams in The Addams Family TV series (creator David Levy, 1964).

Based on a Colliers Magazine serial by Jack Finney, it’s built around the highly potent idea of human beings being replaced by emotionless duplicates who operate as a communal whole rather than individual people. It’s often been read as a metaphor for the anti-Communist McCarthy witch hunts of the period, but as noted in the fascinating documentary Sleep No More, Invasion Of The Body Snatchers Revisited (2006), the left thought it was a satire on the right while the right thought it was a satire on the left.… Read the rest