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Rumours
(2024)

Director – Guy Maddin, Evan Johnson, Galen Johnson – 2024 – Germany, Canada – Cert. 15 – 109m

****1/2

The G7 leaders meet at a summit only to find themselves trapped in the woods following an apocalyptic event – from the BFI London Film Festival 2024 which runs from Wednesday, October 9th to Sunday, October 20th in cinemas and on BFI Player and then out in UK cinemas on out in UK cinemas on Friday, December 6th

LFF: Sun 13 Oct 15:15, BFI Southbank NFT1; Mon 14 Oct 20:30, Prince Charles Cinema; Sun 20 Oct 19:13, Curzon Soho Screen 1.

Every so often, the leaders of the world’s leading liberal democracies – the G7 – gather for summits to deal with the impending global crisis. On this occasion, it’s a bright, sunshiny day. Prior to getting down to business, they are toured through some local woods and shown the remains of one of the Bog People in a deep pit, their corpses perfectly preserved, apart from their bones which have disappeared, thanks to the properties of the bog land environment in which they were buried thousands of years ago. One corpse which they are shown has had his penis cut off and hung ornamentally round his neck.… Read the rest

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Documentary Features Live Action Movies

Harder Than The Rock
The Cimarons Story

Director – Mark Warmington – 2024 – UK – Cert. 12a – 100m

****

The story of Cimarons, the first British reggae band, who were formed in 1967 – out in UK cinemas on Thursday, October 3rd

As teenagers, they came from sun-soaked Jamaica to the UK to be confronted with a climate that was “rain, dull and gray.” In the 1960s, one of the areas that Jamaican immigrants came to in London was Harlesden, in Brent, and it was at Harlesden Methodist Church Youth Club in 1967 where Losely Guichy (guitar), Franklin Dunn (bass), Maurice Ellis (drums), and Carl Levi (organ) first met up and started playing music together, a site today commemorated with a blue plaque. They went through s number of singers over the years, notably Winston Reedy between 1974 and 1983.

By 1968 they were gigging as Cimarons. A performance at Paddington’s Q Club saw an A&R rep from Trojan Records in attendance, which led to a recording contract, their first album appearing in 1974, recorded in part as the Jamaican studio of the legendary Lee ‘Scratch’ Perry. Before that, they worked mainly as session musicians, appearing uncredited on numerous singles by black British reggae artists. The film isn’t particularly clear on the matter, but it’s mentioned that they lacked management and got hardly any royalties out of all this.… Read the rest

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Documentary Features Live Action Movies

Big Banana Feet

Director – Murray Grigor – 1976 – UK – Cert. 12 – 77m

****1/2

The camera follows comedian Billy Connolly to Dublin and Belfast for the final dates of his 1975 tour – 2K restoration is out in UK cinemas on Friday, May 10th, and on BFI Blu-ray/DVD (Dual Format Edition) and digital from Monday, May 20th

This played the Scala Cinema a few times back in the day. I always thought there must be a reason why, and now, with its release in a restored form by the BFI, I get to find out. I must admit to mixed feelings prior to viewing – I’m not someone who particularly enjoys stand-up comedy; indeed, watching videos of comedians doing their material onstage has been known to bore me to tears, even as it enthralls fans.

Although this has clips of Billy Connolly performing on stage – comic routines, songs with banjo and guitar – it’s essentially a fly-on-the-wall piece that captures his personality as he, with the help of his seemingly tireless road manager Billy Johnson, plays dates in Dublin and Belfast on the final leg of his 1975 tour. Watching it, you feel you get to know Connolly well, at least at the period of his career being filmed.… Read the rest

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Documentary Features Live Action Movies Music

Getting It Back:
The Story of Cymande

Director – Tim MacKenzie-Smith – 2022 – UK – Cert. 12a – 90m

****

How a promising, innovative black 1970s band failed to crack the UK music business, only for their music to take on a life of its own through various later, popular musical movements – out in UK cinemas on Friday, February 16th and out on BFI Blu-ray, BFI Player Subscription, iTunes and Amazon Prime on Monday, 26 February

Film critics have their blind spots (there are films you’d assume I’ve seen which I never have) and so too do serious music listeners, among whom I number myself. Prior to this film, I had never heard of Cymande. That’s surprising to me, actually, because I started seriously listening to music in the 1970s and have never stopped (although, significantly, rap and hip-hop, which came later, never really did it for me). And Cymande, it turns out, were a band of the early 1970s. It’s not mentioned in this film, but they played a couple of sessions for legendary UK Radio One DJ John Peel where it’s likely I would have heard them, had I started listening regularly to his show earlier than 1974, after they recorded a session.

The narrative in MacKenzie-Smith’s documentary runs something like this: in the 1950s and 60s, Britain invited numerous Commonwealth citizens from Caribbean islands like Jamaica, St.… Read the rest

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Documentary Features Live Action Movies Music

In The Court
Of The
Crimson King:
King Crimson
At 50

Director – Toby Amies – 2022 – UK – Cert. 15 – 86m

****1/2

Life behind the scenes members of the latest iteration of the band King Crimson, the revolving door institution helmed for half a century by musician Robert Fripp, as they rehearse and perform a tour – out in UK cinemas from Friday 7th April

Rather like the band King Crimson, what you see here is at once what you get and something entirely different.

The phrase “Toby’s camera” (which I’ll use later) seems apt. One doesn’t usually speak so personally of a director, and it’s not the case that I personally know Toby Amies or anything like that. Yet there’s a beguiling intimacy about this documentary. From the evidence here, King Crimson founder, guitarist and keyboard player Robert Fripp is a perfectionist liable to be thrown if something isn’t quite right: he describes all previous iterations of the band, something of a revolving door in which he’s been the sole constant member over the years, as painful and tells us that the current version of the band (together since 2013) is the one with which his experience has been happiest.

At one point, Toby mentions that he feels like he’s interviewing for the job of making the film as he’s shooting it.… Read the rest

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Features Live Action Movies Music

Annette

Director – Leos Carax – 2021 – France, US – Cert. 15 – 141m

****1/2

Musical conceived and composed by Sparks plays out as a very dark opera ending in tragedy – on MUBI from Friday, November 26th

Although billed as a musical, this may actually be closer to opera given that even though it starts as a story about two people deeply in love, it veers into very dark territory.

And yet framing all that, and underscoring it throughout, is the sheer pleasure of writing / composing songs… and, for that matter, performing them. The opening song is So May We Start while the closer, as the credits roll, is It’s The End. (For added enjoyment, watch 90% of the audience leave before the last song starts. Or in my case, 10% of my fellow critics.)

The former starts with the band, the brothers Mael (singer Russell and keyboard player / composer Ron, profiled in recent documentary The Sparks Brothers, Edgar Wright, 2021) and a backing band in a recording studio in an invitation for the proceedings to get going, swiftly joined by the film’s two leads, while the latter ends with seemingly the entire movie cast and crew walking through the countryside hoping we’ve enjoyed the show and asking us to tell our friends if we did so.… Read the rest