Director – Alex Tsitsilin – 2014 – Russia – Cert. U – 81m
*
Sequel to The Snow Queen is a lacklustre CG effort, with script as perfunctory and animation as lacking in character as the worst video game. Orm the troll returns to Troll City following his vanquishing of The Snow Queen in the first film, where he pretends to be a valiant hero to marry the kingdom’s troll princess before getting tricked by his own reflection. The uninspired UK dub scarcely helps. Produced by the Night Watch franchise’s director Timur Bekmambetov, but of little note otherwise.
Director – Todd Phillips – 2023 – US – Cert. 15 – 138m
****1/2
Get Happy… Get Ready for the Judgement Day! Prison movie, courtroom drama, musical… the new Joker movie is something of a wild card – out in UK cinemas on Friday, October 4th
The big surprise about this sequel to Joker (Todd Phillips, 2019), if indeed it is a sequel rather than another standalone film reimagining the same character, is not one but two big surprises. In no order of anything… One, it is a courtroom drama. Two, it is a musical. This is extraordinary. Less of a surprise is that, like its predecessor, it is also a character study. More of a surprise is that it completely breaks the mould as to what a comic book superhero – or, in this case, supervillain – movie might be.
Warner Bros. / DC appear to have unearthed a unique asset. DC Comics have a long tradition of alternate histories, something capitalised on in their Elseworlds imprint which have, for example, recast Batman on different occasions in as diverse roles as an historic American Civil War participant and a vampire. Thinking about such volumes in terms of the movies, such shifts of context as a musical built around a character like Joker makes perfect sense.… Read the rest
Director – Tim Burton – 2024 – US – Cert. 12a – 104m
***1/2
The hyperactive ghost from the afterlife returns, along with a number of characters from the original – sequel to the 1988 film is out in UK and Ireland cinemas on Friday, September 6th
When the original Beetlejuice (Tim Burton, 1988) came out, no-one had quite worked out what Tim Burton was about, and the film was arresting, shocking, completely out there, utterly bonkers and like nothing anyone had ever seen. It’s difficult to know exactly what one could do to achieve that same effect in a sequel, or whether one should even try that approach. In the interim, Burton has had a lengthy and successful Hollywood career, arguably the system’s resident maverick director. When he’s good he’s very good; when he’s not, you wait for the next one and it’s usually an improvement.
In the event, perhaps inevitably, Beetlejuice Beetlejuice doesn’t have the same shock of the new as its predecessor, but it’s similarly out there and bonkers and recognisably a sequel. It takes a while to get going – the first hour lumbers along with flashes of brilliance, such as a memorable, 3D-animated passenger aircraft crash at sea sequence, but the final third or so (from the point where one of the characters is lured in to the afterlife by another who turns out to be a ghost) is much more effective.… Read the rest
A law student’s daughter takes on his old morgue nightwatchman’s jobto find out about the killer who traumatised her parents – out on Shudder UK from Friday, May 17th
WARNING: don’t watch this sequel until you’ve seen the original Nightwatch (1994). That’s easy enough to do, since both films are currently on Shudder.
SPOILER ALERT: if you’ve not (yet) seen the original, watch that before reading this review.
Almost thirty years on, Bornedal’s sequel is almost a retread of his original film. Almost, but not quite. Martin (Nikolaj Coster Waldau) has never totally got over his wife Kalinka’s suicide, caused by the fear of arrested killer Peter Wörmer. Several times a week, in scenes described but never shown, Martin visits the summerhouse where she hanged herself and talks to her. Martin’s friend Jens has long since disappeared to Thailand, while his girlfriend Lotte (played by a different actress, Vibeke Hastrup) still works as a vicar. Martin hasn’t heard from either of them in years.
Mental patient Bent (Casper Kjær Jensen) is a likewise incarcerated killer, a copycat. Later on, both he and Wörmer will escape their hospitals.
Martin lives with his med student daughter Emma (Fanny Leander Bornedal, the director’s daughter who is terrific here) who wants to find out exactly what happened to her parents.… Read the rest
Director – Ricky Lau – 1988 – Hong Kong – Cert. 12 – 96m
***1/2
A feud between Taoist and Buddhist neighbours, and a tentative romance between their boy and girl apprentices, are interrupted by the arrival of a coffin, from which a hopping corpse escapes – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels
The fourth and final ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).
This once again shakes up the formula to deliver something different from its predecessors. Where the third film replaced the franchise’s jiangshi (hopping corpses) with flying ghosts, this fourth entry brings jiangshi back again and yet, curiously, they only come into play in about half of the film. The other half concerns two next door neighbours who don’t get on with one another. As with the previous films, the knockabout comedy sensibility holds the whole thing together.
The second major change is the conspicuous absence of star Lam Ching-ying who previously played the jiangshi-fighting, Taoist priest. According to the Blu-ray booklet’s helpful essay on these films by James Oliver, this appears to be down to the fact that Lam simply wasn’t available, a theory backed up by the fact that he subsequently worked again with most of those involved in the franchise.… Read the rest
Director – Ricky Lau – 1987 – Hong Kong – Cert. 15 – 88m ***1/2 Stunt-filled action comedy in which a travelling con-artist in cahoots with ghosts helps a Taoist priest fight a gang of horse thieves led by an evil sorceress – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels
The third ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).
Set in the early twentieth century of the original Mr. Vampire, this once again takes the constituent parts of the original and shakes everything up a bit to come up with something at once different yet recognisably the same.
Taoist priest Ming (Richard Ng) is not terribly good at the job, so is getting by as a con artist going from village to village banishing ghosts for anyone who’ll pay him, the con element being that he has two ghost assistants, the adult Big Pao (David Lui Fong) and the small boy Small Pao (Hoh Kin-wai from Mr. Vampire II) who act out the part of being banished. Real ghosts with a nasty habit of appearing and messing things up force him to move on.… Read the rest
Director – Ricky Lau – 1986 – Hong Kong – Cert. 12 – 89m
*****
After a professor unearths a family of undead corpses, the child befriends a little girl and the parents go looking for it – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels
The second ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).
A professor (Fat Chung) leads his two hapless assistants Chicken (Billy Lau) and Sashimi (Lau Chau-sang) on an archaeological dig, sending them into a cave where they find a family of corpses (father, mother, small boy played by Cheung Wing-cheung, Pauline Wong and Hoh Kin-wai respectively) immobilised by talismans on their foreheads, and take them back to the professor’s workshop. As the professor and Sashimi are driving the child corpse, the talisman comes off, and it comes to life, later escaping to a house where it is found and befriended by a little girl Chia-Chia (Hon Kin-yu), who keeps it hidden in her room from her widowed father Mr. Hu (Woo Fung). She introduces it to her brother (Choi Man-kam) and later to four of their friends.… Read the rest
Directors – Matt Bettinelli-Olpin, Tyler Gillett – 2022 – US – Cert. 18 – 123m
**1/2
The sixth entry in the Scream franchise relocates from Woodsboro to New York City as the masked killer continues to stalk and kill his victims – out in UK cinemas on Friday, March 10th
The phone rings. Someone picks up. If it’s the first time he’s called, the caller (voice: Roger L. Jackson) engages them in conversation, often about whether they like movies, in particular scary movies. This often leads to the recipient of the call being bloodily murdered shortly after. But not always. Some of the characters in the Scream movies stay alive via a judicious knowledge of the rules of horror films. The previous five films, of which the fifth film is somewhat confusingly called Scream exactly the same as the first, are set in the town of Woodsboro, California with a cast of repeating characters among the ongoing survivors.
This sixth film is set in the very different urban milieu of New York City. Which, along with a smart graphic whereby the last three quarters of the letter ‘M’ are coloured red to turn into the Roman numeral VI, may entice back viewers who had long since given up on the franchise (the ideas got tired after the first couple of films).… Read the rest
Director – Frant Gwo – 2023 – China – Cert. 12a – 173m
***
Sequel – or rather prequel – wants to explain how it was that the Earth became the Wandering Earth, but instead throws convoluted plot, big budget effects and action set-pieces at us while not really explaining anything – out in UK cinemas on Friday, January 27th
Gwo’s mega-expensive, blockbuster franchise is back for a second instalment, this time at three rather than two hours in length. Surprisingly, II isn’t so much a sequel toThe Wandering Earth as a prequel which attempts to explain its predecessor by exploring many of the events which take place leading up to it, including the attempt by the United Earth Government (UEG) to launch the Wandering Earth Project, the complex system of jet engines constructed around the Equator like a belt round a large man’s belly to enable the ecologically-damaged Planet Earth to be piloted through space in an attempt to find a new home for the human race.
As if aware that three hours of interpersonal drama and action sequences based around this might prove too much for even the franchise’s most ardent fans, Gwo and his screenwriters build in a second plot involving Tu Yuheng (Chinese megastar Andy Lau) whose wife and small daughter are killed in a road accident.… Read the rest
Director – S.S. Wilson – 1996 – US – Cert. 12 – 92m
Video rental release
Tremors’ Fred Ward and Michael Gross (the survivalist Burt Gummer) joined by self‑styled “new guy” Christopher Gartin are again beset by underground beasties who, as before, outsmart the humans – here mutating into CGI bipeds created by top Jurassic Park effects man Phil Tippett. Highly inventive sequel – recommended.
Capsule review from Manga Mania, 1996,republished here on the death of actor Fred Ward, May 2022.
